ARRI ALEXA Camera | 385 Titles
Lilyhammer (2012)
| Cinematography by | Johan-Fredrik Bødtker, Pål Bugge Haagenrud, Jakob Ingimundarson, Anders Flatland, Gaute Gunnari, Hallgrim Haug, Håvar Karlsen | Editing by | Silje Nordseth, Charlotte Kahn, Anders Bergland, Simen Malmø, Veslemøy B. Langvik, Simen Gengenbach, Morten Rørvig, Rodrigo Stoicheff
Cameras | ARRI ALEXA Camera
Äkta människor (2012)
| Cinematography by | Trolle Davidson, Linus Rosenqvist, Frida Wendel, Andres Rignell | Editing by | Björn Kessler, Rickard Krantz, Kicki Niemi, Gustav Wachtmeister, Sofia Lindgren, Max Arehn
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Vegas (2012)
| Cinematography by | Joseph E. Gallagher, Kramer Morgenthau | Editing by | Mark Manos, Jan Northrop, Fred Peterson
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
The Americans (2013)
| Cinematography by | Richard Rutkowski, J.B. Smith, Alex Nepomniaschy, Dan Stoloff, Alan Caso, Radium Cheung | Editing by | Daniel A. Valverde, Amanda Pollack, Michael Berenbaum, Sheri Bylander, Katie Ennis, Marnee Meyer, Alan Cody
Cameras | ARRI ALEXA Camera
The Wolverine (2013)
Directed by | James Mangold | Cinematography by | Ross Emery | Editing by | Michael McCusker
Cameras | ARRI ALEXA Camera
Riddick (2013)
Directed by | David Twohy | Cinematography by | David Eggby | Editing by | Tracy Adams
Cameras | ARRI ALEXA Camera
Carrie (2013)
Directed by | Kimberly Peirce | Cinematography by | Steve Yedlin | Editing by | Lee Percy, Nancy Richardson
Cameras | ARRI ALEXA Camera
The Host (2013)
Directed by | Andrew Niccol | Cinematography by | Roberto Schaefer | Editing by | Thomas J. Nordberg
Cameras | ARRI ALEXA Camera
Jack the Giant Slayer (2013)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Bob Ducsay, John Ottman
21 & Over (2013)
Directed by | Jon Lucas, Scott Moore | Cinematography by | Terry Stacey | Editing by | John Refoua
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
The Last Exorcism Part II (2013)
Directed by | Ed Gass-Donnelly | Cinematography by | Brendan Steacy | Editing by | Ed Gass-Donnelly
Cameras | ARRI ALEXA Camera
Dark Skies (2013)
Directed by | Scott Stewart | Cinematography by | David Boyd | Editing by | Peter Gvozdas
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses
Puberty Blues (2012)
| Cinematography by | John Brawley | Editing by | Deborah Peart, Dany Cooper, Geoff Hitchins, Nicole La Macchia, Bill Russo
Identity Thief (2013)
Directed by | Seth Gordon | Cinematography by | Javier Aguirresarobe | Editing by | Peter Teschner
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Yi jiu si er (2012)
Da Shang Hai (2012)
Directed by | Jing Wong | Cinematography by | Jason Kwan, Andrew Lau Wai-Keung, Yong Yang, Zhen Yang | Editing by | Wai Chiu Chung
Cameras | ARRI ALEXA Camera, Red Epic Camera
Journey to the West (2013)
Directed by | Stephen Chow, Chi-kin Kwok | Cinematography by | Sung Fai Choi | Editing by | Chi Wai Chan
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Nurse 3D (2013)
Directed by | Douglas Aarniokoski | Cinematography by | Boris Mojsovski | Editing by | Andrew Coutts
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
A Glimpse Inside the Mind of Charles Swan III (2012)
Directed by | Roman Coppola | Cinematography by | Nick Beal | Editing by | Robert Schafer
Cameras | ARRI ALEXA Camera, ARRI Cameras
Star Trek Into Darkness (2013)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
