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Panavision Cameras | 1609 Titles

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The Texas Chainsaw Massacre (2003)

Motion Picture | 2D | Film Project | Black & White, Color | 1.85:1 | 98 Minutes

Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Glen Scantlebury

Starring | Jessica Biel, Jonathan Tucker, Andrew Bryniarski, Erica Leerhsen

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Lord of the Flies (1990)

Motion Picture | 2D | Film Project | Color | 90 Minutes

Directed by | Harry Hook | Cinematography by | Martin Fuhrer | Editing by | Harry Hook

Starring | Balthazar Getty, Chris Furrh, Danuel Pipoly, James Badge Dale

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Warlock (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 103 Minutes

Directed by | Steve Miner | Cinematography by | David Eggby | Editing by | David Finfer

Starring | Julian Sands, Lori Singer, Richard E. Grant, Mary Woronov

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

Event Horizon (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1, 2.55:1 | 96 Minutes

Directed by | Paul W.S. Anderson | Cinematography by | Adrian Biddle | Editing by | Martin Hunter

Starring | Laurence Fishburne, Sam Neill, Kathleen Quinlan, Joely Richardson

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Book of Henry (2017)

Motion Picture | 2D | Film Project | Color | 1.85:1, 2.0:1 | 105 Minutes

Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt

Starring | Naomi Watts, Jaeden Martell, Jacob Tremblay, Sarah Silverman

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Lenses

Greyhound (2020)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 91 Minutes

Directed by | Aaron Schneider | Cinematography by | Shelly Johnson | Editing by | Mark Czyzewski, Sidney Wolinsky

Starring | Tom Hanks, Elisabeth Shue, Stephen Graham, Matt Helm

Cameras | Panavision Millennium DXL Camera

Lenses | Panavision Sphero 65 Series Lenses

Baby Driver (2017)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 113 Minutes

Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Jonathan Amos, Paul Machliss

Starring | Ansel Elgort, Jon Bernthal, Jon Hamm, Eiza González

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Maniac (2018)

Miniseries | 2D | 4K Project | Color | 386 Minutes

Directed by | Cary Joji Fukunaga | Cinematography by | Darren Lew | Editing by | Pete Beaudreau, Tim Streeto

Starring | Emma Stone, Jonah Hill, Sonoya Mizuno

Cameras | Panavision Millennium DXL Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Rampage (1987)

Motion Picture | Color | 1.85:1 | 97 Minutes

Directed by | William Friedkin | Cinematography by | Robert D. Yeoman | Editing by | Jere Huggins

Starring | Michael Biehn, Alex McArthur, Nicholas Campbell, Deborah Van Valkenburgh

Cameras | Panavision Cameras

The Paint Job (1992)

Motion Picture | Color | 1.85:1 | 90 Minutes

Directed by | Michael Taav | Cinematography by | Robert D. Yeoman | Editing by | Nancy Richardson

Starring | Will Patton, Bebe Neuwirth, Robert Pastorelli, Casey Siemaszko

Cameras | Panavision Cameras

Back to the Future Part III (1990)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 118 Minutes

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Mary Steenburgen, Tom Wilson

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Back to the Future (1985)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 1.85:1 | 116 Minutes

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover

Cameras | Panavision Panaflex Gold Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Back to the Future Part II (1989)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Back to the Future Part II | ShotOnWhat?

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Lea Thompson, Tom Wilson

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Watchmen (2009)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 162 Minutes

Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | William Hoy

Starring | Jackie Earle Haley, Patrick Wilson, Carla Gugino, Malin Akerman

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Contact (1997)

Motion Picture | 2D | Color | 2.39:1 | 150 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Jodie Foster, Matthew McConaughey, Tom Skerritt, John Hurt

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Miami Vice (1984)

Television Series | 2D | SD Project | Color | 48 Minutes

Directed by | John Nicolella, Richard Compton, Leon Ichaso, Vern Gillum, Don Johnson, Jim Johnston, David Jackson, Colin Bucksey, Virgil W. Vogel, Paul Michael Glaser, Rob Cohen, Jan Eliasberg, Aaron Lipstadt, James Quinn, Georg Stanford Brown, Lee H. Katzin, David Anspaugh, Abel Ferrara, Michael O'Herlihy, Mario DiLeo, Gabrielle Beaumont, Paul Krasny, George Mendeluk, Michelle Manning, Russ Mayberry, Alan Myerson, Thomas Carter, Richard A. Colla, Stan Lathan, Alan J. Levi, John Llewellyn Moxey, Bobby Roth, David Soul, Harry Mastrogeorge, Edward James Olmos, Tim Zinnemann, Daniel Attias, Craig Bolotin, Christopher Crowe, Dick Miller, Fred Walton, Ate de Jong, Tony Wharmby, Bill Duke, Donald L. Gold, Randy Roberts, Chip Chalmers, James A. Contner, Eugene Corr, Michael B. Hoggan, Robert Iscove | Cinematography by | Oliver Wood, Tom Priestley Jr., Duke Callaghan, James A. Contner, Michael McGowan, Robert E. Collins, William Cronjager, Victor Hammer | Editing by | Robert A. Daniels, Michael D. Ornstein, Michael B. Hoggan, Kevin Krasny, Douglas Ibold, Dick Williams, Casey O. Rohrs, Robert L. Sinise, Steve Shultz, Jack Horger, Eric A. Sears, Barry B. Leirer, Gene Foster, Buford F. Hayes, David Rosenbloom, David Solomon, Joel Goodman, Dov Hoenig, Sidney Wolinsky, Lawrence J. Gleason, Richard Leeman

Starring | Don Johnson, Philip Michael Thomas, Saundra Santiago

Cameras | Panavision Panaflex Series Cameras

Knives Out (2019)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 130 Minutes

Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay

Starring | Daniel Craig, Chris Evans, Ana de Armas

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Panavision Silent Reflex PSR Camera

Lenses | ARRI Rental Prime 65 Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses

Uncut Gems (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 135 Minutes

Directed by | Benny Safdie, Josh Safdie | Cinematography by | Darius Khondji | Editing by | Ronald Bronstein, Benny Safdie

Starring | Adam Sandler, Julia Fox, Idina Menzel

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses

Halloween (1978)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 91 Minutes

Directed by | John Carpenter | Cinematography by | Dean Cundey | Editing by | Charles Bornstein, Tommy Lee Wallace

Starring | Donald Pleasence, Jamie Lee Curtis, Tony Moran

Cameras | Panavision Panaflex Camera

Seberg (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 102 Minutes

Directed by | Benedict Andrews | Cinematography by | Rachel Morrison | Editing by | Pamela Martin

Starring | Kristen Stewart, Yvan Attal, Gabriel Sky, Jack O'Connell

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses

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