Dolby Digital | 2307 Titles
Prom (2011)
Directed by | Joe Nussbaum | Cinematography by | Byron Shah | Editing by | Jeffrey M. Werner
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Rules of Attraction (2002)
Directed by | Roger Avary | Cinematography by | Robert Brinkmann | Editing by | Sharon Rutter
Cameras | ARRIFLEX 535 Camera
Valkyrie (2008)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | John Ottman
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Did You Hear About the Morgans? (2009)
Directed by | Marc Lawrence | Cinematography by | Florian Ballhaus | Editing by | Susan E. Morse
Cameras | ARRICAM Studio (ST) Camera
Lenses | Hawk V-Series Lenses
Gen-X Cops 2: Metal Mayhem (2000)
Directed by | Benny Chan | Cinematography by | Anthony Pun | Editing by | John Burridge, Ka-Fai Cheung
Fateless (2005)
Directed by | Lajos Koltai | Cinematography by | Gyula Pados | Editing by | Hajnal Sellõ
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
Land of the Lost (2009)
Directed by | Brad Silberling | Cinematography by | Dion Beebe | Editing by | Peter Teschner
Cameras | Panavision Cameras
Junebug (2005)
Directed by | Phil Morrison | Cinematography by | Peter Donahue | Editing by | Joe Klotz
Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses | Zeiss Super Speed Lenses
I Am Legend (2007)
Directed by | Francis Lawrence | Cinematography by | Andrew Lesnie | Editing by | Wayne Wahrman
Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses
The Baader Meinhof Complex (2008)
Caroline and Jackie (2012)
Directed by | Adam Christian Clark | Cinematography by | Christian Swegal | Editing by | Adam Christian Clark, Lisa Hendricks
Cameras | Red One MX Camera
21 (2008)
Directed by | Robert Luketic | Cinematography by | Russell Carpenter | Editing by | Elliot Graham
Cameras | Pan-Arri 435 Camera, Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Angela’s Ashes (1999)
Directed by | Alan Parker | Cinematography by | Chris Connier, Michael Seresin | Editing by | Gerry Hambling
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses
Baby Mama (2008)
Directed by | Michael McCullers | Cinematography by | Daryn Okada | Editing by | Bruce Green, Debra Neil-Fisher
Cameras | Panavision Cameras
A Prophet (2009)
Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera
Scream (1996)
Directed by | Wes Craven | Cinematography by | Mark Irwin | Editing by | Patrick Lussier
Cameras | Moviecam Compact Camera
Lenses | Clairmont Anamorphic Lenses
Spy Game (2001)
Directed by | Tony Scott | Cinematography by | Dan Mindel | Editing by | Christian Wagner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Dark Water (2005)
Directed by | Walter Salles | Cinematography by | Affonso Beato | Editing by | Daniel Rezende
Lenses | Panavision Primo Anamorphic Lenses
Into the Wild (2007)
Directed by | Sean Penn | Cinematography by | Eric Gautier | Editing by | Jay Cassidy
Lenses | Canon Lenses, Zeiss Ultra Prime Lenses
Alvin and the Chipmunks: Chipwrecked (2011)
