Outdoor | 562 Titles
Anthony Bourdain: Parts Unknown (2013)
| Cinematography by | Zach Zamboni, Frederic Menou, Morgan Fallon, Todd Liebler, Ian McGlocklin, Jeremy Leach, Jerry Risius, Alan Jacobsen, Nick Brigden, Ethan Mills, David Holloway, Tarik Hameedi, Christopher Doyle, Alexander W. Lewis | Editing by | Jesse S. Fisher, Mustafa Bhagat, Tom Patterson, Hunter Gross, Angie Dix, Eric Lasby, Jon Philpot, Nick Brigden, Chris Martinez, Rachel Whitaker, Ephraim Kirkwood, Jennifer McGarrity, Bobby Zeleny
Cameras | SinaCAM HDC1-100 Camera
I, Timon (2017)
Directed by | Bramwell Noah, Dan Noah | Cinematography by | David Baldini
Cameras | Canon EOS-C300 Mark II Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens
Epen Cupen the Movie (2015)
Heaven Is for Real (2014)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | Panavision Genesis Camera
Parental Guidance (2012)
Directed by | Andy Fickman | Cinematography by | Dean Semler | Editing by | Kent Beyda
Cameras | Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
The Legend of Tarzan (2016)
Directed by | David Yates | Cinematography by | Henry Braham | Editing by | Mark Day
Cameras | Red Epic Dragon Camera
Clouds of Sils Maria (2014)
The Box (2018)
Directed by | Jack O'Donoghue, Isaac Stewart | Cinematography by | Isaac Stewart | Editing by | Isaac Stewart
Cameras | Canon EOS-7D Camera, Sony α7S Camera
The Nice Guys (2016)
Directed by | Shane Black | Cinematography by | Philippe Rousselot | Editing by | Joel Negron
Cameras | ARRI ALEXA XT Camera
The American Side (2016)
Directed by | Jenna Ricker | Cinematography by | Frank Barrera | Editing by | Robert Grigsby Wilson
Cameras | ARRI ALEXA Camera
Sing Street (2016)
Directed by | John Carney | Cinematography by | Yaron Orbach | Editing by | Andrew Marcus, Julian Ulrichs
Cameras | ARRICAM Lite (LT) Camera, Red Epic Camera
Eddie the Eagle (2015)
California Forever (2011)
Directed by | David Vassar | Cinematography by | Christopher Tufty | Editing by | Christian White
Cameras | Red One MX Camera
Lacuna (2016)
Directed by | Isaac Stewart | Cinematography by | Datu Bethke | Editing by | Matthew Roper, Isaac Stewart
Cameras | Canon EOS-1DX Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 50 mm f1.2 L Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon Lenses
Barbershop: The Next Cut (2016)
Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh
Cameras | Sony PMW-F55 Camera
Wyrmwood: Road of the Dead (2014)
Directed by | Kiah Roache-Turner | Cinematography by | Tim Nagle | Editing by | Kiah Roache-Turner
Cameras | Canon EOS-5D Mark III Camera, Red Epic Camera
Criminal (2016)
Directed by | Ariel Vromen | Cinematography by | Dana Gonzales | Editing by | Danny Rafic
Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera
The Huntsman: Winter’s War (2016)
Directed by | Cedric Nicolas-Troyan | Cinematography by | Phedon Papamichael | Editing by | Conrad Buff IV
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses
Everybody Wants Some!! (2016)
Directed by | Richard Linklater | Cinematography by | Shane F. Kelly | Editing by | Sandra Adair
Cameras | ARRI ALEXA Camera
The 5th Wave (2016)
Directed by | J Blakeson | Cinematography by | Enrique Chediak | Editing by | Paul Rubell
Cameras | ARRI ALEXA XT Plus Camera