Canon Cameras | 292 Titles
Più accecante della notte (2016)
Directed by | Diego Bonuccelli | Cinematography by | Diego Bonuccelli, Katia Cirrincione | Editing by | Diego Bonuccelli
Cameras | Canon Cameras, Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, GoPro HERO4 Black
Lenses | Canon EF Series Lenses, Canon Lenses
Roshtalivik (2016)
Directed by | Nicholas J. Moore | Cinematography by | Nicholas J. Moore | Editing by | Nicholas J. Moore
Cameras | Canon EOS Rebel T3i camera, Canon EOS-7D Camera
Pipe Dreams: Six of Them (2016)
Directed by | Kain Baigent | Editing by | David Baldini
Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero Camera, GoPro HD Hero2 Camera, Panasonic AG-HVX200 Camera
Jason Bourne (2016)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
Beacon: A Visual Poem (2014)
I, Timon (2017)
Directed by | Bramwell Noah, Dan Noah | Cinematography by | David Baldini
Cameras | Canon EOS-C300 Mark II Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens
The Legend of Daniel (2012)
Directed by | Tyler W. Moore | Cinematography by | Tyler W. Moore | Editing by | Tyler W. Moore
Cameras | Canon VIXIA HF10 Camera
The Transfiguration (2016)
Odium (2013)
Directed by | Leszek Hendzel | Cinematography by | Michal Wisniowski | Editing by | Michal Wisniowski
Cameras | Canon EOS-5D Mark III Camera
The Box (2018)
Directed by | Jack O'Donoghue, Isaac Stewart | Cinematography by | Isaac Stewart | Editing by | Isaac Stewart
Cameras | Canon EOS-7D Camera, Sony α7S Camera
Lacuna (2016)
Directed by | Isaac Stewart | Cinematography by | Datu Bethke | Editing by | Matthew Roper, Isaac Stewart
Cameras | Canon EOS-1DX Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 50 mm f1.2 L Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon Lenses
Wyrmwood: Road of the Dead (2014)
Directed by | Kiah Roache-Turner | Cinematography by | Tim Nagle | Editing by | Kiah Roache-Turner
Cameras | Canon EOS-5D Mark III Camera, Red Epic Camera
The Father and the Bear (2016)
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Lenses | Zeiss Lenses, Zeiss ZE Prime Lenses
Camino a La Paz (2015)
Directed by | Francisco Varone | Cinematography by | Christian Cottet | Editing by | Federico Peretti, Alberto Ponce
Cameras | Canon EOS-C500 Camera
Fathers and Daughters (2015)
Directed by | Gabriele Muccino | Cinematography by | Shane Hurlbut | Editing by | Alex Rodríguez
Cameras | Canon EOS-C500 Camera, Red Epic Camera
Madame Tutli-Putli (2007)
Directed by | Chris Lavis, Maciek Szczerbowski | Cinematography by | Stéphanie Anne Weber Biron
Cameras | Canon EOS 30D Camera
Milk (2008)
Victoria (2015)
Directed by | Sebastian Schipper | Cinematography by | Sturla Brandth Grøvlen | Editing by | Olivia Neergaard-Holm
Cameras | Canon EOS-C300 Camera
Anomalisa (2015)
Directed by | Duke Johnson, Charlie Kaufman | Cinematography by | Joe Passarelli | Editing by | Garret Elkins
Cameras | Canon EOS-7D Camera
The Big Short (2015)
Directed by | Adam McKay | Cinematography by | Barry Ackroyd | Editing by | Hank Corwin
Cameras | ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera