Panavision Panaflex Series Cameras | 754 Titles
Speed (1994)
Directed by | Jan de Bont | Cinematography by | Andrzej Bartkowiak | Editing by | John Wright
Cameras | Beaumont Vista Vision Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Snake Eyes (1998)
Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Bill Pankow
Lenses | Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens
Apollo 13 (1995)
Directed by | Ron Howard | Cinematography by | Dean Cundey | Editing by | Daniel P. Hanley, Mike Hill
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras
Spider-Man 2 (2004)
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski
Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Mission: Impossible – Ghost Protocol (2011)
Directed by | Brad Bird | Cinematography by | Robert Elswit | Editing by | Paul Hirsch
Cameras | ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Razorback (1984)
Directed by | Russell Mulcahy | Cinematography by | Dean Semler | Editing by | William M. Anderson
Cameras | Panavision Panaflex Gold Camera
Mission: Impossible III (2006)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Nick Gibbs, Mary Jo Markey
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses
Mission: Impossible (1996)
Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Paul Hirsch
Cameras | Panavision Panaflex Camera, Wescam Cameras
Mission: Impossible II (2000)
Directed by | John Woo | Cinematography by | Jeffrey L. Kimball | Editing by | Steven Kemper, Christian Wagner
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Dark City (1998)
Directed by | Alex Proyas | Cinematography by | Dariusz Wolski | Editing by | Dov Hoenig
Cameras | Panavision Panaflex Gold II Camera
Mission: Impossible – Rogue Nation (2015)
Directed by | Christopher McQuarrie | Cinematography by | Robert Elswit | Editing by | Eddie Hamilton
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
BlacKkKlansman (2018)
Directed by | Spike Lee | Cinematography by | Chayse Irvin | Editing by | Barry Alexander Brown
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses
Phantom Thread (2017)
Directed by | Paul Thomas Anderson | Cinematography by | Paul Thomas Anderson | Editing by | Dylan Tichenor
The Sugarland Express (1974)
Directed by | Steven Spielberg | Cinematography by | Vilmos Zsigmond | Editing by | Edward M. Abroms, Verna Fields
Ready Player One (2018)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses
500 Days of Summer (2009)
Directed by | Marc Webb | Cinematography by | Eric Steelberg | Editing by | Alan Edward Bell
Lenses | Panavision Lenses
The Texas Chainsaw Massacre (2003)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Glen Scantlebury
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Warlock (1989)
Directed by | Steve Miner | Cinematography by | David Eggby | Editing by | David Finfer
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
Event Horizon (1997)
Directed by | Paul W.S. Anderson | Cinematography by | Adrian Biddle | Editing by | Martin Hunter
Cameras | Panavision Panaflex Platinum Camera
The Book of Henry (2017)
Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt
Lenses | Panavision Lenses
