Digital Cinema | 1863 Titles
Hypnotisören (2012)
Directed by | Lasse Hallström | Cinematography by | Mattias Montero | Editing by | Sebastian Amundsen, Thomas Täng
Cameras | ARRI ALEXA Studio Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
This Is 40 (2012)
Directed by | Judd Apatow | Cinematography by | Phedon Papamichael | Editing by | David L. Bertman, Jay Deuby, Brent White
Cameras | ARRI ALEXA Camera
The Best Offer (2013)
Directed by | Giuseppe Tornatore | Cinematography by | Fabio Zamarion | Editing by | Massimo Quaglia
Cameras | ARRI ALEXA Studio Camera, Red Epic Camera
Lenses | Zeiss Master Prime Lenses
Revenge (2011)
| Cinematography by | Cynthia Pusheck, John Smith, Chris Manley | Editing by | Sue Blainey, John Axness, Conrad Smart, Martin Nicholson, John M. Valerio, Jennifer Barbot, Sunny Hodge, Lauren A. Schaffer, Lynne Willingham, Scott Gamzon, Chris Figler, Lance Luckey
Cameras | ARRI ALEXA Camera, Sony PMW-F3 Camera
Gods Behaving Badly (2013)
Directed by | Marc Turtletaub | Cinematography by | Tak Fujimoto | Editing by | Alan Heim, Joe Landauer
Cameras | ARRI ALEXA Camera
Gangster Squad (2013)
Directed by | Ruben Fleischer | Cinematography by | Dion Beebe | Editing by | Alan Baumgarten, James Herbert
Cameras | ARRI ALEXA Studio Camera, Phantom Flex Camera
Gambit (2012)
Directed by | Michael Hoffman | Cinematography by | Florian Ballhaus | Editing by | Paul Tothill
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
Chronicle (2012)
Directed by | Josh Trank | Cinematography by | Matthew Jensen | Editing by | Elliot Greenberg
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Shut Up and Play the Hits (2012)
Directed by | Will Lovelace, Dylan Southern | Cinematography by | Reed Morano | Editing by | Mark Burnett
Cameras | ARRI ALEXA Camera
Sams im Glück (2012)
47 Ronin (2013)
Directed by | Carl Rinsch | Cinematography by | John Mathieson | Editing by | Stuart Baird
Cameras | ARRI ALEXA Camera
World War Z (2013)
Directed by | Marc Forster | Cinematography by | Ben Seresin, Robert Richardson | Editing by | Roger Barton, Matt Chesse
R.I.P.D. (2013)
Directed by | Robert Schwentke | Cinematography by | Alwin H. Küchler | Editing by | Mark Helfrich
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Gravity (2013)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Mark Sanger
Cameras | ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses | ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Mad Max: Fury Road (2015)
Directed by | George Miller | Cinematography by | John Seale | Editing by | Margaret Sixel
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Se Puder… Dirija! (2013)
Directed by | Anita Barbosa, Paulo Fontenelle | Cinematography by | Nonato Estrela, Pedro Guimaraes
Cameras | Red Epic Camera
Lenses | Zeiss Lenses, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens
Fast Girl (2008)
Directed by | Daniel Zirilli | Cinematography by | Jason Dittmer | Editing by | Tony Wise
Cameras | Panasonic VariCam Camera
Sexless (2003)
Directed by | Alex Holdridge | Cinematography by | Brian McCormick | Editing by | Sandra Adair
Cameras | Sony HDW-F900 Camera
The Tulse Luper Suitcases, Part 1: The Moab Story (2003)
Directed by | Peter Greenaway | Cinematography by | Reinier van Brummelen | Editing by | Elmer Leupen, Chris Wyatt
Cameras | Sony HDW-F900 Camera
Solitary (2009)
Directed by | Greg Derochie | Cinematography by | Tarina Van Den Driessche | Editing by | Greg Derochie
Cameras | Red One Camera
