Dolby | 2925 Titles
Un château en Italie (2013)
Directed by | Valeria Bruni Tedeschi | Cinematography by | Jeanne Lapoirie | Editing by | Anne Weil
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses
Age of Uprising: The Legend of Michael Kohlhaas (2013)
Directed by | Arnaud des Pallières | Cinematography by | Jeanne Lapoirie | Editing by | Sandie Bompar, Arnaud des Pallières
Lenses | Angenieux HR 25-250 mm T3.5 Lens
Jimmy P. (2013)
Directed by | Arnaud Desplechin | Cinematography by | Stéphane Fontaine | Editing by | Laurence Briaud
9 mois ferme (2013)
Directed by | Albert Dupontel | Cinematography by | Vincent Mathias | Editing by | Christophe Pinel
Cameras | Red Epic Camera
La Vénus à la fourrure (2013)
Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze, Margot Meynier
Cameras | Sony CineAlta F65 Camera
Labor Day (2013)
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses
Xenia (2014)
Directed by | Panos H. Koutras | Cinematography by | Hélène Louvart, Simos Sarketzis | Editing by | Yorgos Lamprinos
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens
Nymphomaniac: Vol. II (2013)
Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses
Saint Laurent (2014)
Directed by | Bertrand Bonello | Cinematography by | Josée Deshaies | Editing by | Stéphane Garnier, Fabrice Rouaud
Cameras | ARRICAM Lite (LT) Camera
Party Girl (2014)
Directed by | Marie Amachoukeli-Barsacq, Claire Burger, Samuel Theis | Cinematography by | Julien Poupard | Editing by | Frédéric Baillehaiche
Cameras | Red Epic Camera
Les vacances du petit Nicolas (2014)
Directed by | Laurent Tirard | Cinematography by | Denis Rouden | Editing by | Valérie Deseine
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses
Bon rétablissement ! (2014)
Directed by | Jean Becker | Cinematography by | Jean-Claude Larrieu | Editing by | Franck Nakache, Jacques Witta
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Sherlock (2010)
| Cinematography by | Steve Lawes, Fabian Wagner, Neville Kidd, Matt Gray, Suzie Lavelle, Stuart Biddlecombe, David Luther | Editing by | Charlie Phillips, Yan Miles, Nick Arthurs, Mali Evans, Tim Porter, Mark Davis, Andrew McClelland, William Oswald
Lenses | Cooke S4 Lenses, Zeiss Super Speed Lenses
Get a Horse! (2013)
Mandela: Long Walk to Freedom (2013)
Directed by | Justin Chadwick | Cinematography by | Lol Crawley | Editing by | Andrew Cassells, Rick Russell
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Saving Mr. Banks (2013)
Directed by | John Lee Hancock | Cinematography by | John Schwartzman | Editing by | Mark Livolsi
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Bad Grandpa (2013)
Directed by | Jeff Tremaine | Cinematography by | Lance Bangs, Dimitry Elyashkevich | Editing by | Seth Casriel, Matthew Kosinski, Matthew Probst










































































