ARRI ALEXA Camera | 385 Titles
Anchorman 2: The Legend Continues (2013)
Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Melissa Bretherton, Brent White
Cameras | ARRI ALEXA Camera
Last Vegas (2013)
Directed by | Jon Turteltaub | Cinematography by | David Hennings | Editing by | David Rennie
Cameras | ARRI ALEXA Camera
Detektiv Downs (2013)
Directed by | Bård Breien | Cinematography by | Gaute Gunnari | Editing by | Zaklina Stojcevska
Cameras | ARRI ALEXA Camera
All Is Lost (2013)
Directed by | J.C. Chandor | Cinematography by | Frank G. DeMarco, Peter Zuccarini | Editing by | Pete Beaudreau
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
The Finder (2012)
| Cinematography by | Sidney Sidell | Editing by | Evonne Moritz, Chris Brookshire, Thomas R. Moore, Casey O. Rohrs
Cameras | ARRI ALEXA Camera
Need for Speed (2014)
Directed by | Scott Waugh | Cinematography by | Shane Hurlbut | Editing by | Paul Rubell, Scott Waugh
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
The Canyons (2013)
Directed by | Paul Schrader | Cinematography by | John DeFazio | Editing by | Tim Silano
Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera
Lenses | Asahi Pentax Super Takumar Lenses, KMZ Helios 44 58 mm f1.2, LZOS Jupiter-9 85 mm f2.0, Zeiss Standard Speed Prime Lenses
Prince Avalanche (2013)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Colin Patton
Cameras | ARRI ALEXA Camera
Lenses | Bausch & Lomb Super Baltar Lenses
Insidious: Chapter 2 (2013)
Directed by | James Wan | Cinematography by | John R. Leonetti | Editing by | Kirk M. Morri
Cameras | ARRI ALEXA Camera
Jobs (2013)
Directed by | Joshua Michael Stern | Cinematography by | Russell Carpenter | Editing by | Robert Komatsu
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
Before Midnight (2013)
Directed by | Richard Linklater | Cinematography by | Christos Voudouris | Editing by | Sandra Adair
Cameras | ARRI ALEXA Camera
We’re the Millers (2013)
Directed by | Rawson Marshall Thurber | Cinematography by | Barry Peterson | Editing by | Michael L. Sale
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Way Way Back (2013)
Directed by | Nat Faxon, Jim Rash | Cinematography by | John Bailey | Editing by | Tatiana S. Riegel
Cameras | ARRI ALEXA Camera
The Colony (2013)
Directed by | Jeff Renfroe | Cinematography by | Pierre Gill | Editing by | Aaron Marshall
Cameras | ARRI ALEXA Camera
Lenses | Panavision Primo Anamorphic Lenses
Only God Forgives (2013)
Directed by | Nicolas Winding Refn | Cinematography by | Larry Smith | Editing by | Matthew Newman
Cameras | ARRI ALEXA Camera, Red Epic Camera
Hemlock Grove (2013)
| Cinematography by | Fernando Argüelles, John Grillo, Steven Poster | Editing by | Paul G. Day, Don Cassidy, Bert Kish, James Coblentz, Jim Munro, Roslyn Kalloo, Monty DeGraff, Conrad Smart, Roger Mattiussi, Ronald Sanders, Michael G. England, David B. Thompson
Cameras | ARRI ALEXA Camera, Canon EOS-C300 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens
The Conjuring (2013)
Directed by | James Wan | Cinematography by | John R. Leonetti | Editing by | Kirk M. Morri
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
Last Shift (2014)
Directed by | Anthony DiBlasi | Cinematography by | Austin F. Schmidt | Editing by | Anthony DiBlasi
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Lenses
Graceland (2013)
| Cinematography by | James L. Carter, Edward J. Pei, David Moxness, Bart Tau, David Stockton, Niels Alpert | Editing by | Doug Hannah, Ivan Ladizinsky, Jon Dudkowski, Debra Beth Weinfeld, Tamara Luciano, Romain Vaunois
Cameras | ARRI ALEXA Camera
Le passé (2013)
Directed by | Asghar Farhadi | Cinematography by | Mahmoud Kalari | Editing by | Juliette Welfling
Cameras | ARRI ALEXA Camera