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Celluloid | 3105 Titles

Celluloid 3.60/5 10 Votes

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Hail, Caesar! (2016)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Stalker (1979)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3) | 162 Minutes

Directed by | Andrei Tarkovsky | Cinematography by | Aleksandr Knyazhinskiy, Georgi Rerberg, Leonid Kalashnikov | Editing by | Lyudmila Feyginova

Starring | Alisa Freyndlikh, Aleksandr Kaydanovskiy, Anatoliy Solonitsyn

Cameras | Kinor 35C 5KSN Camera, Mitchell NC Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens

The Day After Tomorrow (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | David Brenner

Starring | Dennis Quaid, Jake Gyllenhaal, Emmy Rossum

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Fitzcarraldo (1982)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 158 Minutes

Directed by | Werner Herzog | Cinematography by | Thomas Mauch | Editing by | Beate Mainka-Jellinghaus

Starring | Klaus Kinski, Claudia Cardinale, José Lewgoy

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera

The Sacrifice (1986)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 149 Minutes

Directed by | Andrei Tarkovsky | Cinematography by | Sven Nykvist | Editing by | Michal Leszczylowksi, Andrei Tarkovsky

Starring | Erland Josephson, Susan Fleetwood, Allan Edwall

Cameras | ARRIFLEX 35 BL3 Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens

The Bourne Identity (2002)

Motion Picture | 2D | Film Project | Color | 119 Minutes

Directed by | Doug Liman | Cinematography by | Oliver Wood | Editing by | Saar Klein

Starring | Franka Potente, Matt Damon, Chris Cooper

Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Anamorphic Lenses

Fish Tank (2009)

Motion Picture | 2D | Color | 1.37:1 | 123 Minutes

Directed by | Andrea Arnold | Cinematography by | Robbie Ryan | Editing by | Nicolas Chaudeurge

Starring | Katie Jarvis, Michael Fassbender, Kierston Wareing

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Killer’s Kiss (1955)

Motion Picture | 2D | Film Project | Black & White | 67 Minutes

Directed by | Stanley Kubrick | Cinematography by | Stanley Kubrick | Editing by | Stanley Kubrick

Starring | Frank Silvera, Irene Kane, Jamie Smith, Jerry Jarrett

Cameras | Bell & Howell Eyemo Camera

Age of Heroes (2011)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Adrian Vitoria | Cinematography by | Mark Hamilton | Editing by | Chris Gill, Joe Parsons

Starring | Sean Bean, Danny Dyer, Aksel Hennie

Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

1 Out of 7 (2011)

Movie | 2D | Film Project | Color | 90 Minutes

Directed by | York Alec Shackleton | Cinematography by | Adam Silver | Editing by | Thomas K. Nash, York Alec Shackleton, D.W. Thomas

Starring | Laura Ramsey, Toby Hemingway, Vivica A. Fox

Cameras | ARRIFLEX 235 Camera

Home Alone 2: Lost in New York (1992)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 120 Minutes

Directed by | Chris Columbus | Cinematography by | Julio Macat | Editing by | Raja Gosnell

Starring | Macaulay Culkin, Joe Pesci, Daniel Stern, Catherine O'Hara

Cameras | Panavision Panaflex Platinum Camera

Talladega Nights: The Ballad of Ricky Bobby (2006)

Motion Picture | 2D | 2K Project | Color | 108 Minutes

Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White

Starring | Will Ferrell, John C. Reilly, Sacha Baron Cohen, Gary Cole

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Bran Nue Dae (2009)

Motion Picture | 2D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 85 Minutes

Directed by | Rachel Perkins | Cinematography by | Andrew Lesnie | Editing by | Rochelle Oshlack

Starring | Rocky McKenzie, Jessica Mauboy, Ernie Dingo

The Cat in the Hat (2003)

Motion Picture | 2D | 2K Project | Color | 82 Minutes

Directed by | Bo Welch | Cinematography by | Emmanuel Lubezki | Editing by | Don Zimmerman

Starring | Mike Myers, Spencer Breslin, Dakota Fanning

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Double Indemnity (1944)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 107 Minutes

Directed by | Billy Wilder | Cinematography by | John F. Seitz

Starring | Fred MacMurray, Barbara Stanwyck, Edward G. Robinson

Cameras | Mitchell BNC Camera

Zack Snyder’s Justice League (2021)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 242 Minutes

Directed by | Zack Snyder | Cinematography by | Fabian Wagner | Editing by | David Brenner, Carlos M. Castillón, Dody Dorn

Starring | Henry Cavill, Ben Affleck, Gal Gadot, Amy Adams

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Leitz Summilux-C Series Lenses

Mean Girls (2004)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Wendy Greene Bricmont

Starring | Lindsay Lohan, Jonathan Bennett, Rachel McAdams, Tina Fey

Cameras | Panavision Cameras

To Leslie (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 119 Minutes

Directed by | Michael Morris | Cinematography by | Larkin Seiple | Editing by | Chris McCaleb

Starring | Andrea Riseborough, Drew Youngblood, Tom Virtue

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Maltese Falcon (1941)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 100 Minutes

Directed by | John Huston | Cinematography by | Arthur Edeson | Editing by | Thomas Richards

Starring | Humphrey Bogart, Mary Astor, Gladys George

Cameras | Mitchell BNC Camera

Aftersun (2022)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 102 Minutes

Directed by | Charlotte Wells | Cinematography by | Gregory Oke | Editing by | Blair McClendon

Starring | Paul Mescal, Frankie Corio, Celia Rowlson-Hall

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke S4/i Lenses

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