Super 35 Camera Aperture | 846 Titles
The Imaginarium of Doctor Parnassus (2009)
Directed by | Terry Gilliam | Cinematography by | Nicola Pecorini | Editing by | Mick Audsley
Lenses | Zeiss Ultra Prime Lenses
Capote (2005)
Directed by | Bennett Miller | Cinematography by | Adam Kimmel | Editing by | Christopher Tellefsen
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses
The Last King of Scotland (2006)
Directed by | Kevin Macdonald | Cinematography by | Anthony Dod Mantle | Editing by | Justine Wright
Lenses | Panavision Lenses
The Next Three Days (2010)
Directed by | Paul Haggis | Cinematography by | Stéphane Fontaine | Editing by | Jo Francis
Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera
Black Snake Moan (2006)
Secret défense (2008)
Directed by | Philippe Haïm | Cinematography by | Jérôme Alméras | Editing by | Sylvie Landra
Cameras | ARRICAM Lite (LT) Camera
Crazy Heart (2009)
Directed by | Scott Cooper | Cinematography by | Barry Markowitz | Editing by | John Axelrad, Jeffrey Ford
Green Zone (2010)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses
Diary of a Wimpy Kid: Rodrick Rules (2011)
Directed by | David Bowers | Cinematography by | Jack N. Green | Editing by | Troy Takaki
Cameras | Panavision Cameras
Fight Club (1999)
Directed by | David Fincher | Cinematography by | Jeff Cronenweth | Editing by | James Haygood
Cameras | Panavision Panaflex Platinum Camera
Tropic Thunder (2008)
Directed by | Ben Stiller | Cinematography by | John Toll | Editing by | Greg Hayden
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Man cheng jin dai huang jin jia (2006)
Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Long Cheng
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Cooke S4 Lenses, Optica Elite Lenses, Zeiss ARRI Macro Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses
Men in Black 3 (2012)
Directed by | Barry Sonnenfeld | Cinematography by | Bill Pope | Editing by | Don Zimmerman
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera
The Fifth Element (1997)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses | Zeiss Lenses
Jin yi wei (2010)
Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Ka-Fai Cheung, Man To Tang
Lenses | Angenieux Lenses, Zeiss Lenses
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Arthur Schmidt, Craig Wood
Cameras | Panavision Panaflex Platinum Camera
The Cooler (2003)
Dark Country (2009)
Directed by | Thomas Jane | Cinematography by | Geoff Boyle | Editing by | John Lafferty, Robert K. Lambert
Cameras | Red One Camera, Silicon Imaging SI-2K Camera
Lenses | Angenieux Lenses, Schneider Lenses
The Taking of Pelham 1 2 3 (2009)
Directed by | Tony Scott | Cinematography by | Tobias A. Schliessler | Editing by | Chris Lebenzon
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Wings of the Dove (1997)
Directed by | Iain Softley | Cinematography by | Eduardo Serra | Editing by | Tariq Anwar
Cameras | ARRIFLEX 535 Camera
Lenses | Zeiss Super Speed Lenses
