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Netflix | 18 Titles

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Mank (2020)

Motion Picture | 8K Project | Black & White | 2.20:1 | 131 Minutes

Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter

Starring | Gary Oldman, Amanda Seyfried, Lily Collins, Tom Pelphrey

Cameras | Red Digital Cinema Cameras

Lenses | Leica Summilux-C Series Lenses

Unbreakable Kimmy Schmidt (2015)

Television Series | 2D | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | John Inwood | Editing by | Ken Eluto, Elizabeth Merrick, Meg Reticker, Kyle Gilman, Jesse Gordon, Craig Cobb, Alex Minnick, Ellen Tam, Katie Abel, Micah Gardner

Starring | Ellie Kemper, Jane Krakowski, Tituss Burgess, Carol Kane

Cameras | Red Epic Dragon Camera, Red Helium (Weapon) 8K

Orange Is the New Black (2013)

Television Series | 2D | 2K Project, 4K Project | Color | 1.78:1 (16x9) | 59 Minutes

| Cinematography by | Ludovic Littee, Vanja Cernjul, Yaron Orbach, Manuel Billeter, Michael Trim, David M. Dunlap, Wylda Bayron, Andrew Voegeli, William Newell | Editing by | Bill Turro, Shannon Mitchell, Michael Stern, Amy M. Fleming, Tim Boettcher, W. Kale Whorton, Jennifer Hatton, James A. Brewer, Liza Cardinale, Rockie Stephens

Starring | Taylor Schilling, Danielle Brooks, Taryn Manning, Emma Myles

Cameras | ARRI ALEXA Camera, Panasonic VariCam 35

Lenses | Cooke 5/i Lenses

Marriage Story (2019)

Motion Picture | 2D | 4K Project | Color | 137 Minutes

Directed by | Noah Baumbach | Cinematography by | Robbie Ryan | Editing by | Jennifer Lame

Starring | Adam Driver, Scarlett Johansson, Julia Greer, Azhy Robertson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Highwaymen (2019)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

The Highwaymen | ShotOnWhat?

Directed by | John Lee Hancock | Cinematography by | John Schwartzman | Editing by | Robert Frazen

Starring | Kevin Costner, Woody Harrelson, Kathy Bates, John Carroll Lynch

Cameras | Panavision Millennium DXL2 Camera, Red Monstro 8K Camera

Master of None (2015)

Television Series | 2D | 4K Project | Color | 2.39:1 | 30 Minutes

| Cinematography by | Mark Schwartzbard | Editing by | Jennifer Lilly, Suzy Elmiger, Daniel Haworth

Starring | Aziz Ansari, Eric Wareheim, Lena Waithe, Noël Wells

Cameras | Panasonic VariCam 35

Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Stranger Things (2016)

Television Series | 2D | 4K Project | Color | 2.0:1 | 51 Minutes

| Cinematography by | Tim Ives, Tod Campbell, Lachlan Milne, David Franco | Editing by | Kevin D. Ross, Dean Zimmerman, Nat Fuller, Katheryn Naranjo

Starring | Millie Bobby Brown, Finn Wolfhard, Winona Ryder, David Harbour

Cameras | Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses | Leica Summilux-C Series Lenses

Bloodline (2015)

Television Series | 2D | 4K Project | Color | 60 Minutes

| Cinematography by | Jaime Reynoso, Darren Lew | Editing by | Josh Beal, Naomi Geraghty, Deborah Moran, Louise Innes, Lynne Willingham, Dorian Harris, Justin Krohn, Ravi Subramanian, Aaron Kuhn, Jill Paget

Starring | Kyle Chandler, Ben Mendelsohn, Linda Cardellini, Sissy Spacek

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses

House of Cards (2013)

Television Series | 2D | 2K Project, 4K Project | Color | 2.0:1 | 51 Minutes

| Cinematography by | David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives | Editing by | Lisa Bromwell, Byron Smith, Cindy Mollo, Sidney Wolinsky, Michelle Tesoro, Yuka Shirasuna, Kirk Baxter, Michael Ruscio, Katherine Skjerping, Josh Beal, Grant Surmi, Kyle Traynor

