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A Teen Movie (2022)

Short Film | 2D | 4K Project | Color | 1.33:1 (4x3) | 9 Minutes

Directed by | Aranka Tjalsma | Cinematography by | Jesse Post | Editing by | Keno Aladjuz

Starring | Luna Man, Melissa Blaauwendraad, Roos Groenen

Cameras | Blackmagic Pocket Cinema 4K Camera, Blackmagic Pocket Cinema Camera 6K Pro

L’Arminuta (2021)

Motion Picture | 2D | 3.4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Giuseppe Bonito | Cinematography by | Alfredo Betrò | Editing by | Roberto Missiroli

Starring | Aurora Barulli, Carlotta De Leonardis, Fabrizio Ferracane

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens

Sløborn (2020)

Television Series | 2D | 3.4K Project | Color | 2.39:1 | 48 Minutes

| Cinematography by | Christian Alvart, Christian Huck | Editing by | Marc Hofmeister, William James, Zoë Dahmen, Robert Sterna

Starring | Emily Kusche, Aaron Hilmer, Adrian Grünewald

Cameras | ARRI ALEXA Mini Camera

Lenses | Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Vintage ´74, Hawk Vantage One Lenses

Spider-Man: Homecoming (2017)

Motion Picture | 2D | 2.8K Project | Color | 1.33:1 (4x3), 2.39:1 | 133 Minutes

Directed by | Jon Watts | Cinematography by | Salvatore Totino | Editing by | Debbie Berman, Dan Lebental

Starring | Tom Holland, Michael Keaton, Robert Downey Jr.

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses

The Misfit (2021)

Short Film | 2D | UHD Project | Color | 2.39:1 | 25 Minutes

Directed by | Chris Tailor | Cinematography by | Antonia Stylianou | Editing by | Chris Tailor

Starring | Alexey Snegirev, Alexia Theodorou, Emilios Anastasi

Cameras | Blackmagic URSA Mini Pro 4.6K G2 Camera

Lenses | Sigma Lenses, Tokina Lenses

Don’t Read This on a Plane (2020)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 93 Minutes

Directed by | Stuart McBratney | Cinematography by | Scott Devitte, László Kun | Editing by | Stuart McBratney

Starring | Sophie Desmarais, Susanna Dekker, Hildegard Schroedter

Cameras | Panasonic Lumix DMC-GH5 Camera, Red Epic Camera

Lenses | Angenieux Lenses, Panasonic Lenses, SLR Magic Lenses

Scattered (2020)

Short Film | 2D | 4K Project | Color | 1.85:1 | 11 Minutes

Directed by | Mike Donis | Cinematography by | Bruce William Harper | Editing by | Mike Donis

Starring | Laura Tremblay, Mike Donis, Lori-Ann Clancy

Cameras | Red Epic Camera

Pete Winning and the Pirates (2015)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 93 Minutes

Directed by | Mike Donis, Jason Leaver, Navin Ramaswaran | Cinematography by | Josh Ary, Mike Donis, Bruce William Harper, Jason Leaver, Henry Sansom | Editing by | Mike Donis

Starring | Mike Donis, Saffron Cassaday, Sandra DaCosta, Shawn Devlin

Cameras | Canon EOS Rebel T2i Camera, Canon EOS-5D Mark II Camera, Canon EOS-5D Mark III Camera

A Christmas Prince (2017)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 92 Minutes

Directed by | Alex Zamm | Cinematography by | Viorel Sergovici | Editing by | Marshall Harvey

Starring | Rose McIver, Ben Lamb, Alice Krige

Cameras | Red Helium (Weapon) 8K

Lenses | Zeiss Ultra Prime Lenses

An Officer and a Spy (2019)

Motion Picture | 2D | Color | 1.85:1 | 132 Minutes

Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze

Starring | Louis Garrel, Christophe Maratier, Pierre Poirot, Stéfan Godin

Cameras | Sony CineAlta VENICE Camera

Lenses | Cooke S7/i 21mm T2.0 Lens, Cooke S7/i Lenses

Mission: Impossible III (2006)

Motion Picture | 2D | Color | 2.39:1 | 126 Minutes

Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Nick Gibbs, Mary Jo Markey

Starring | Tom Cruise, Michelle Monaghan, Ving Rhames, Philip Seymour Hoffman

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Psycho Wedding Crasher (2017)

Television Movie | 2D | Color | 89 Minutes

Directed by | David Langlois | Cinematography by | Jan Klompje | Editing by | Jeremy Klassen

Starring | Heather Elizabeth Morris, Fiona Vroom, Jason Cermak

Cameras | Red Epic Dragon Camera

Lenses | Zeiss Compact Prime CP.2 Lenses

Killer Twin (2018)

Television Movie | 2D | Color | 1.78:1 (16x9) | 89 Minutes

Directed by | David Langlois | Cinematography by | Jan Klompje | Editing by | Tyronne L'Hirondelle

Starring | Lindsay Hartley, Jason Cermak, Candice Hunter

Cameras | Red Epic Dragon Camera

Lenses | Zeiss Compact Prime CP.2 Lenses, Zeiss Zoom Lenses

Deadly Match (2019)

Television Movie | 2D | Color | 1.78:1 (16x9) | 83 Minutes

Directed by | David Langlois | Cinematography by | Dan Dumouchel | Editing by | Jesse Lyon

Starring | Alyssa Lynch, Mitch Ainley, Tatyana Ali

Cameras | Red Digital Cinema Cameras

Cheer Squad Secrets (2020)

Television Movie | 2D | Color | 1.78:1 (16x9) | 89 Minutes

Directed by | David Langlois | Cinematography by | Andy Hodgson | Editing by | Emerson Hill

Starring | Margaret Anne Florence, Anita Brown, Karis Cameron

Cameras | Red Epic Dragon Camera

Lenses | Sigma Lenses

Reto Sangriento (2016)

Television Movie | 2D | 4K Project | Color | 1.78:1 (16x9) | 90 Minutes

Directed by | Ricky Gonzalez | Cinematography by | Ricky Gonzalez

Starring | Macarena Montoya, Eleazar Gamez, Patty Corres

Cameras | Blackmagic Cinema Camera

Lenses | Rokinon XEEN 16mm T2.6 Lens, Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN 35mm T1.5 Lens, Rokinon XEEN 50mm T1.5 Lens, Rokinon XEEN 85mm T1.5 Lens

The Man in Room 6 (2022)

Motion Picture | 2D | 6K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 152 Minutes

Directed by | Trevor Juenger | Cinematography by | Dylan Schnitker, Joe Tello, Rexx Villotti | Editing by | Abbey Heise, Trevor Juenger

Starring | Jackie Kelly, Bill Oberst Jr., David Wassilak

Cameras | GoPro (Woodman Labs) Cameras, GoPro HERO4 Black, Panasonic Lumix DMC-GH5 Camera, Sony α7S II Camera

Lenses | Rokinon Lenses, SLR Magic Lenses

Resident Evil: Welcome to Raccoon City (2021)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 107 Minutes

Directed by | Johannes Roberts | Cinematography by | Maxime Alexandre | Editing by | Dev Singh

Starring | Kaya Scodelario, Robbie Amell, Hannah John-Kamen

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA SXT Series Cameras

Lenses | Hawk V-Lite Lenses

Sound of Freedom (2023)

Motion Picture | 2D | Color | 2.39:1 | 131 Minutes

Directed by | Alejandro Monteverde | Cinematography by | Gorka Gómez Andreu | Editing by | Brian Scofield

Starring | Jim Caviezel, Mira Sorvino, Bill Camp

Cameras | ARRI ALEXA Camera

Mank (2020)

Motion Picture | 8K Project | Black & White | 2.20:1 | 131 Minutes

Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter

Starring | Gary Oldman, Amanda Seyfried, Lily Collins, Tom Pelphrey

Cameras | Red Digital Cinema Cameras

Lenses | Leitz Summilux-C Series Lenses

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