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ARRI ALEXA Camera | 385 Titles

ARRI ALEXA Camera 4.35/5 23 Votes

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Big Bad Wolves (2013)

Motion Picture | 2D | Color | 110 Minutes

Directed by | Aharon Keshales, Navot Papushado | Cinematography by | Giora Bejach | Editing by | Asaf Korman

Starring | Lior Ashkenazi, Rotem Keinan, Tzahi Grad, Doval'e Glickman

Cameras | ARRI ALEXA Camera

La disparition (2012)

Television Movie | 2D | Color | 2.39:1 | 97 Minutes

Directed by | Jean-Xavier de Lestrade | Cinematography by | Isabelle Razavet | Editing by | Sophie Brunet, Julie Decondé, Gaëlle Perroteau

Starring | Thierry Godard, Géraldine Pailhas, Yannick Choirat, Alix Poisson

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke Speed Panchro Lenses

Puhdistus (2012)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | Antti Jokinen | Cinematography by | Rauno Ronkainen | Editing by | Kimmo Taavila

Starring | Laura Birn, Liisi Tandefelt, Amanda Pilke, Peter Franzén

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Thérèse (2012)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Claude Miller | Cinematography by | Gérard de Battista | Editing by | Véronique Lange

Starring | Audrey Tautou, Gilles Lellouche, Anaïs Demoustier, Catherine Arditi

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Alura Lenses

Nous York (2012)

Motion Picture | 2D | Color | 98 Minutes

Directed by | Hervé Mimran, Géraldine Nakache | Cinematography by | Stéphane Le Parc | Editing by | Benjamin Weill

Starring | Leïla Bekhti, Géraldine Nakache, Manu Payet, Nader Boussandel

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Mauvaise fille (2012)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Patrick Mille | Cinematography by | Jérôme Alméras | Editing by | Yann Dedet

Starring | Carole Bouquet, Arthur Dupont, Izïa Higelin, Bob Geldof

Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses, Cooke S4 Lenses

Denis (2013)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Directed by | Lionel Bailliu | Cinematography by | Stéphane Le Parc | Editing by | Vincent Zuffranieri

Starring | Fabrice Eboué, Jean-Paul Rouve, Audrey Dana, Sara Giraudeau

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Un beau dimanche (2013)

Motion Picture | 2D | Color | 95 Minutes

Directed by | Nicole Garcia | Cinematography by | Pierre Milon | Editing by | Simon Jacquet

Starring | Pierre Rochefort, Louise Bourgoin, Dominique Sanda, Déborah François

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

À coup sûr (2014)

Motion Picture | 2D | Color | 91 Minutes

Directed by | Delphine de Vigan | Cinematography by | Antoine Monod | Editing by | Reynald Bertrand

Starring | Laurence Arné, Eric Elmosnino, Didier Bezace, Valérie Bonneton

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Dans la cour (2014)

Motion Picture | 2D | Color | 97 Minutes

Directed by | Pierre Salvadori | Cinematography by | Gilles Henry | Editing by | Isabelle Devinck

Starring | Catherine Deneuve, Gustave Kervern, Féodor Atkine, Pio Marmaï

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Do Not Disturb (2012)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Yvan Attal | Cinematography by | Thomas Hardmeier | Editing by | Jennifer Augé

Starring | François Cluzet, Yvan Attal, Laetitia Casta, Charlotte Gainsbourg

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

Main dans la main (2012)

Motion Picture | 2D | Color | 1.85:1 | 81 Minutes

Directed by | Valérie Donzelli | Cinematography by | Sébastien Buchmann | Editing by | Pauline Gaillard

Starring | Valérie Lemercier, Jérémie Elkaïm, Béatrice de Staël, Valérie Donzelli

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Quelques heures de printemps (2012)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Stéphane Brizé | Cinematography by | Antoine Héberlé | Editing by | Anne Klotz

Starring | Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Le grand soir (2012)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Benoît Delépine, Gustave Kervern | Cinematography by | Hugues Poulain | Editing by | Stéphane Elmadjian

Starring | Benoît Poelvoorde, Albert Dupontel, Brigitte Fontaine, Areski Belkacem

Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

10 jours en or (2012)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Nicolas Brossette | Cinematography by | Benoît Chamaillard | Editing by | Jean-François Elie

Starring | Franck Dubosc, Claude Rich, Marie Kremer, Mathis Touré

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Sister (2012)

Motion Picture | 2D | Color | 1.85:1 | 92 Minutes

Directed by | Brenda Davis | Cinematography by | Alexandra swati Guild | Editing by | Alistair Shurman

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

À coeur ouvert (2012)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Marion Laine | Cinematography by | Antoine Héberlé | Editing by | Mathilde Van de Moortel

Starring | Juliette Binoche, Edgar Ramírez, Hippolyte Girardot, Amandine Dewasmes

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses

Astérix and Obélix: God Save Britannia (2012)

Motion Picture | 3D | Color | 2.39:1 | 110 Minutes

Directed by | Laurent Tirard | Cinematography by | Catherine Pujol, Denis Rouden | Editing by | Valérie Deseine

Starring | Gérard Depardieu, Dany Boon, Edouard Baer, Guillaume Gallienne

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens

Bienvenue parmi nous (2012)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Jean Becker | Cinematography by | Arthur Cloquet | Editing by | Franck Nakache, Jacques Witta

Starring | Patrick Chesnais, Jeanne Lambert, Miou-Miou, Jacques Weber

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Ma bonne étoile (2012)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Anne Fassio | Editing by | Marion Monestier

Starring | Christopher Lambert, Claude Brasseur, Fleur Lise Heuet, Antoine Berry

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

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