Starring | Kevin Spacey, Michel Gill, Robin Wright, Kate Mara

Cameras | Red Epic Camera, Red Epic Dragon Camera, Red Weapon Dragon Camera

Lenses | Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses

Narcos (2015)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9) | 49 Minutes

| Cinematography by | Adrian Teijido, Mauricio Vidal, Carmen Cabana, Juan Carlos Gil, Lula Carvalho, Luis David Sansans | Editing by | Matthew Colonna, Trevor Baker, Luis Carballar, Leo Trombetta, Nathan Gunn, Chris McCaleb, Ryan Jones, Jon Otazua, Victor Du Bois, Alex Marquez

Starring | Pedro Pascal, Wagner Moura, Boyd Holbrook, Alberto Ammann

Cameras | Panasonic Lumix DMC-GH4 Camera, Red Epic Dragon Camera

Lenses | Cooke S4/i Lenses, Hawk V-Lite Lenses, Zeiss Ultra Prime Lenses

Mindhunter (2017)

Television Series | 2D | 6K Project | Color | 2.20:1 | 60 Minutes

| Cinematography by | Erik Messerschmidt, Christopher Probst | Editing by | Tyler Nelson, Kirk Baxter, Grant Surmi, Byron Smith, Eric Zumbrunnen

Starring | Jonathan Groff, Holt McCallany, Anna Torv, Hannah Gross

Cameras | Red Xenomorph Camera

Lenses | Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens

Mudbound (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 134 Minutes

Directed by | Dee Rees | Cinematography by | Rachel Morrison | Editing by | Mako Kamitsuna

Starring | Jason Clarke, Carey Mulligan, Garrett Hedlund, Jonathan Banks

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses

End Game (2018)

Short Film | 2D | Color | 1.85:1 | 40 Minutes

Directed by | Rob Epstein, Jeffrey Friedman | Cinematography by | Rob Epstein, Rebekah Fergusson | Editing by | Rob Epstein, Jeffrey Friedman

Into the Badlands (2015)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9) | 42 Minutes

| Cinematography by | Owen McPolin, Shane Hurlbut, Sam McCurdy, Daniel Aranyó, Nigel Willoughby, Denis Crossan, P.J. Dillon, Jean-Philippe Gossart | Editing by | Paul G. Day, Ben Wilkinson, Erin Deck, Jay Prychidny, Bridget Durnford, Ray Daniels III, Vikash Patel, Anthony Pinker, Cedric Nairn-Smith

Starring | Daniel Wu, Orla Brady, Emily Beecham, Aramis Knight

Cameras | Red Epic Dragon Camera

Lenses | Leica Summicron-C Series Lenses, Leica Summilux-C Series Lenses

The Ballad of Buster Scruggs (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 133 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Bruno Delbonnel | Editing by | Ethan Coen, Joel Coen

Starring | Tim Blake Nelson, Willie Watson, Clancy Brown, Danny McCarthy

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Studio Camera

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

Dogs of Berlin (2018)

Television Series | 2D | 4K Project | Color | 2.0:1 | 542 Minutes

| Cinematography by | Christoph Krauss, Frank Lamm | Editing by | Marc Hofmeister, Bobby Good

Starring | Felix Kramer, Fahri Yardim, Samy Abdel Fattah, Mohamed Issa

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 28mm T4.0 Lens, ARRI Rental Prime DNA Lenses, Leica Summilux-C Series Lenses

Dark (2017)

Television Series | 2D | 4K Project | Color | 2.0:1 | 60 Minutes

| Cinematography by | Nikolaus Summerer | Editing by | Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor

Starring | Karoline Eichhorn, Louis Hofmann, Jördis Triebel, Maja Schöne

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Zeiss Ultra Prime Lenses

Rattlesnake (2019)

Motion Picture | 2D | 4K Project | Color | 2.40:1 |

Directed by | Zak Hilditch | Editing by | Merlin Eden

Starring | Carmen Ejogo, Theo Rossi, Emma Greenwell, David Yow

Cameras | Sony CineAlta VENICE Camera

Lenses | Kowa Cine Prominar Spherical Lenses