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Sad Hill Unearthed (2017)

Documentary | 2D | 4K Project | Color | 1.78:1 (16x9), 1.85:1 | 86 Minutes

Directed by | Guillermo de Oliveira | Cinematography by | Guillermo de Oliveira | Editing by | Guillermo de Oliveira, Javier Duch

Starring | Ennio Morricone, James Hetfield, Joe Dante, Clint Eastwood

Cameras | Sony α7S II Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens

Too Late Blues (1961)

Motion Picture | Film Project | Black & White | 103 Minutes

Directed by | John Cassavetes | Cinematography by | Lionel Lindon | Editing by | Frank Bracht

Starring | Bobby Darin, Stella Stevens, Everett Chambers, Nick Dennis

The Institute (2017)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 90 Minutes

Directed by | James Franco, Pamela Romanowsky | Cinematography by | Pedro Gómez Millán | Editing by | Evan Ahlgren, Aaron I. Butler

Starring | Allie Gallerani, James Franco, Joe Pease, Scott Haze

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke S4 Lenses

Postpartum (2016)

Short Film | 2D | 2K Project | Color | 2.39:1 | 24 Minutes

Directed by | Richard Bakewell, Lale Arpaci | Cinematography by | Chun Ming Huang

Starring | Danielle Harris, Jenny Curtis, Katie Beresford, Nicole Sterling

Cameras | Panasonic VariCam 35

Lenses | Schneider Lenses, Schneider Xenon FF Prime Lenses

Flock of Four (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 80 Minutes

Directed by | Gregory Caruso | Cinematography by | Gus Bendinelli | Editing by | Vic Brown

Starring | Braeden Lemasters, Uriah Shelton, Isaac Jay, Dylan Riley Snyder

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision B Series Anamorphic Lenses

Star Trek Beyond (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Starring | Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldaña

Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Trancers (1984)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 76 Minutes

Directed by | Charles Band | Cinematography by | Mac Ahlberg | Editing by | Ted Nicolaou

Starring | Tim Thomerson, Helen Hunt, Michael Stefani, Art LaFleur

Hawthorne (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 43 Minutes

| Cinematography by | Frank Byers, John Newby, Peter Menzies Jr. | Editing by | Robert Bramwell, Debra Beth Weinfeld, Elizabeth Kling, Kaja Fehr, Monty DeGraff, Alan Baumgarten, Rocky Burnswork

Starring | Jada Pinkett Smith, Suleka Mathew, Hannah Hodson, Michael Vartan

Cameras | ARRIFLEX D-21 Camera, Sony CineAlta F35 Camera

Lenses | ARRI Lenses, Panavision Lenses

Ray Donovan (2013)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Robert McLachlan, Matthew Jensen, Loren S. Yaconelli, Roy H. Wagner, David Franco, Tim Nagasawa, Dan Stoloff | Editing by | Lynne Willingham, Harvey Rosenstock, John Axness, Peter B. Ellis, Sidney Wolinsky, Tanya M. Swerling, Susan Godfrey, Amy Colla, Garret Donnelly, John Duffy, Miriam Kim

Starring | Liev Schreiber, Eddie Marsan, Dash Mihok, Kate Moennig

Cameras | ARRI ALEXA Camera

Lenses | Leitz Summilux-C Series Lenses

The Big Fisherman (1959)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 180 Minutes

Directed by | Frank Borzage | Cinematography by | Lee Garmes | Editing by | Paul Weatherwax

Starring | Howard Keel, John Saxon, Susan Kohner, Martha Hyer

Cameras | Super Panavision-70 Camera

The Nice Guys (2016)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Shane Black | Cinematography by | Philippe Rousselot | Editing by | Joel Negron

Starring | Russell Crowe, Ryan Gosling, Angourie Rice, Matt Bomer

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Neighbors 2: Sorority Rising (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 92 Minutes

Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker, Michael A. Webber

Starring | Seth Rogen, Rose Byrne, Zac Efron, Chloë Grace Moretz

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

The Jungle Book (2016)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 106 Minutes

Directed by | Jon Favreau | Cinematography by | Bill Pope | Editing by | Adam Gerstel, Mark Livolsi

Starring | Neel Sethi, Bill Murray, Ben Kingsley, Idris Elba

Cameras | ARRI ALEXA XT M Camera

Lenses | Panavision Primo Primes Spherical Lenses

Dope (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Rick Famuyiwa | Cinematography by | Rachel Morrison | Editing by | Lee Haugen

Starring | Shameik Moore, Tony Revolori, Kiersey Clemons, Kimberly Elise

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses | Panavision G Series Anamorphic Lenses

Fuller House (2016)

Television Series | 2D | Color | 30 Minutes

| Cinematography by | Gregg Heschong | Editing by | Richard Candib, Jim Miley

Starring | Candace Cameron Bure, Jodie Sweetin, Andrea Barber, Michael Campion

The Wedding Ringer (2015)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Jeremy Garelick | Cinematography by | Bradford Lipson | Editing by | Jeff Groth, Shelly Westerman, Byron Wong

Starring | Kevin Hart, Josh Gad, Kaley Cuoco, Affion Crockett

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

10.000 Km (2014)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Carlos Marques-Marcet | Cinematography by | Dagmar Weaver-Madsen | Editing by | Carlos Marques-Marcet, Juliana Montañés

Starring | Natalia Tena, David Verdaguer, Sirius Flatz

Cameras | Red Epic Camera

Lenses | Zeiss Master Prime Lenses

Gentleman’s Agreement (1947)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 118 Minutes

Directed by | Elia Kazan | Cinematography by | Arthur C. Miller

Starring | Gregory Peck, Dorothy McGuire, John Garfield, Celeste Holm

You Can’t Take It with You (1938)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 126 Minutes

Directed by | Frank Capra | Cinematography by | Joseph Walker | Editing by | Gene Havlick

Starring | Jean Arthur, James Stewart, Lionel Barrymore, Edward Arnold

The Lost Weekend (1945)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 101 Minutes

Directed by | Billy Wilder | Cinematography by | John F. Seitz

Starring | Ray Milland, Jane Wyman, Phillip Terry, Howard Da Silva

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