Image Engine | 26 Titles
John Wick: Chapter 3 – Parabellum (2019)
Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera
Kin (2018)
Directed by | Jonathan Baker, Josh Baker | Cinematography by | Larkin Seiple | Editing by | Mark Day
Cameras | ARRI ALEXA Mini Camera
Tully (2018)
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Stefan Grube
Cameras | ARRI ALEXA Mini Camera
Thor: Ragnarok (2017)
Directed by | Taika Waititi | Cinematography by | Javier Aguirresarobe | Editing by | Zene Baker, Joel Negron
The Meg (2018)
Directed by | Jon Turteltaub | Cinematography by | Tom Stern | Editing by | Steven Kemper, Kelly Matsumoto
Overlord (2018)
Directed by | Julius Avery | Cinematography by | Laurie Rose, Fabian Wagner | Editing by | Matt Evans
Skyscraper (2018)
Directed by | Rawson Marshall Thurber | Cinematography by | Robert Elswit | Editing by | Julian Clarke, Michael L. Sale
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
The Revenant (2015)
Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera
Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Fantastic Beasts and Where to Find Them (2016)
Directed by | David Yates | Cinematography by | Philippe Rousselot | Editing by | Mark Day
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Deadpool (2016)
Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke
Cameras | ARRI ALEXA XT Plus Camera
Straight Outta Compton (2015)
Directed by | F. Gary Gray | Cinematography by | Matthew Libatique | Editing by | Billy Fox, Michael Tronick
Cameras | Red Epic Dragon Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses
Jurassic World (2015)
Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera
Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses
San Andreas (2015)
Directed by | Brad Peyton | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Bloody Knuckles (2014)
Directed by | Matt O'Mahoney | Cinematography by | Scooter Corkle | Editing by | Scott Belyea, Matt O'Mahoney
Chappie (2015)
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Mark Goldblatt
Cameras | Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Child 44 (2015)
Directed by | Daniel Espinosa | Cinematography by | Oliver Wood | Editing by | Pietro Scalia, Dylan Tichenor
Cameras | ARRICAM Lite (LT) Camera
Lenses | Hawk Anamorphic Lenses
American Sniper (2014)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Teenage Mutant Ninja Turtles (2014)
Directed by | Jonathan Liebesman | Cinematography by | Lula Carvalho | Editing by | Joel Negron, Glen Scantlebury
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Lone Survivor (2013)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr.
Cameras | Phantom Flex Camera, Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens
White House Down (2013)
Directed by | Roland Emmerich | Cinematography by | Anna Foerster | Editing by | Adam Wolfe
Cameras | ARRI ALEXA Plus Camera, Sony CineAlta F65 Camera
