Additional Post Processes » Enlargement - UpRes - Blow-up

Enlargement - UpRes - Blow-up  |  188 Titles

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Cliffhanger   (1993)

  |    |  Color  |  ,   |  113 Minutes
Directed by | Renny Harlin | Cinematography by | Alex Thomson | Editing by | Frank J. Urioste
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The Cotton Club   (1984)

  |    |  Color  |    |  127 Minutes

Wolfen   (1981)

  |    |  Color  |  ,   |  115 Minutes

Best in Show   (2000)

  |    |    |    |  90 Minutes

Bronson   (2008)

  |    |  Color  |    |  92 Minutes

Calvaire   (2004)

  |    |  Color  |    |  88 Minutes

Dark Frontier   (2009)

  |    |  Color  |    |  96 Minutes

Out of Africa   (1985) oscar-icon

  |    |    |    |    |  161 Minutes

Indiana Jones and the Temple of Doom   (1984)

  |    |  Color  |  ,   |  118 Minutes

Rollerball   (1975)

  |    |  Color  |    |  125 Minutes
Directed by | Norman Jewison | Cinematography by | Douglas Slocombe | Editing by | Antony Gibbs
Cameras |

Good Morning, Vietnam   (1987)

  |    |  Color  |    |  121 Minutes
Directed by | Barry Levinson | Cinematography by | Peter Sova | Editing by | Stu Linder
Cameras |

In the Line of Fire   (1993)

  |    |  Color  |  ,   |  128 Minutes

Altered States   (1980)

  |    |    |  ,   |  102 Minutes
Directed by | Ken Russell | Cinematography by | Jordan Cronenweth | Editing by | Eric Jenkins, Jack Harnish

Adventures of Power   (2008)

  |    |    |    |  89 Minutes

Sucker Punch   (2011)

  |    |  Color  |    |  110 Minutes
Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | William Hoy
Cameras |

The Brown Bunny   (2003)

  |    |  Color  |    |  93 Minutes

The Day the Earth Stood Still   (2008)

  |    |  Color  |    |  104 Minutes
Directed by | Scott Derrickson | Cinematography by | David Tattersall | Editing by | Wayne Wahrman
Cameras |

Journey 2: The Mysterious Island   (2012)

  |    |  Color  |  ,   |  94 Minutes

Star Trek   (2009)

  |    |    |    |    |  127 Minutes

Black Rain   (1989)

  |    |    |  ,   |  125 Minutes
Directed by | Ridley Scott | Cinematography by | Jan de Bont | Editing by | Tom Rolf
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