Dolby | 2925 Titles
Contagion (2011)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione
Cameras | Red One MX Camera
Lenses | Red Pro Prime Lenses
15 Till Midnight (2010)
Directed by | Wolfgang Meyer | Cinematography by | Daniel Lipski | Editing by | Michael Gilmore
Cameras | Red One Camera
Lenses | Cooke S4 Lenses
180º (2010)
Directed by | Fernando Kalife | Cinematography by | Eduardo Flores Torres | Editing by | Joel T. Pashby, Hughes Winborne
Cameras | ARRICAM Lite (LT) Camera
The Campaign (2012)
Directed by | Jay Roach | Cinematography by | Jim Denault | Editing by | Craig Alpert, Jon Poll
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses
Big Mommas: Like Father, Like Son (2011)
Directed by | John Whitesell | Cinematography by | Anthony B. Richmond | Editing by | Priscilla Nedd-Friendly
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Cop Out (2010)
Neighboring Sounds (2012)
Directed by | Kleber Mendonça Filho | Cinematography by | Pedro Sotero, Fabricio Tadeu | Editing by | João Maria, Kleber Mendonça Filho
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses
Afterschool (2008)
Directed by | Antonio Campos | Cinematography by | Jody Lee Lipes | Editing by | Antonio Campos
Cameras | ARRIFLEX 535 Camera
Anacondas: The Hunt for the Blood Orchid (2004)
Directed by | Dwight H. Little | Cinematography by | Stephen F. Windon | Editing by | Marcus D'Arcy, Mark Warner
Lenses | Zeiss Ultra Prime Lenses
The Young Victoria (2009)
Directed by | Jean-Marc Vallée | Cinematography by | Hagen Bogdanski | Editing by | Jill Bilcock, Matt Garner
Lenses | Zeiss Ultra Prime Lenses
Wrath of the Titans (2012)
The Spiderwick Chronicles (2008)
Directed by | Mark Waters | Cinematography by | Caleb Deschanel | Editing by | Michael Kahn
Lenses | Panavision Primo Anamorphic Lenses
You Can Count on Me (2000)
Directed by | Kenneth Lonergan | Cinematography by | Stephen Kazmierski | Editing by | Anne McCabe
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Goats (2012)
Travelers and Magicians (2003)
Directed by | Khyentse Norbu | Cinematography by | Alan Kozlowski | Editing by | Andrew McCormick, Lisa-Anne Morris, John Scott
Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera
Man on a Ledge (2012)
Directed by | Asger Leth | Cinematography by | Paul Cameron | Editing by | Kevin Stitt
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses, Panavision Standard Primes (SP) Lenses
Bedtime Stories (2008)
Directed by | Adam Shankman | Cinematography by | Michael Barrett | Editing by | Tom Costain, Michael Tronick
Lenses | Panavision Primo Anamorphic Lenses
Law Abiding Citizen (2009)
Directed by | F. Gary Gray | Cinematography by | Jonathan Sela | Editing by | Tariq Anwar
Lenses | Cooke S4 Lenses
Blood Diamond (2006)
Directed by | Edward Zwick | Cinematography by | Eduardo Serra | Editing by | Steven Rosenblum
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Hawk C-Series Lenses, Hawk V-Series Lenses
Justin Bieber: Never Say Never (2011)
Directed by | Jon M. Chu | Cinematography by | Reed Smoot | Editing by | Jay Cassidy, Jillian Moul, Avi Youabian
