Camera Aperture » J-D-C Scope Camera Aperture

J-D-C Scope Camera Aperture | 16 Titles

Rate It

LessUpdatedTitleYear

Star Wars: Episode VI – Return of the Jedi (1983)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 131 Minutes

Directed by | Richard Marquand | Cinematography by | Alan Hume, Alec Mills | Editing by | Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera

Lenses | Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Assassination Nation (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 108 Minutes

Directed by | Sam Levinson | Cinematography by | Marcell Rév | Editing by | Ron Patane

Starring | Odessa Young, Abra, Suki Waterhouse

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Guardians of the Galaxy (2014)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 121 Minutes

Directed by | James Gunn | Cinematography by | Ben Davis | Editing by | Fred Raskin, Hughes Winborne, Craig Wood

Starring | Chris Pratt, Vin Diesel, Bradley Cooper, Zoe Saldana

Cameras | ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Neighbors 2: Sorority Rising (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 92 Minutes

Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker, Michael A. Webber

Starring | Seth Rogen, Rose Byrne, Zac Efron, Chloë Grace Moretz

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Ex Machina (2014)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 108 Minutes

Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Mark Day

Starring | Alicia Vikander, Domhnall Gleeson, Oscar Isaac, Sonoya Mizuno

Cameras | GoPro HD Hero3 Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Labyrinth (1986)

Motion Picture | 2D | Color | 101 Minutes

Directed by | Jim Henson | Cinematography by | Alex Thomson | Editing by | John Grover

Starring | David Bowie, Jennifer Connelly, Toby Froud, Shelley Thompson

The Notebook (2004)

Motion Picture | 2D | Color | 2.35:1 | 123 Minutes

Directed by | Nick Cassavetes | Cinematography by | Robert Fraisse | Editing by | Alan Heim

Starring | Gena Rowlands, James Garner, Rachel McAdams, Ryan Gosling

Step Up (2006)

Motion Picture | 2D | Color | 2.35:1 | 104 Minutes

Step Up | ShotOnWhat?

Directed by | Anne Fletcher | Cinematography by | Michael Seresin | Editing by | Nancy Richardson

Starring | Channing Tatum, Jenna Dewan, Damaine Radcliff, De'Shawn Washington

Cameras | ARRICAM Studio (ST) Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Manda Bala (Send a Bullet) (2007)

Motion Picture | 2D | Color | 85 Minutes

Manda Bala (Send a Bullet) | ShotOnWhat?

Directed by | Jason Kohn | Cinematography by | Heloísa Passos | Editing by | Doug Abel, Jenny Golden, Andy Grieve

Cameras | ARRIFLEX 16SR3 Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Zeiss Ultra Prime Lenses

The Keep (1983)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Michael Mann | Cinematography by | Alex Thomson | Editing by | Dov Hoenig, Tony Palmer

Starring | Scott Glenn, Ian McKellen, Alberta Watson, Jürgen Prochnow

Cameras | ARRIFLEX 35 BL3 Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

The Mask of Zorro (1998)

Motion Picture | 2D | Color | 2.39:1 | 136 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Thom Noble

Starring | Antonio Banderas, Anthony Hopkins, Catherine Zeta-Jones, José María de Tavira

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses | Cooke Lenses

The Bounty (1984)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

Directed by | Roger Donaldson | Cinematography by | Arthur Ibbetson | Editing by | Tony Lawson

Starring | Mel Gibson, Anthony Hopkins, Laurence Olivier, Edward Fox

Cameras | J-D-C Camera, Joe Dunton Cameras

Afterschool (2008)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 120 Minutes

Directed by | Antonio Campos | Cinematography by | Jody Lee Lipes | Editing by | Antonio Campos

Starring | Ezra Miller, Jeremy Allen White, Emory Cohen, Michael Stuhlbarg

Cameras | ARRIFLEX 535 Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Brighton Rock (2010)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Brighton Rock | ShotOnWhat?

Directed by | Rowan Joffe | Cinematography by | John Mathieson | Editing by | Joe Walker

Starring | Sam Riley, Andrea Riseborough, Helen Mirren, John Hurt

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Optica Elite 35 Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision Lenses

Kinsey (2004)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 118 Minutes

Directed by | Bill Condon | Cinematography by | Frederick Elmes | Editing by | Virginia Katz

Starring | Liam Neeson, Laura Linney, Chris O'Donnell, Peter Sarsgaard

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

The Apparition (2012)

Motion Picture | 2D | Color | 2.35:1 | 82 Minutes

The Apparition | ShotOnWhat?

Directed by | Todd Lincoln | Cinematography by | Daniel Pearl | Editing by | Jeff Betancourt, Tom Elkins, Harold Parker

Starring | Ashley Greene, Sebastian Stan, Tom Felton, Julianna Guill

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses

©2012 - 2025 ShotOnWhat?

20254.20