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Dreamworks Pictures | 14 Titles

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Minority Report (2002)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 145 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Cruise, Colin Farrell, Samantha Morton, Max von Sydow

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses

Munich (2005)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 164 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Eric Bana, Daniel Craig, Marie-Josée Croze, Ciarán Hinds

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

The Ring Two (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 110 Minutes

Directed by | Hideo Nakata | Cinematography by | Gabriel Beristain | Editing by | Michael N. Knue

Starring | Naomi Watts, David Dorfman, Sissy Spacek, Simon Baker

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Ghost in the Shell (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 107 Minutes

Directed by | Rupert Sanders | Cinematography by | Jess Hall | Editing by | Billy Rich, Neil Smith

Starring | Scarlett Johansson, Pilou Asbæk, Takeshi Kitano

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

On the Basis of Sex (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 120 Minutes

Directed by | Mimi Leder | Cinematography by | Michael Grady | Editing by | Michelle Tesoro

Starring | Felicity Jones, Armie Hammer, Justin Theroux

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Panavision Primo Primes Spherical Lenses

The BFG (2016)

Motion Picture | 2D, 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 117 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Mark Rylance, Ruby Barnhill, Penelope Wilton

Cameras | ARRI ALEXA XT Series Cameras

Lenses | Panavision Primo Primes Spherical Lenses

The Post (2017)

Motion Picture | 2D | Color | 1.85:1 | 116 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Meryl Streep, Tom Hanks, Sarah Paulson

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

1917 (2019)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 119 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith

Starring | Dean-Charles Chapman, George MacKay, Daniel Mays, Colin Firth

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

The Cat in the Hat (2003)

Motion Picture | 2D | 2K Project | Color | 82 Minutes

Directed by | Bo Welch | Cinematography by | Emmanuel Lubezki | Editing by | Don Zimmerman

Starring | Mike Myers, Spencer Breslin, Dakota Fanning

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Green Book (2018)

Motion Picture | 2D | 2K Project | Color | 2.0:1 | 130 Minutes

Directed by | Peter Farrelly | Cinematography by | Sean Porter | Editing by | Patrick J. Don Vito

Starring | Viggo Mortensen, Mahershala Ali, Linda Cardellini, Sebastian Maniscalco

Cameras | ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C Series Lenses

A Beautiful Mind (2001)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 135 Minutes

Directed by | Ron Howard | Cinematography by | Roger Deakins | Editing by | Daniel P. Hanley, Mike Hill

Starring | Russell Crowe, Ed Harris, Jennifer Connelly, Christopher Plummer

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera

Lenses | Cooke S4 Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Just Like Heaven (2005)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Bruce Green

Starring | Reese Witherspoon, Mark Ruffalo, Donal Logue, Dina Spybey-Waters

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Deep Impact (1998)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 120 Minutes

Directed by | Mimi Leder | Cinematography by | Dietrich Lohmann | Editing by | Paul Cichocki, David Rosenbloom

Starring | Robert Duvall, Téa Leoni, Elijah Wood, Morgan Freeman

Cameras | ARRIFLEX 535 Camera

First Man (2018)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 141 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler

Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

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