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2D | 5452 Titles

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Meet Natasha (2022)

Short Film | 2D | Color | 16 Minutes

Directed by | Antonio Oliveros-Nikol | Cinematography by | Benjamin Steeper | Editing by | Antonio Oliveros-Nikol

Starring | Jarred Harper, Vincent Ticali, Samuel Lee Roberts

Cameras | Blackmagic Pocket Cinema 4K Camera

Lenses | Meike Lenses

Ratcatcher (1999)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Lynne Ramsay | Cinematography by | Alwin H. Küchler | Editing by | Lucia Zucchetti

Starring | Tommy Flanagan, Mandy Matthews, William Eadie, Michelle Stewart

Cameras | ARRIFLEX 16mm Cameras, ARRIFLEX 35mm Cameras

Lenses | Zeiss Lenses, Zeiss Variable Prime Lenses

Molly’s Game (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | Aaron Sorkin | Cinematography by | Charlotte Bruus Christensen | Editing by | Alan Baumgarten, Elliot Graham, Josh Schaeffer

Starring | Jessica Chastain, Idris Elba, Kevin Costner

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Blood and Sand (1941)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 125 Minutes

Directed by | Rouben Mamoulian | Cinematography by | Ernest Palmer, Ray Rennahan | Editing by | Robert Bischoff

Starring | Tyrone Power, Linda Darnell, Rita Hayworth

Cameras | Technicolor 3-Strip Camera

Joan of Arc (1948)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.85:1 | 145 Minutes

Directed by | Victor Fleming | Cinematography by | Winton C. Hoch, William V. Skall, Joseph A. Valentine | Editing by | Frank Sullivan

Starring | Ingrid Bergman, José Ferrer, Selena Royle

Cameras | Technicolor 3-Strip Camera

My Friend Dahmer (2017)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Marc Meyers | Cinematography by | Daniel Katz | Editing by | Jamie Kirkpatrick

Starring | Ross Lynch, Alex Wolff, Anne Heche

Cameras | ARRI ALEXA XT Series Cameras

Lenses | Panavision Primo Anamorphic Lenses

The BFG (2016)

Motion Picture | 2D, 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 117 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Mark Rylance, Ruby Barnhill, Penelope Wilton

Cameras | ARRI ALEXA XT Series Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Game Night (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | John Francis Daley, Jonathan Goldstein | Cinematography by | Barry Peterson | Editing by | David Egan, Jamie Gross, Gregory Plotkin

Starring | Jason Bateman, Rachel McAdams, Kyle Chandler

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Red Epic Helium Camera

Lenses | Cooke S4/i Lenses

The Sisters Brothers (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Jacques Audiard | Cinematography by | Benoît Debie | Editing by | Juliette Welfling

Starring | John C. Reilly, Joaquin Phoenix, Jake Gyllenhaal

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Hawk C-Series Lenses, Hawk V-Series Lenses

The Nun (2018)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Corin Hardy | Cinematography by | Maxime Alexandre | Editing by | Michel Aller, Ken Blackwell

Starring | Demián Bichir, Taissa Farmiga, Jonas Bloquet

Cameras | ARRI ALEXA Camera

Lenses | Leitz Summilux-C Series Lenses

The Little Church That Could (2022)

Documentary | 2D | 4K Project | Color | 1.78:1 (16x9) | 13 Minutes

Directed by | James Newhook | Cinematography by | James Newhook, Ben Power | Editing by | James Newhook

Starring | Christopher Newhook, Tom O'Keefe, Kevin Noseworthy

Cameras | Blackmagic URSA Camera

Godzilla Minus One (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 124 Minutes

Directed by | Takashi Yamazaki | Cinematography by | Kôzô Shibasaki | Editing by | Ryûji Miyajima

Starring | Minami Hamabe, Sakura Andô, Ryunosuke Kamiki

Cameras | Sony CineAlta VENICE Camera

Lenses | Angenieux Optimo Ultra 12x Lens, Zeiss Supreme Prime Series Lenses

Dark Side of Football (2021)

Television Series | 2D | Color |

Directed by | Jason Sklaver | Editing by | Daniel Holechek

Cameras | ARRI ALEXA Mini Camera, Sony α7S II Camera

Lenses | Angenieux EZ Series Lenses, Cooke Lenses, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens

The Dinosaur Hour Extra (2023)

TV Special | 2D | HD Project | Color | 1.78:1 (16x9) | 42 Minutes

Directed by | Sidney Berthier | Cinematography by | Alasdair Tallentire | Editing by | Sidney Berthier

Starring | Helen Bond, Kate Crosby, Andrew Doyle

Cameras | Sony ILME-FX6 Camera, Sony α7 Series Cameras

Lenses | Sony G Master Series Lenses

Lies Behind Their Eyes (2020)

Web Series | 2D | 4K Project | Color |

Directed by | Alberto Ornelas, Geno Reyna, Emilio Lozano | Cinematography by | Emilio Lozano, Alberto Ornelas, Geno Reyna | Editing by | Alberto Ornelas

Starring | Aaron Ramos, Rene Leos, Tosha Ornelas

Cameras | Sony PXW-FS5M2 Camera

Amelia Earhart: The Lost Evidence (2017)

TV Special | 2D | HD Project | Color | 1.78:1 (16x9) | 84 Minutes

Cinematography by | Oktay Ortabasi, Juan Antonio PuyolEditing by | Jeff Schiro, Duncan Sinclair

Starring | Josephine Blanco Akiyama, Doug Carner, Amelia Earhart, Shawn Henry

Cameras | Canon EOS-C300 Camera

Lenses | Canon EF Series Lenses

Shane (1953)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.66:1 | 118 Minutes

Directed by | George Stevens | Cinematography by | Loyal Griggs | Editing by | William Hornbeck, Tom McAdoo

Starring | Alan Ladd, Jean Arthur, Van Heflin

Cameras | Technicolor 3-Strip Camera

Portrait of a Lady on Fire (2019)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 122 Minutes

Directed by | Céline Sciamma | Cinematography by | Claire Mathon | Editing by | Julien Lacheray

Starring | Noémie Merlant, Adèle Haenel, Luàna Bajrami, Valeria Golino

Cameras | Red Monstro 8K Camera

Lenses | Leitz THALIA Series Lenses

Burma Road – Flying Tigers (2015)

Documentary | 2D | 2K Project | Color | 1.90:1 |

Directed by | Chris D. Nebe | Cinematography by | Josh Lim, Josh Miller, JJ Osbun | Editing by | Mark Grabianowski, JJ Osbun

Starring | Louis Fantasia, Chris D. Nebe

Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera

Lenses | Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss ZF.2 21mm Distagon f2.8 Lens, Zeiss ZF.2 25mm Distagon f2.0 Lens, Zeiss ZF.2 35mm Distagon f1.4 Lens, Zeiss ZF.2 50mm Micro Planar f2.0 Lens, Zeiss ZF.2 85mm Planar f1.4 Lens

The Crown (2016)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9) | 58 Minutes

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