ARRI ALEXA Series Cameras | 910 Titles
Creed II (2018)
Directed by | Steven Caple Jr. | Cinematography by | Kramer Morgenthau | Editing by | Dana E. Glauberman, Saira Haider, Paul Harb
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses | Panavision Lenses, Zeiss Master Prime Lenses
Overlord (2018)
Directed by | Julius Avery | Cinematography by | Laurie Rose, Fabian Wagner | Editing by | Matt Evans
Paddington 2 (2017)
Directed by | Paul King | Cinematography by | Erik Wilson | Editing by | Jonathan Amos, Mark Everson
Cameras | ARRI ALEXA Series Cameras
The Hummingbird Project (2018)
Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Nicolas Chaudeurge, Arthur Tarnowski
Cameras | ARRI ALEXA Mini Camera
Lenses | Hawk V-Lite Lenses
Ocean’s Eight (2018)
Directed by | Gary Ross | Cinematography by | Eigil Bryld | Editing by | Juliette Welfling
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera
The Sun Is Also a Star (2019)
Directed by | Ry Russo-Young | Cinematography by | Autumn Durald Arkapaw | Editing by | Joe Landauer
Cameras | ARRI ALEXA Mini Camera
Extremely Wicked, Shockingly Evil and Vile (2019)
Directed by | Joe Berlinger | Cinematography by | Brandon Trost | Editing by | Josh Schaeffer
Cameras | ARRI ALEXA Mini Camera
Us (2019)
Wonder Woman (2017)
Directed by | Patty Jenkins | Cinematography by | Matthew Jensen | Editing by | Martin Walsh
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses | ARRI Rental Prime 65 Lenses
Upgrade (2018)
Directed by | Leigh Whannell | Cinematography by | Stefan Duscio | Editing by | Andy Canny
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
The Mummy (2017)
Directed by | Alex Kurtzman | Cinematography by | Ben Seresin | Editing by | Gina Hirsch, Paul Hirsch, Andrew Mondshein
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Happy Death Day (2017)
Directed by | Christopher Landon | Cinematography by | Toby Oliver | Editing by | Gregory Plotkin
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Lenses, Cooke S4/i Lenses
The Predator (2018)
Directed by | Shane Black | Cinematography by | Larry Fong | Editing by | Harry B. Miller III
Lenses | Panavision Ultra Speed MKII Lenses
I Think We’re Alone Now (2018)
Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Anamorphic Lenses
Alien: Covenant (2017)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia
Lenses | Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses
Red Sparrow (2018)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
The Happy Prince (2018)
The Power of the Dog (2021)
Directed by | Jane Campion | Cinematography by | Ari Wegner | Editing by | Peter Sciberras
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera
Papillon (2017)
Directed by | Michael Noer | Cinematography by | Hagen Bogdanski | Editing by | John Axelrad, Lee Haugen
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Zeiss Ultra Prime Lenses
The Hitman’s Bodyguard (2017)
Directed by | Patrick Hughes | Cinematography by | Jules O'Loughlin | Editing by | Jake Roberts
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera
Lenses | Angenieux Lenses, Hawk V-Lite Vintage´74 Lens
