ARRI ALEXA Camera | 385 Titles
The Maze Runner (2014)
Directed by | Wes Ball | Cinematography by | Enrique Chediak | Editing by | Dan Zimmerman
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
On voulait tout casser (2015)
Directed by | Philippe Guillard | Cinematography by | Ludovic Colbeau-Justin
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Helium (2013)
Directed by | Anders Walter | Cinematography by | Rasmus Heise | Editing by | Lars Wissing
Cameras | ARRI ALEXA Camera
À 14 ans (2015)
Directed by | Hélène Zimmer | Cinematography by | Caroline Champetier | Editing by | Yann Dedet
Cameras | ARRI ALEXA Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens
En équilibre (2015)
Directed by | Denis Dercourt | Cinematography by | Julien Hirsch | Editing by | Pauline Gaillard
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Une mère (2015)
Directed by | Christine Carrière | Cinematography by | Jeanne Lapoirie | Editing by | Martine Barraqué
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Still Alice (2014)
Directed by | Richard Glatzer, Wash Westmoreland | Cinematography by | Denis Lenoir | Editing by | Nicolas Chaudeurge
Cameras | ARRI ALEXA Camera
Get on Up (2014)
Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Michael McCusker
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses
Omar (2013)
Directed by | Hany Abu-Assad | Cinematography by | Ehab Assal | Editing by | Martin Brinkler, Eyas Salman
Cameras | ARRI ALEXA Camera
Respire (2014)
Directed by | Mélanie Laurent | Cinematography by | Arnaud Potier | Editing by | Guerric Catala
Cameras | ARRI ALEXA Camera
The Transporter Refueled (2015)
Directed by | Camille Delamarre | Cinematography by | Christophe Collette, Vincent Richard | Editing by | Julien Rey
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
World Without End (2012)
| Cinematography by | Denis Crossan | Editing by | István Király, Susan Maggi
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Le ciel du centaure (2015)
Directed by | Hugo Santiago | Cinematography by | Gustavo Biazzi | Editing by | Alejo Moguillansky
Cameras | ARRI ALEXA Camera, ARRI ALEXA Series Cameras
Mais qui a re-tué Pamela Rose? (2012)
Directed by | Olivier Baroux, Kad Merad | Cinematography by | Régis Blondeau | Editing by | Elodie Codaccioni
Cameras | ARRI ALEXA Camera
L’homme qui rit (2012)
Directed by | Jean-Pierre Améris | Cinematography by | Gérard Simon | Editing by | Philippe Bourgueil
Cameras | ARRI ALEXA Camera
Penny Dreadful (2014)
| Cinematography by | John Conroy, Owen McPolin, Nigel Willoughby, P.J. Dillon, Xavi Giménez | Editing by | Michele Conroy, Christopher Donaldson, Geoff Ashenhurst, Aaron Marshall, Jaume Martí, Bernat Vilaplana, Gareth C. Scales
Cameras | ARRI ALEXA Camera
Wadjda (2012)
Directed by | Haifaa Al-Mansour | Cinematography by | Lutz Reitemeier | Editing by | Andreas Wodraschke
Cameras | ARRI ALEXA Camera
’71 (2014)
Directed by | Yann Demange | Cinematography by | Tat Radcliffe | Editing by | Chris Wyatt
Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera
Schutzengel (2012)
Directed by | Til Schweiger | Cinematography by | Adrian Cranage | Editing by | Constantin von Seld
Lenses | Zeiss Master Prime Lenses
Fuga de cerebros 2 (2011)
Directed by | Carlos Therón | Cinematography by | Antonio J. García | Editing by | Verónica Callón
Cameras | ARRI ALEXA Camera
Lenses | Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Compact Prime Lenses
