Industrial Pixel VFX | 8 Titles
It (2017)
Directed by | Andy Muschietti | Cinematography by | Chung-hoon Chung | Editing by | Jason Ballantine
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Bird Box (2018)
Directed by | Susanne Bier | Cinematography by | Salvatore Totino | Editing by | Ben Lester
Cameras | Red Helium (Weapon) 8K
Lenses | Zeiss Master Prime Lenses
The Meg (2018)
Directed by | Jon Turteltaub | Cinematography by | Tom Stern | Editing by | Steven Kemper, Kelly Matsumoto
Creed II (2018)
Directed by | Steven Caple Jr. | Cinematography by | Kramer Morgenthau | Editing by | Dana E. Glauberman, Saira Haider, Paul Harb
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses | Panavision Lenses, Zeiss Master Prime Lenses
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Directed by | Joachim Rønning, Espen Sandberg | Cinematography by | Paul Cameron | Editing by | Roger Barton, Leigh Folsom Boyd
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Avatar: The Way of Water (2022)
Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | David Brenner, James Cameron, John Refoua, Stephen E. Rivkin
Cameras | Sony CineAlta VENICE Camera
Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens
Vice (2018)
Directed by | Adam McKay | Cinematography by | Greig Fraser | Editing by | Hank Corwin
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras
Snowpiercer (2013)
Directed by | Joon-ho Bong | Cinematography by | Kyung-pyo Hong | Editing by | Steve M. Choe, Changju Kim
