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ARRI ALEXA Camera | 385 Titles

ARRI ALEXA Camera 4.35/5 23 Votes

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Goddess (2013)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Mark Lamprell | Cinematography by | Damian Wyvill

Starring | Laura Michelle Kelly, Ronan Keating, Magda Szubanski, Levi Morrison

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

How to Deal with an Axe Murderer (2014)

Motion Picture | 2D | Color | 2.39:1 | 13 Minutes

Directed by | Adam Estey | Cinematography by | Kevin Rigney | Editing by | Holly Pavlik

Starring | Paula Giroday, Paige McCulloch, Fanta Sesay, Fiona Vroom

Cameras | ARRI ALEXA Camera

Pop Redemption (2013)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Martin Le Gall | Cinematography by | Frédéric Nony | Editing by | Christophe Pinel

Starring | Julien Doré, Grégory Gadebois, Jonathan Cohen, Yacine Belhousse

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Né quelque part (2013)

Motion Picture | 2D | Color | 87 Minutes

Directed by | Mohamed Hamidi | Cinematography by | Alex Lamarque | Editing by | Marion Monnier

Starring | Tewfik Jallab, Jamel Debbouze, Fatsah Bouyahmed, Abdelkader Secteur

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Grigris (2013)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Mahamat-Saleh Haroun | Cinematography by | Antoine Héberlé | Editing by | Marie-Hélène Dozo

Starring | Souleymane Démé, Anaïs Monory, Cyril Gueï, Marius Yelolo

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Healing (2014)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Craig Monahan | Cinematography by | Andrew Lesnie | Editing by | Suresh Ayyar

Starring | Hugo Weaving, Don Hany, Xavier Samuel, Mark Leonard Winter

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens

The Reckoning (2014)

Motion Picture | 2D | Color | 2.39:1 | 86 Minutes

Directed by | John V. Soto | Cinematography by | Jason Thomas | Editing by | Regg Skwarko

Starring | Luke Hemsworth, Viva Bianca, Hanna Mangan Lawrence, Jonathan LaPaglia

Cameras | ARRI ALEXA Camera, Red Epic Camera

Xenia (2014)

Motion Picture | 2D | Color | 1.85:1 | 134 Minutes

Directed by | Panos H. Koutras | Cinematography by | Hélène Louvart, Simos Sarketzis | Editing by | Yorgos Lamprinos

Starring | Kostas Nikouli, Nikos Gelia, Yannis Stankoglou, Marisha Triantafyllidou

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens

Maestro (2014)

Motion Picture | 2D | Color | 2.39:1 | 81 Minutes

Directed by | Léa Fazer | Cinematography by | Lucas Leconte | Editing by | Jean-François Elie

Starring | Pio Marmaï, Michael Lonsdale, Déborah François, Alice Belaïdi

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke Speed Panchro Lenses

24 Days (2014)

Motion Picture | 2D | Color | 108 Minutes

Directed by | Alexandre Arcady | Cinematography by | Gilles Henry | Editing by | Manuel De Sousa

Starring | Zabou Breitman, Pascal Elbé, Jacques Gamblin, Sylvie Testud

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

The Chef’s Wife (2014)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Anne Le Ny | Cinematography by | Jérôme Alméras | Editing by | Guerric Catala

Starring | Karin Viard, Emmanuelle Devos, Roschdy Zem, Philippe Rebbot

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

3 coeurs (2014)

Motion Picture | 2D | Color | 108 Minutes

Directed by | Benoît Jacquot | Cinematography by | Julien Hirsch | Editing by | Julia Gregory

Starring | Benoît Poelvoorde, Charlotte Gainsbourg, Chiara Mastroianni, Catherine Deneuve

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

Avant que de tout perdre (2013)

Short Film | 2D | Color | 2.35:1 | 29 Minutes

Directed by | Xavier Legrand | Cinematography by | Nathalie Durand | Editing by | Yorgos Lamprinos

Starring | Léa Drucker, Anne Benoît, Miljan Châtelain, Mathilde Auneveux

Cameras | ARRI ALEXA Camera

Lenses | Leitz Summilux-C Series Lenses

Kikaidâ Reboot (2014)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Ten Shimoyama

Starring | Jingi Irie, Kazushige Nagashima, Aimi Satsukawa, Yûto Ikeda

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Infinitely Polar Bear (2014)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Maya Forbes | Cinematography by | Bobby Bukowski | Editing by | Michael R. Miller

Starring | Mark Ruffalo, Zoe Saldana, Imogene Wolodarsky, Ashley Aufderheide

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Style Lenses

Les yeux jaunes des crocodiles (2014)

Motion Picture | 2D | Color | 118 Minutes

Directed by | Cécile Telerman | Cinematography by | Colin Houben, Pascal Ridao

Starring | Julie Depardieu, Emmanuelle Béart, Patrick Bruel, Alice Isaaz

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

L’homme qu’on aimait trop (2014)

Motion Picture | 2D | Color | 116 Minutes

Directed by | André Téchiné | Cinematography by | Julien Hirsch | Editing by | Hervé de Luze

Starring | Guillaume Canet, Catherine Deneuve, Adèle Haenel, Judith Chemla

Cameras | ARRI ALEXA Camera

Tusk (2014)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Kevin Smith | Cinematography by | James Laxton | Editing by | Kevin Smith

Starring | Justin Long, Michael Parks, Haley Joel Osment, Genesis Rodriguez

Cameras | ARRI ALEXA Camera, Red Epic Camera

Dumb and Dumber To (2014)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Bobby Farrelly, Peter Farrelly | Cinematography by | Matthew F. Leonetti | Editing by | Steven Rasch

Starring | Jim Carrey, Jeff Daniels, Rob Riggle, Laurie Holden

Cameras | ARRI ALEXA Camera

Lenses | Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Predestination (2014)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Directed by | Michael Spierig, Peter Spierig | Cinematography by | Ben Nott | Editing by | Matt Villa

Starring | Ethan Hawke, Sarah Snook, Noah Taylor, Madeleine West

Cameras | ARRI ALEXA Camera

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