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ARRIFLEX 16mm Cameras | 104 Titles

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Til the End of the Day (2011)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 27 Minutes

Directed by | Callen Diederichs | Cinematography by | Alain Astruc | Editing by | Jean-Sebastien Gauthier

Starring | Keegan Bush, Jordan Delorme, Callen Diederichs, Jean-Sebastien Gauthier

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Zeiss Lenses

Clerks (1994)

Motion Picture | 2D | Film Project | Black & White | 1.85:1 | 92 Minutes

Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith

Starring | Brian O'Halloran, Jeff Anderson, Marilyn Ghigliotti, Lisa Spoonauer

Cameras | ARRIFLEX 16SR Camera

American Horror Story (2011)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 60 Minutes

Anthropoid (2016)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Sean Ellis | Cinematography by | Sean Ellis | Editing by | Richard Mettler

Starring | Jamie Dornan, Cillian Murphy, Brian Caspe, Karel Hermánek Jr.

Cameras | ARRIFLEX 416 Camera

Lenses | Hawk V-Lite 16 Lens

Venus (2006)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Roger Michell | Cinematography by | Haris Zambarloukos | Editing by | Nicolas Gaster

Starring | Peter O'Toole, Jodie Whittaker, Leslie Phillips, Beatrice Savoretti

Cameras | ARRIFLEX 16SR3 Camera

Theeb (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Naji Abu Nowar | Cinematography by | Wolfgang Thaler | Editing by | Rupert Lloyd

Starring | Jacir Eid Al-Hwietat, Hussein Salameh Al-Sweilhiyeen, Hassan Mutlag Al-Maraiyeh, Jack Fox

Cameras | ARRIFLEX 416 Camera

Lenses | Hawk V-Lite 16 Lens

Steve Jobs (2015)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Danny Boyle | Cinematography by | Alwin H. Küchler | Editing by | Elliot Graham

Starring | Michael Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels

Cameras | ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses

Koyaanisqatsi (1982)

Motion Picture | 2D | Color | 1.85:1 | 86 Minutes

Directed by | Godfrey Reggio | Cinematography by | Ron Fricke | Editing by | Ron Fricke, Alton Walpole

Starring | Lou Dobbs, Ted Koppel

Cameras | ARRIFLEX 16S Camera, ARRIFLEX 35 IIC Camera

Lenses | Canon Lenses

Carol (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 118 Minutes

Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Affonso Gonçalves

Starring | Cate Blanchett, Rooney Mara, Sarah Paulson, Kyle Chandler

Cameras | ARRIFLEX 416 Camera

Lenses | Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Batman v Superman: Dawn of Justice (2016)

Motion Picture | 2D, 3D | 4K Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 151 Minutes

Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | David Brenner

Starring | Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg

Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Remnant (2001)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Rick Jordan | Cinematography by | John Lazear | Editing by | Erik Anderson

Starring | Rick Jordan, Jeff Marlow, Teresa Castracane, Roxzane T. Mims

Cameras | ARRIFLEX 16SR2 Camera, Cinema Products CP-16R Camera

La fille du 14 juillet (2013)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Antonin Peretjatko | Cinematography by | Simon Roca | Editing by | Carole Le Page, Antonin Peretjatko

Starring | Vimala Pons, Grégoire Tachnakian, Vincent Macaigne, Marie-Lorna Vaconsin

Cameras | ARRIFLEX 16SR3 Camera

Lenses | Angenieux HR Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Theory of Everything (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | James Marsh | Cinematography by | Benoît Delhomme | Editing by | Jinx Godfrey

Starring | Eddie Redmayne, Felicity Jones, Tom Prior, Sophie Perry

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRIFLEX 16SR3 Camera

Lenses | Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Ping Pong Summer (2014)

Motion Picture | 2D | Color | 92 Minutes

Directed by | Michael Tully | Cinematography by | Wyatt Garfield | Editing by | Marc Vives

Starring | Marcello Conte, Judah Friedlander, Amy Sedaris, Lea Thompson

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Ultra 16 Lenses

’71 (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Yann Demange | Cinematography by | Tat Radcliffe | Editing by | Chris Wyatt

Starring | Jack O'Connell, Sam Reid, Sean Harris, Paul Popplewell

Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera

Lenses | Hawk V-Lite 16 Lens, Hawk V-Lite Vintage´74 Lens

Primer (2004)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Shane Carruth | Cinematography by | Troy Dick | Editing by | Shane Carruth

Starring | Shane Carruth, David Sullivan, Casey Gooden, Anand Upadhyaya

Cameras | ARRIFLEX 16SR Camera

Mafiosa (2006)

Television Series | 2D | Color | 1.78:1 (16x9) | 416 Minutes

| Cinematography by | Aleksander Kaufmann, Pierre Novion, Patrick Blossier | Editing by | Pascale Fenouillet, Isabelle Laclau, Sylvie Pontoizeau, Peggy Koretzky, Eric Armbruster, Camille Toubkis, Jean-Paul Husson

Starring | Hélène Fillières, Phareelle Onoyan, Eric Fraticelli, Véronique Volta

Cameras | ARRI ALEXA Camera, ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera

Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke CXX 15-40mm T2.0 Lens, Cooke S4 Lenses, Zeiss Super Speed Lenses

Skate or Die (2008)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Miguel Courtois

Starring | Mickey Mahut, Idriss Diop, Elsa Pataky, Philippe Bas

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Lore (2012)

Motion Picture | 2D | Color | 109 Minutes

Lore | ShotOnWhat?

Directed by | Cate Shortland | Cinematography by | Adam Arkapaw | Editing by | Veronika Jenet

Starring | Saskia Rosendahl, Kai-Peter Malina, Nele Trebs, Ursina Lardi

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Plus Camera

Lenses | Canon Lenses, Zeiss Ultra 16 Lenses

Verrückt nach Paris (2002)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Pago Bahlke, Eike Besuden | Cinematography by | Piotr Lenar | Editing by | Margot Neubert-Maric

Starring | Paula Kleine, Wolfgang Goettsch, Frank Grabski, Dominique Horwitz

Cameras | ARRIFLEX 16SR3 Advanced Camera, Sony HDW-F900 Camera

Lenses | Fujinon E Series Lenses, Zeiss Lenses

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