ARRI ALEXA Series Cameras | 910 Titles
Bowling (2012)
Directed by | Marie-Castille Mention-Schaar | Cinematography by | Myriam Vinocour | Editing by | Hugues Darmois
Cameras | ARRI ALEXA Camera
Into the Woods (2014)
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
22 Jump Street (2014)
Directed by | Phil Lord, Christopher Miller | Cinematography by | Barry Peterson | Editing by | Keith Brachmann, David Rennie
Cameras | ARRI ALEXA XT Camera
Veronica Mars (2014)
Directed by | Rob Thomas | Cinematography by | Ben Kutchins | Editing by | Daniel Gabbe
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
Son of God (2014)
Directed by | Christopher Spencer | Cinematography by | Rob Goldie | Editing by | Robert Hall
Cameras | ARRI ALEXA Plus Camera
Lenses | ARRI / Fujinon Lenses
Neighbors (2014)
Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker
Cameras | ARRI ALEXA Camera, Red Epic Camera
Le crocodile du Botswanga (2014)
Directed by | Lionel Steketee, Fabrice Eboué | Cinematography by | Stéphane Le Parc | Editing by | Frédérique Olszak
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Master Anamorphic Lenses, Fujinon Alura Lenses
The Bletchley Circle (2012)
| Cinematography by | John Pardue, Jake Polonsky, Adam Suschitzky | Editing by | Stephen O'Connell, St. John O'Rorke, David Rees
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Hunger Games: Mockingjay – Part 1 (2014)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell, Mark Yoshikawa
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Upstairs Downstairs (2010)
| Cinematography by | Adam Suschitzky, John Conroy, Peter Greenhalgh, Ian Moss | Editing by | Úna Ní Dhonghaíle, Paul Brown, Crispin Green, Isobel Stephenson, Caroline Limmer
Cameras | ARRI ALEXA Camera
The Monuments Men (2014)
Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Political Animals (2012)
| Cinematography by | Michael Mayers, Alan Caudillo | Editing by | Barbara Gerard, Kristin Windell
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
Winter’s Tale (2014)
Directed by | Akiva Goldsman | Cinematography by | Caleb Deschanel | Editing by | Tim Squyres, Wayne Wahrman
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Vampire Academy (2014)
Directed by | Mark Waters | Cinematography by | Tony Pierce-Roberts | Editing by | Chris Gill
Cameras | ARRI ALEXA Camera
Shameless (2011)
| Cinematography by | Kevin McKnight, Rodney Charters, Anthony Hardwick, Loren S. Yaconelli, James M. Muro | Editing by | John M. Valerio, Regis Kimble, Tim Tommasino, Russell Denove, Mark Strand, Gregg Featherman, Kelley Dixon, Finnian Murray, Michael Stern, Thomas M. Bolger, Robert Bramwell, Omar Hassan-Reep, Shannon Mitchell, Kevin D. Ross, Mark Sadlek, Toby Yates, Julie Monroe, Jeffrey M. Werner, Sam Bollinger, David Moritz, Brent McReynolds, Chetin Chabuk
Cameras | ARRI ALEXA Camera, Red One MX Camera
Boss (2011)
| Cinematography by | Richard Rutkowski, Kasper Tuxen | Editing by | Kevin Casey, Elba Sanchez-Short, Stephen Mark, Jo Francis, J. Kathleen Gibson, Elliot Graham, Dorian Harris
Cameras | ARRI ALEXA Camera
That Awkward Moment (2014)
Directed by | Tom Gormican | Cinematography by | Brandon Trost | Editing by | Shawn Paper, Greg Tillman
Cameras | ARRI ALEXA Plus Camera
The Returned (2012)
| Cinematography by | Patrick Blossier | Editing by | Bertrand Nail, Peggy Koretzky, Laurence Bawedin, Mike Fromentin, Gwen Mallauran
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Profilage (2009)
| Cinematography by | Marc Falchier, Benjamin Louet, Jean-Philippe Gosselin, Laurent Dhainaut, Thierry Deschamp, Dominique Brenguier, Vincent Vieillard-Baron | Editing by | Emmanuel Douce, Ludivine Saes, François Charpentier, Bertrand Maillard, Vincent Delorme, Magalie Tate, Bob Rayers, Jean de Garrigues, Julien Ouvrard, Frédéric Massiot, Romaric Nereau, Nicolas Garnier, Quentin Boulay, Romain Namura
Cameras | ARRI ALEXA Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens
La croisière (2013)
| Cinematography by | Jean-Philippe Bouyer | Editing by | Stéphanie Gaurier, Mathieu Doll
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
