ARRICAM Studio (ST) Camera | 271 Titles
Blood and Chocolate (2007)
Tristan + Isolde (2006)
Transporter 3 (2008)
Directed by | Olivier Megaton | Cinematography by | Giovanni Fiore Coltellacci | Editing by | Camille Delamarre, Carlo Rizzo
Lenses | Cooke S4 Lenses
25th Hour (2002)
Directed by | Spike Lee | Cinematography by | Rodrigo Prieto | Editing by | Barry Alexander Brown
Lenses | Zeiss Ultra Prime Lenses
Now Is Good (2012)
Directed by | Ol Parker | Cinematography by | Erik Wilson | Editing by | Peter Lambert
Lenses | Zeiss Master Prime Lenses
Breaking and Entering (2006)
Directed by | Anthony Minghella | Cinematography by | Benoît Delhomme | Editing by | Lisa Gunning
Lenses | Zeiss Ultra Prime Lenses
Just Friends (2005)
Directed by | Roger Kumble | Cinematography by | Anthony B. Richmond | Editing by | Jeff Freeman
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
La dame de trèfle (2009)
Directed by | Jérôme Bonnell | Cinematography by | Pascal Lagriffoul | Editing by | Laure Gardette
Cameras | ARRICAM Studio (ST) Camera
Lenses | Cooke S4 Lenses
From Paris with Love (2010)
Directed by | Pierre Morel | Cinematography by | Michel Abramowicz | Editing by | Frédéric Thoraval
Lenses | Panavision Primo Anamorphic Lenses
To Rome with Love (2012)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Cooke 5/i Lenses, Cooke Speed Panchro Lenses
Rambo (2008)
Directed by | Sylvester Stallone | Cinematography by | Glen MacPherson | Editing by | Sean Albertson
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses | Zeiss Ultra Prime Lenses
Bronson (2008)
Trespass (2011)
Directed by | Joel Schumacher | Cinematography by | Andrzej Bartkowiak | Editing by | Bill Pankow
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Two Lovers (2008)
Directed by | James Gray | Cinematography by | Joaquín Baca-Asay | Editing by | John Axelrad
Lenses | Cooke S4 Lenses
Lars and the Real Girl (2007)
Directed by | Craig Gillespie | Cinematography by | Adam Kimmel | Editing by | Tatiana S. Riegel
Lenses | Cooke S4 Lenses
The Raven (2012)
Babylon A.D. (2008)
Directed by | Mathieu Kassovitz | Cinematography by | Thierry Arbogast | Editing by | Benjamin Weill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, ARRIFLEX 535 B Camera
Lenses | Panavision Primo Anamorphic Lenses
Midnight in Paris (2011)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke 5/i Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses
Alvin and the Chipmunks: The Squeakquel (2009)
Directed by | Betty Thomas | Cinematography by | Anthony B. Richmond | Editing by | Matt Friedman
Lenses | Cooke S4 Lenses