ARRI ALEXA Camera | 385 Titles
Impávido (2012)
Directed by | Carlos Therón | Cinematography by | Antonio J. García | Editing by | Carlos Therón
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
The SpongeBob Movie: Sponge Out of Water (2015)
Directed by | Paul Tibbitt, Mike Mitchell | Cinematography by | Phil Meheux | Editing by | David Ian Salter
Cameras | ARRI ALEXA Camera
The Heart Machine (2014)
Directed by | Zachary Wigon | Cinematography by | Robert Leitzell | Editing by | Ron Dulin, Louise Ford
Cameras | ARRI ALEXA Camera
Lenses | Cooke Varotal Lenses, Zeiss Lenses
All About E (2015)
Directed by | Louise Wadley | Cinematography by | Justine Kerrigan | Editing by | Rowena Crowe
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
A Long Way Down (2014)
Directed by | Pascal Chaumeil | Cinematography by | Ben Davis | Editing by | Chris Gill, Barney Pilling
Cameras | ARRI ALEXA Camera
Charlie Countryman (2013)
Directed by | Fredrik Bond | Cinematography by | Roman Vasyanov | Editing by | Hughes Winborne
Cameras | ARRI ALEXA Camera
The Single Moms Club (2014)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Cameras | ARRI ALEXA Camera
Dallas Buyers Club (2013)
Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée
Cameras | ARRI ALEXA Camera
Lenses | ARRI / Zeiss Lenses
Philomena (2013)
Directed by | Stephen Frears | Cinematography by | Robbie Ryan | Editing by | Valerio Bonelli
Cameras | ARRI ALEXA Camera
Qu’est-ce qu’on va faire de toi? (2012)
Directed by | Jean-Daniel Verhaeghe | Cinematography by | Marc Falchier | Editing by | Dominique Faysse
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens
Comme un lion (2012)
Directed by | Samuel Collardey | Cinematography by | Samuel Collardey, Charles Wilhelem | Editing by | Sylvie Lager
Cameras | ARRI ALEXA Camera
Tu honoreras ta mère et ta mère (2012)
Directed by | Brigitte Roüan | Cinematography by | Agnès Godard | Editing by | Laurent Rouan
Cameras | ARRI ALEXA Camera
Max (2013)
Directed by | Roman Wyden | Cinematography by | Zach Voytas | Editing by | Nik Voytas
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Elle s’en va (2013)
Directed by | Emmanuelle Bercot | Cinematography by | Guillaume Schiffman | Editing by | Julien Leloup
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Bird People (2014)
Directed by | Pascale Ferran | Cinematography by | Julien Hirsch | Editing by | Mathilde Muyard
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses
Les gamins (2013)
Directed by | Anthony Marciano | Cinematography by | Jean-Paul Agostini | Editing by | Virginie Bruant, Samuel Danési
Cameras | ARRI ALEXA Camera
La dune (2013)
Le coeur des hommes 3 (2013)
Directed by | Marc Esposito | Cinematography by | Pascal Caubère | Editing by | Benoît Alavoine
Cameras | ARRI ALEXA Camera
Les invincibles (2013)
Directed by | Frédéric Berthe | Cinematography by | David Quesemand | Editing by | Vanessa Basté, Hugues Darmois, Stéphane Garnier
Cameras | ARRI ALEXA Camera
Foxfire (2012)
Directed by | Laurent Cantet | Cinematography by | Pierre Milon | Editing by | Robin Campillo, Stephanie Leger, Sophie Reine
Cameras | ARRI ALEXA Camera