Project Resolution » 2K Project

2K Project | 552 Titles

2K Project 3.00/5 3 Votes

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Status Update (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Scott Speer | Cinematography by | Russ T. Alsobrook | Editing by | Sean Valla

Starring | Ross Lynch, Olivia Holt, Harvey Guillén, Courtney Eaton

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4/i Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses

Red Son (2016)

Short Film | 2D | 2K Project | Color | 2.39:1 |

Directed by | Joaquín Pinedo | Cinematography by | Pablo Bermejo | Editing by | Pablo Bermejo

Starring | Julián Valcárcel, Diego Mout, Alberto Tiérrez

Cameras | Sony PMW-F55 Camera

Lenses | Zeiss Lenses

Tú y yo (2014)

Documentary | 2D | 2K Project | Color | 1.85:1 | 87 Minutes

Directed by | Natalia Cabral, Oriol Estrada | Cinematography by | Oriol Estrada | Editing by | Oriol Estrada

Starring | Paula Lebrón, Francisca Pérez De Sosa

Cameras | Panasonic Lumix DMC-GH2 Camera

The Hollars (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 88 Minutes

Directed by | John Krasinski | Cinematography by | Eric Alan Edwards | Editing by | Heather Persons

Starring | Sharlto Copley, Charlie Day, Richard Jenkins, Anna Kendrick

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Angenieux HR Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses

Don’t Breathe (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 88 Minutes

Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Eric L. Beason, Louise Ford, Gardner Gould

Starring | Stephen Lang, Jane Levy, Dylan Minnette, Daniel Zovatto

Cameras | ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens

Morris from America (2016)

Motion Picture | 2D | 2K Project | Color | 1.78:1 (16x9) | 91 Minutes

Directed by | Chad Hartigan | Cinematography by | Sean McElwee | Editing by | Anne Fabini

Starring | Markees Christmas, Craig Robinson, Carla Juri, Patrick Güldenberg

Cameras | ARRI ALEXA Camera, Red Epic Camera

Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens

War Dogs (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 114 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth

Starring | Jonah Hill, Miles Teller, Steve Lantz, Gregg Weiner

Cameras | ARRI ALEXA XT Camera

Hell or High Water (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Mackenzie | Cinematography by | Giles Nuttgens | Editing by | Jake Roberts

Starring | Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham

Cameras | ARRI ALEXA XT Studio Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Sausage Party (2016)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 89 Minutes

Directed by | Greg Tiernan, Conrad Vernon | Editing by | Kevin Pavlovic

Starring | Seth Rogen, Kristen Wiig, Jonah Hill, Alistair Abell

Florence Foster Jenkins (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 111 Minutes

Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Valerio Bonelli

Starring | Meryl Streep, Hugh Grant, Simon Helberg, Rebecca Ferguson

Cameras | ARRI ALEXA XT Camera

Pete’s Dragon (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Lowery | Cinematography by | Bojan Bazelli | Editing by | Lisa Zeno Churgin

Starring | Bryce Dallas Howard, Robert Redford, Oakes Fegley, Oona Laurence

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Cooke Anamorphic/i Prime Lenses

Ghostbusters (2016)

Motion Picture | 2D, 3D | 2K Project | Color | 1.85:1, 2.39:1 | 116 Minutes

Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White

Starring | Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones

Cameras | ARRI ALEXA XT Camera

Lenses | Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Ice Age: Collision Course (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 94 Minutes

Directed by | Mike Thurmeier, Galen T. Chu | Cinematography by | Renato Falcão | Editing by | Erin Crackel, James Palumbo

Starring | Ray Romano, Denis Leary, John Leguizamo, Chris Wedge

Star Trek Beyond (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Starring | Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldaña

Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Wild for the Night (2016)

Motion Picture | 2D, 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 100 Minutes

Directed by | Benny Boom | Cinematography by | Tommy Maddox-Upshaw | Editing by | Dan O'Brien

Starring | Madison Iseman, Caitlin McHugh, Danielle Savre, Tommy Flanagan

Cameras | Red Epic Dragon Camera

Jason Bourne (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Matt Damon, Tommy Lee Jones, Alicia Vikander, Vincent Cassel

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Abduction (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | John Singleton | Cinematography by | Peter Menzies Jr. | Editing by | Bruce Cannon

Starring | