Digital Cinema | 1283 Titles
Bright (2017)
Type | Movie
Starring ~ Will Smith,
Noomi Rapace,
Edgar Ramírez
Directed by | David Ayer | Cinematography by | Roman Vasyanov
Lenses | Panavision Lenses
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Manchester by the Sea (2016)
Type | Motion Picture
Running Time | 137 Minutes
Aspect Ratio | 1.85:1
Starring ~ Casey Affleck,
Michelle Williams,
Kyle Chandler
Directed by | Kenneth Lonergan | Cinematography by | Jody Lee Lipes | Editing by | Jennifer Lame
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Lenses, Canon K35 Prime Lenses
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The Flash (2014)
Type | Television Series
Running Time | 43 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Grant Gustin,
Candice Patton,
Danielle Panabaker
Cameras | ARRI ALEXA Camera, ARRI ALEXA Series Cameras, ARRI Cameras, Sony Cameras, Sony α7 Series Cameras, Sony α7S II Camera
Lenses | Angenieux Lenses, Angenieux Optimo 24-290mm T2.8 Lens, Cooke 5/i Lenses, Cooke Lenses, Cooke S4/i Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens
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Vidocq (2001)
Country | France
Type | Motion Picture
Running Time | 98 Minutes
Aspect Ratio | 1.85:1
Starring ~ Gérard Depardieu,
Guillaume Canet,
Inés Sastre
Directed by | Pitof | Cinematography by | Jean-Pierre Sauvaire, Jean-Claude Thibaut | Editing by | Thierry Hoss
Cameras | Sony Cameras, Sony HDW-F900 Camera
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Più accecante della notte (2016)
Type | Short Film
Running Time | 20 Minutes
Aspect Ratio | 2.35:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring ~ Francesco Baldi,
Giorgio Panariello,
Silvia Barbieri
Directed by | Diego Bonuccelli | Cinematography by | Diego Bonuccelli, Katia Cirrincione | Editing by | Diego Bonuccelli
Cameras | Canon Cameras, Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, GoPro HERO4 Black
Lenses | Canon EF Series Lenses, Canon Lenses
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What Happened, Miss Simone? (2015)
Country | USA
Type | Documentary, Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ James Baldwin,
Stokely Carmichael,
Walter Cronkite
Directed by | Liz Garbus | Cinematography by | Igor Martinovic | Editing by | Joshua L. Pearson
Cameras | Red Epic Camera
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The Dark Horse (2014)
Country | New Zealand
Type | Motion Picture
Running Time | 124 Minutes
Aspect Ratio | 2.39:1
Starring ~ Cliff Curtis,
James Rolleston,
Kirk Torrance
Directed by | James Napier Robertson | Cinematography by | Denson Baker | Editing by | Peter Roberts
Cameras | Sony CineAlta F65 Camera
Lenses | Hawk C-Series Lenses, Zeiss Ultra Prime Lenses
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La La Land (2016)
Type | Motion Picture
Running Time | 128 Minutes
Aspect Ratio | 2.55:1
Starring ~ Ryan Gosling,
Emma Stone,
Rosemarie DeWitt
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross
Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens
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Il ragazzo invisibile: Fratelli (2017)
Type | Motion Picture
Starring ~ Valeria Golino,
Silvia Busuioc,
Maurizio Lombardi
Directed by | Gabriele Salvatores | Cinematography by | Italo Petriccione
Cameras | ARRI ALEXA XT Camera
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Roshtalivik (2016)
Type | Motion Picture
Running Time | 72 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring ~ Sid Augustyn,
Beckett Bahr,
Hauke Bahr
Directed by | Bruce W. Moore | Cinematography by | Bruce W. Moore | Editing by | Bruce W. Moore
Cameras | Canon EOS Rebel T3i camera, Canon EOS-7D Camera
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Super 8 (2011)
Country | USA
Type | Motion Picture
Running Time | 112 Minutes
Aspect Ratio | 2.35:1
Starring ~ Elle Fanning,
AJ Michalka,
Kyle Chandler
Directed by | J.J. Abrams | Cinematography by | Larry Fong | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
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La tête haute (2015)
Type | Motion Picture
Running Time | 120 Minutes
Starring ~ Catherine Deneuve,
Rod Paradot,
Benoît Magimel
Directed by | Emmanuelle Bercot | Cinematography by | Guillaume Schiffman | Editing by | Julien Leloup
Cameras | ARRI ALEXA XT Camera
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Morris from America (2016)
Country | Germany, USA
Type | Motion Picture
Running Time | 91 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Craig Robinson,
Carla Juri,
Lina Keller
Directed by | Chad Hartigan | Cinematography by | Sean McElwee | Editing by | Anne Fabini
Cameras | ARRI ALEXA Camera, Red Epic Camera
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Bad Santa 2 (2016)
Country | USA
Type | Motion Picture
Aspect Ratio | 1.85:1
Starring ~ Billy Bob Thornton,
Kathy Bates,
Tony Cox
Directed by | Mark Waters | Cinematography by | Theo van de Sande | Editing by | Travis Sittard
Cameras | Panasonic VariCam 35
Lenses | Cooke Lenses
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Collateral Beauty (2016)
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 2.39:1
Starring ~ Will Smith,
Edward Norton,
Kate Winslet
Directed by | David Frankel | Cinematography by | Maryse Alberti | Editing by | Andrew Marcus
Cameras | ARRI ALEXA XT Plus Camera
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Altered Carbon (2017)
Type | Television Series
Starring ~ Nicole Anthony,
Alyson Bath,
Lisa Chandler
Cameras | ARRI ALEXA 65 Camera
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Kingsman: The Secret Service (2014)
Country | UK, USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 2.39:1
Starring ~ Colin Firth,
Taron Egerton,
Samuel L. Jackson
Directed by | Matthew Vaughn | Cinematography by | George Richmond | Editing by | Eddie Hamilton, Jon HarrisCamera Operator | Stuart Howellmodified:
Rogue One: A Star Wars Story (2016)
Country | USA
Type | Motion Picture
Running Time | 133 Minutes
Aspect Ratio | 2.39:1
Starring ~ Felicity Jones,
Mads Mikkelsen,
Ben Mendelsohn
Directed by | Gareth Edwards | Cinematography by | Greig Fraser | Editing by | Jabez Olssen
Cameras | ARRI ALEXA 65 Camera
Lenses | Panavision APO Panatar Lenses
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Death Note: The Last Name (2006)
Country | Japan, USA
Type | Motion Picture
Running Time | 141 Minutes
Aspect Ratio | 1.85:1
Starring ~ Tatsuya Fujiwara,
Takeshi Kaga,
Shidô Nakamura
Directed by | Shûsuke Kaneko | Cinematography by | Kenji Takama | Editing by | Yôsuke Yafune
Cameras | Sony HDW-F900 Camera
Lenses | Angenieux Lenses, Zeiss DigiPrime Lenses
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Mike & Molly (2016)
Country | USA
Type | Television Series
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Billy Gardell,
Melissa McCarthy,
Reno Wilson
Cameras | Sony CineAlta F23 Camera, Sony HDW-F900 Camera
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