2K Project | 552 Titles
I, Timon (2017)
Directed by | Bramwell Noah, Dan Noah | Cinematography by | David Baldini
Cameras | Canon EOS-C300 Mark II Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens
Rock N Love (2015)
Heaven Is for Real (2014)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | Panavision Genesis Camera
Green Room (2015)
Directed by | Jeremy Saulnier | Cinematography by | Sean Porter | Editing by | Julia Bloch
Cameras | ARRI ALEXA Camera
Lenses | Cooke Lenses, Cooke Speed Panchro Lenses
Knights of the Roundtable: King Arthur (2017)
Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert
Cameras | ARRI ALEXA XT Camera
Hördur – Zwischen den Welten (2015)
Directed by | Ekrem Ergün | Cinematography by | Eric Ferranti | Editing by | Sabine Brose
Cameras | ARRI ALEXA M Camera
Lenses | Cooke S4 Lenses
Mängelexemplar (2016)
Directed by | Laura Lackmann | Cinematography by | Sten Mende | Editing by | Gergana Voigt
Cameras | ARRI ALEXA Plus Camera, Red Epic Dragon Camera
The Legend of Tarzan (2016)
Directed by | David Yates | Cinematography by | Henry Braham | Editing by | Mark Day
Cameras | Red Epic Dragon Camera
Ride Along 2 (2016)
Directed by | Tim Story | Cinematography by | Mitchell Amundsen | Editing by | Peter S. Elliot
Cameras | Red Epic Dragon Camera
Lenses | Panavision Primo 70 Lenses
Triple 9 (2016)
Directed by | John Hillcoat | Cinematography by | Nicolas Karakatsanis | Editing by | Dylan Tichenor
Gods of Egypt (2016)
Directed by | Alex Proyas | Cinematography by | Peter Menzies Jr. | Editing by | Richard Learoyd
Cameras | Red Epic Dragon Camera
Lenses | Panavision Primo 70 Lenses
Neighbors 2: Sorority Rising (2016)
Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker, Michael A. Webber
Cameras | ARRI ALEXA XT Plus Camera
Dirty Grandpa (2016)
Directed by | Dan Mazer | Cinematography by | Eric Alan Edwards | Editing by | Anne McCabe
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Cooke S4 Lenses
Keanu (2016)
The Boy (2016)
Directed by | William Brent Bell | Cinematography by | Daniel Pearl | Editing by | Brian Berdan
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Hawk Vantage One Lenses
Criminal (2016)
Directed by | Ariel Vromen | Cinematography by | Dana Gonzales | Editing by | Danny Rafic
Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera
The Jungle Book (2016)
Directed by | Jon Favreau | Cinematography by | Bill Pope | Editing by | Adam Gerstel, Mark Livolsi
Cameras | ARRI ALEXA XT M Camera
Dope (2015)
Directed by | Rick Famuyiwa | Cinematography by | Rachel Morrison | Editing by | Lee Haugen
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera
The 5th Wave (2016)
Directed by | J Blakeson | Cinematography by | Enrique Chediak | Editing by | Paul Rubell
Cameras | ARRI ALEXA XT Plus Camera
London Has Fallen (2016)
Directed by | Babak Najafi | Cinematography by | Ed Wild | Editing by | Michael J. Duthie, Paul Martin Smith
Cameras | Red Epic Dragon Camera



























































