Digital Cinema | 1291 Titles
Yarden (2016)
Country | Sweden, Germany
Type | Motion Picture
Running Time | 80 Minutes
Directed by | Måns Månsson | Cinematography by | Ita Zbroniec-Zajt | Editing by | George Cragg
Cameras | ARRI ALEXA Camera
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Gortimer Gibbon’s Life on Normal Street (2014)
Country | USA
Type | Television Series
Running Time | 23 Minutes
| Cinematography by | Eduardo Enrique Mayén, Francisco Bulgarelli | Editing by | Cheryl Campsmith, Marcelo Sansevieri, Kevin Gasca
Cameras | Sony PMW-F55 Camera
Lenses | Cooke S4 Lenses
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No Good Deed (2014)
Country | USA
Type | Motion Picture
Running Time | 84 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Miller | Cinematography by | Michael Barrett | Editing by | Randy Bricker, Jim Page
Cameras | Sony CineAlta F65 Camera
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Think Like a Man Too (2014)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Directed by | Tim Story | Cinematography by | Christopher Duskin | Editing by | Peter S. Elliot
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses | Panavision Super Speed Lenses
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Green Room (2015)
Country | USA
Type | Motion Picture
Running Time | 95 Minutes
Aspect Ratio | 2.35:1
Directed by | Jeremy Saulnier | Cinematography by | Sean Porter | Editing by | Julia Bloch
Cameras | ARRI ALEXA Camera
Lenses | Cooke Lenses, Cooke Speed Panchro Lenses
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Bahubali: The Beginning (2015)
Country | India
Type | Motion Picture
Running Time | 159 Minutes
Aspect Ratio | 1.85:1
Directed by | S.S. Rajamouli | Cinematography by | Senthil Kumar | Editing by | Venkateswara Rao Kotagiri
Cameras | ARRI ALEXA XT Camera
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Bad Santa 2 (2016)
Country | USA
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 1.85:1
Directed by | Mark Waters | Cinematography by | Theo van de Sande | Editing by | Travis Sittard
Cameras | Panasonic VariCam 35
Lenses | Cooke Lenses
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Knights of the Roundtable: King Arthur (2017)
Country | USA, UK
Type | Motion Picture
Running Time | 126 Minutes
Aspect Ratio | 2.39:1
Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert
Cameras | ARRI ALEXA XT Camera
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Mal de pierres (2016)
Country | France, Belgium, Canada
Type | Motion Picture
Running Time | 120 Minutes
Aspect Ratio | 2.39:1
Directed by | Nicole Garcia | Cinematography by | Christophe Beaucarne | Editing by | Simon Jacquet
Cameras | Red Epic Dragon Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
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Two Lovers and a Bear (2016)
Country | Canada
Type | Motion Picture
Running Time | 96 Minutes
Aspect Ratio | 2.39:1
Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Richard Comeau
Cameras | ARRI ALEXA XT Camera
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Mean Dreams (2016)
Country | Canada
Type | Motion Picture
Running Time | 108 Minutes
Directed by | Nathan Morlando | Cinematography by | Steve Cosens | Editing by | Sandy Pereira, Ronald Sanders
Cameras | Red Epic Dragon Camera
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Câini (2016)
Country | Romania, France, Bulgaria, Qatar
Type | Motion Picture
Running Time | 104 Minutes
Aspect Ratio | 2.39:1
Directed by | Bogdan Mirica | Cinematography by | Andrei Butica | Editing by | Roxana Szel
Cameras | ARRI ALEXA XT Plus Camera
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(M)uchenik (2016)
Country | Russia
Type | Motion Picture
Running Time | 118 Minutes
Directed by | Kirill Serebrennikov | Cinematography by | Vladislav Opelyants | Editing by | Yuriy Karikh
Cameras | ARRI ALEXA XT Camera
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Fuchi ni tatsu (2016)
Country | Japan, France
Type | Motion Picture
Running Time | 120 Minutes
Directed by | Kôji Fukada | Cinematography by | Ken'ichi Negishi | Editing by | Kôji Fukada, Julia Gregory
Cameras | Sony PMW-F55 Camera
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Forushande (2016)
Country | Iran, France
Type | Motion Picture
Running Time | 124 Minutes
Aspect Ratio | 1.85:1
Directed by | Asghar Farhadi | Cinematography by | Hossein Jafarian | Editing by | Hayedeh Safiyari
Cameras | ARRI ALEXA XT Camera
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Doctor Strange (2016)
Country | USA
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 1.78:1 (16x9), 2.39:1
Directed by | Scott Derrickson | Cinematography by | Ben Davis | Editing by | Sabrina Plisco, Wyatt Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
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Assassin’s Creed (2016)
Country | USA, France, UK, Hong Kong, Taiwan, Malta
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 2.39:1
Directed by | Justin Kurzel | Cinematography by | Adam Arkapaw | Editing by | Christopher Tellefsen
Cameras | ARRI ALEXA 65 Camera
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Hördur – Zwischen den Welten (2015)
Country | Germany
Type | Motion Picture
Running Time | 80 Minutes
Aspect Ratio | 2.39:1
Directed by | Ekrem Ergün | Cinematography by | Eric Ferranti | Editing by | Sabine Brose
Cameras | ARRI ALEXA M Camera
Lenses | Cooke S4 Lenses
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The Transfiguration (2016)
Country | USA
Type | Motion Picture
Running Time | 97 Minutes
Directed by | Michael O'Shea | Cinematography by | Sung Rae Cho | Editing by | Kathryn J. Schubert
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Rester vertical (2016)
Country | France
Type | Motion Picture
Running Time | 98 Minutes
Directed by | Alain Guiraudie | Cinematography by | Claire Mathon | Editing by | Jean-Christophe Hym
Cameras | Panasonic VariCam 35, Red Epic Dragon Camera
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