2D | 5452 Titles
La Pasión de Michelangelo (2013)
Directed by | Esteban Larraín | Cinematography by | Tevo Díaz | Editing by | Felipe Guerrero, Soledad Salfate
Person of Interest (2011)
| Cinematography by | Dave Insley, Teodoro Maniaci, Manuel Billeter, Stephen McNutt, Gonzalo Amat, Tom Houghton, Petr Hlinomaz, Richard Rutkowski | Editing by | Mark Conte, Ray Daniels III, Ryan Malanaphy, Scott Powell, Scott Lerner, Scott Jacobs, John Ganem, Lola Popovac, Russell Denove, L.B. Brodie, Dorian Harris, Farrel Levy, Jacqueline F. Bisbano, Hibah Schweitzer
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Dead Man’s Shoes (2004)
Directed by | Shane Meadows | Cinematography by | Danny Cohen | Editing by | Celia Haining, Lucas Roche, Chris Wyatt
Hickory Never Bleeds (2012)
Directed by | Frank Ladner | Cinematography by | Frank Ladner | Editing by | Frank Ladner
Cameras | Bauer C1 Super 8 Camera, Canon EOS-7D Camera
Lenses | Asahi Pentax Super Takumar 50 mm f1.4 Lens, Canon EF 85 mm f1.4 Lens, Sigma 17-50mm f2.8 EX DC OS HSM Lens, Sigma 30mm f1.4 EX DC HSM Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens
Department (2012)
Directed by | Ram Gopal Varma | Cinematography by | Siddhartha More, Sapan Narula, Zaryan Patel, Harshraj Shroff, M. Ravichandran Thevar | Editing by | Vinay Chauhan, Abhijit Kokate
Cameras | Canon Cameras, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Panasonic Cameras, Red Digital Cinema Cameras, Red One MX Camera, Weisscam Cameras, Weisscam HS-1 Camera
Lenses | Angenieux Optimo Zoom Lenses, ARRI Lenses, Canon Lenses, Zeiss Compact Prime Lenses, Zeiss Lenses
Matru ki Bijlee ka Mandola (2013)
Directed by | Vishal Bhardwaj | Cinematography by | Kartik Vijay | Editing by | A. Sreekar Prasad
Cameras | ARRI ALEXA Camera, ARRI Cameras
Altergeist (2014)
Directed by | Tedi Sarafian | Cinematography by | Aaron Heck | Editing by | Andrew Coutts, David W. Hagar
Cameras | ARRI ALEXA Plus Camera, Indiecam Cameras, Silicon Imaging SI-2K Mini Camera, Sony PMW-F3 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens
Early Birds (2012)
Directed by | Jeroen Bogaert | Cinematography by | Rik Zang | Editing by | Karel van Bellingen
Cameras | ARRI ALEXA Camera, ARRI Cameras
Lenses | Cooke Lenses
TORC – The Off-Road Championships (2012)
Urchin (2007)
Directed by | John Harlacher | Cinematography by | Luke Leonard | Editing by | Dave Buchwald
Cameras | Panasonic AG-DVX100 Camera
Down and Dangerous (2013)
Directed by | Zak Forsman | Cinematography by | Zak Forsman, Sam Krueger | Editing by | Jamie Cobb
Cameras | Panasonic AG-AF100 Camera
The Hour (2011)
| Cinematography by | Chris Seager, David Luther | Editing by | Gareth C. Scales, Xavier Russell, Nick Arthurs, Paul Machliss
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Son of the Mask (2005)
Directed by | Lawrence Guterman | Cinematography by | Greg Gardiner | Editing by | Malcolm Campbell, John Coniglio, Debra Neil-Fisher
Charlotte’s Web (2006)
Directed by | Gary Winick | Cinematography by | Seamus McGarvey | Editing by | Susan Littenberg, Sabrina Plisco
Love Simple (2009)
Directed by | Mark von Sternberg | Cinematography by | Lance Kaplan | Editing by | Dave Buchwald
Cameras | Panasonic AG-HVX200 Camera, Panasonic Cameras
Lenses | Canon Lenses
Hitchcock (2012)
Directed by | Sacha Gervasi | Cinematography by | Jeff Cronenweth | Editing by | Pamela Martin
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Welcome Home, Roscoe Jenkins (2008)
Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | George Bowers, Paul Millspaugh
Prom Night (2008)
The Sisterhood of the Traveling Pants 2 (2008)
College Road Trip (2008)
