CinemaScope Camera Aperture | 25 Titles
Capernaum (2018)
Directed by | Nadine Labaki | Cinematography by | Christopher Aoun | Editing by | Konstantin Bock, Laure Gardette
Cameras | ARRI ALEXA Camera
Lenses | Hawk C-Series Lenses
Anastasia (1997)
Lust for Life (1956)
Directed by | Vincente Minnelli, George Cukor | Cinematography by | Russell Harlan, Freddie Young | Editing by | Adrienne Fazan
Gigi (1958) 
Directed by | Vincente Minnelli | Cinematography by | Joseph Ruttenberg, Georges Barsky, Ray June | Editing by | Adrienne Fazan
Silent Ones (2013)
Directed by | Ricky Rijneke | Cinematography by | Jean-Paul de Zaetijd, Gergely Pohárnok, Dirk Rijneke | Editing by | Nina Petrovna, Ricky Rijneke
Cameras | Aaton Penelope Camera
Lenses | Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Ultra Prime Distagon 12 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
The Bridge on the River Kwai (1957)
Directed by | David Lean | Cinematography by | Jack Hildyard | Editing by | Peter Taylor
Lenses | Bausch & Lomb Lenses
How to Marry a Millionaire (1953)
Directed by | Jean Negulesco | Cinematography by | Joseph MacDonald | Editing by | Louis R. Loeffler
The Seven Year Itch (1955)
Directed by | Billy Wilder | Cinematography by | Milton R. Krasner | Editing by | Hugh S. Fowler
Lenses | Bausch & Lomb Lenses
Léon: The Professional (1994)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux HR Zoom Lenses, Technovision Lenses
Kai Rabe gegen die Vatikankiller (1998)
Directed by | Thomas Jahn | Cinematography by | Piotr Lenar | Editing by | Andrea Mertens
Lenses | Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens, Panavision Primo Anamorphic Lenses
Terminal (2007)
Directed by | Fernando Beltran y Puga | Cinematography by | Angel Barroeta | Editing by | Jason Cross
Cameras | Panasonic AG-HVX200 Camera, Panasonic Cameras
Dean Slater: Resident Advisor (2013)
Directed by | Colin Sander | Cinematography by | Boa Simon | Editing by | R.J. Daniel Hanna
Cameras | Canon EOS-C300 Camera
Lenses | Canon Lenses, Zeiss Compact Prime Lenses
Early Birds (2012)
Directed by | Jeroen Bogaert | Cinematography by | Rik Zang | Editing by | Karel van Bellingen
Cameras | ARRI ALEXA Camera, ARRI Cameras
Lenses | Cooke Lenses
Arrival II (1998)
Directed by | Kevin Tenney | Cinematography by | Bruno Philip | Editing by | Gregory Fine, Heidi Haines
Lenses | Angenieux HR 17-102 mm T2.9 Lens, Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Angenieux Lenses, Zeiss Standard Speed Prime Lenses
Bus Stop (1956)
The True Story of Jesse James (1957)
The Girl in the Red Velvet Swing (1955)
Sweet Bird of Youth (1962)
There’s No Business Like Show Business (1954)
Come September (1961)
Directed by | Robert Mulligan | Cinematography by | William H. Daniels | Editing by | Russell F. Schoengarth
Lenses | Panavision Lenses
