Acquisition » Digital Cinema

Digital Cinema | 1861 Titles

Digital Cinema 5.00/5 1 Vote

« Previous 1 2 3 4 5 … 94 Next »

LessUpdatedTitleYear

Roses. Film-Cabaret (2021)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9), 1.85:1 | 78 Minutes

Directed by | Irena Stetsenko | Cinematography by | Serhiy Stetsenko | Editing by | Mykola Bazarkin

Starring | Dakh Daughters, Vlad Troitskiy, Ruslana Khazipova

Cameras | Canon EOS-1Ds Camera, Canon EOS-5D Mark III Camera, Sony α7S II Camera

Lenses | Konica Hexanon AR 21mm f2.8 Lens, Konica Hexanon AR 28mm f1.8 Lens, Konica Hexanon AR 40mm f1.8 Lens, Konica Hexanon AR 50mm f1.7 Lens

Craig Ferguson’s Hobo Fabulous (2019)

Television Series | 2D | Color |

| Cinematography by | Tobias Deml

Cameras | Canon EOS-C300 Mark II Camera

Lenses | Canon CINE-SERVO 17-120mm T2.95 Lens, Canon CN-E 30-105 mm T2.8 Lens

FML (2016)

Direct to Video | 2D | 4K Project | Color | 1.78:1 (16x9) | 98 Minutes

Directed by | Jason Nash | Cinematography by | Tobias Deml

Starring | Busy Philipps, David Dobrik, Jimmy Tatro, Andy Daly

Cameras | Sony α7R II Camera, Sony α7S II Camera

Lenses | Sony G 18–110mm f4.0 Lens, Sony G Master Series Lenses

The Zone of Interest (2023)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 105 Minutes

Directed by | Jonathan Glazer | Cinematography by | Lukasz Zal | Editing by | Paul Watts

Starring | Christian Friedel, Sandra Hüller, Johann Karthaus

Cameras | Sony CineAlta VENICE Camera

Lenses | Leitz M 0.8 Series Lenses

Other Halves (2015)

Direct to Video | 2D | 2K Project | Color | 2.39:1 | 90 Minutes

Directed by | Matthew T. Price | Cinematography by | Tobias Deml | Editing by | Don Stroud

Starring | Lauren Lakis, Mercedes Manning, Lianna Liew, Melanie Friedrich

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Canon Lenses, Samyang Lenses

The Batman (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 176 Minutes

Directed by | Matt Reeves | Cinematography by | Greig Fraser | Editing by | William Hoy, Tyler Nelson

Starring | Robert Pattinson, Zoë Kravitz, Jeffrey Wright

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera

Lenses | ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

Natural Vice (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 81 Minutes

Directed by | Izzy Traub | Cinematography by | Tobias Deml | Editing by | Gehrig Burnett Jr.

Starring | Brent Harvey, Jovanna Nicole, Allen Theosky Rowe, Aria Emory

Cameras | Sony PXW-FS7 Camera

Lenses | Canon Lenses

Waiting for Smith’s Trilogy (2024)

Short Film | 2D | HD Project | Color | 1.66:1 | 15 Minutes

Directed by | Sebastiaan de Reuver | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz

Starring | Eveline Besters, Harry Lloyd, Jelle Pennekamp

Cameras | Blackmagic Pocket Cinema 4K Camera

Monster Party (2018)

Motion Picture | 2D | 6K Project | Color | 2.39:1 | 89 Minutes

Directed by | Chris von Hoffmann | Cinematography by | Tobias Deml | Editing by | Gehrig Burnett Jr., Joe Rosenbloom

Starring | Sam Strike, Virginia Gardner, Brandon Micheal Hall, Kian Lawley

Cameras | Red Epic Helium Camera

Lenses | Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

Hangman (2015)

Direct to Video | 2D | HD Project | Color | 1.78:1 (16x9) | 85 Minutes

Directed by | Adam Mason | Cinematography by | Tobias Deml

Starring | Jeremy Sisto, Kate Ashfield, Ryan Simpkins, Ty Simpkins

Cameras | Canon VIXIA HF G10 Camera

Lenses | Canon Lenses

Dìdi (2024)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 94 Minutes

Directed by | Sean Wang | Cinematography by | Sam A. Davis | Editing by | Arielle Zakowski

Starring | Izaac Wang, Joan Chen, Shirley Chen

Cameras | ARRI Alexa 35 Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

Julie’s Confession (2021)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 44 Minutes

Directed by | Franklin Genao | Cinematography by | Franklin Genao | Editing by | Franklin Genao

Starring | Yasiris Alvarado, Julie Yaeli, Franklin Genao

Cameras | Blackmagic Pocket Cinema 4K Camera

The Kid Detective (2020)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Evan Morgan | Cinematography by | Mike McLaughlin | Editing by | Curt Lobb

Starring | Kaitlyn Chalmers-Rizzato, Adam Brody, Kaleb Horn

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens

The King Tide (2023)

Motion Picture | 2D | Color | 100 Minutes

Directed by | Christian Sparkes | Cinematography by | Mike McLaughlin | Editing by | Justin Oakey

Starring | Frances Fisher, Clayne Crawford, Michael Greyeyes

Cameras | ARRI ALEXA Mini Camera

Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens

The Legend of the White Ibex (2019)

Short Film | 2D | HD Project | Color | 41 Minutes

Directed by | Markus Otz | Cinematography by | Kurt Amzos

Starring | Marco Capodieci, Roberto Regazzoni, Amanda Rougier

Cameras | Sony PXW-FS5 Camera

Lenses | Sigma 18-35mm f1.8 DC HSM Lens, Sony Lenses

Avengers: Endgame (2019)

Motion Picture | 2D, 3D | 4K Project | Color | 1.90:1, 2.39:1 | 181 Minutes

Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt

Starring | Robert Downey Jr., Chris Evans, Mark Ruffalo

Cameras | ALEXA IMAX Camera

Lenses | Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Control Delete (2024)

Short Film | 2D | 4K Project | Color | 2.39:1 |

Directed by | Kris van Melle | Cinematography by | Britt Adriaansen | Editing by | Keno Aladjuz

Starring | Hidde de Visser, Maud Dekkers, Hans Muller

Cameras | Blackmagic URSA Camera

Post Mortem (2022)

Short Film | 2D | 4K Project | Color | 1.90:1 | 6 Minutes

Directed by | Luca Larsen | Cinematography by | Mans Buskop | Editing by | Keno Aladjuz

Starring | Eva Machek, Jonaid Raja

Cameras | Blackmagic Pocket Cinema Camera 6K Pro

Lenses | Zeiss Compact Prime CP.2 Lenses

Cinema Bandi (2021)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 98 Minutes

Directed by | Praveen Kandregula | Cinematography by | Apoorva Shaligram, Sagar Yvv | Editing by | Ravi Teja Girijala, Dharmendra Kakarala

Cameras | Red Gemini Camera

Lenses | Zeiss Lenses

You Were Never Really Here (2017)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 89 Minutes

Directed by | Lynne Ramsay | Cinematography by | Thomas Townend | Editing by | Joe Bini

Starring | Joaquin Phoenix, Judith Roberts, Ekaterina Samsonov

Cameras | ARRI ALEXA XT Series Cameras

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision T Series Anamorphic Lenses

« Previous 1 2 3 4 5 … 94 Next »

©2012 - 2025 ShotOnWhat?

20254.20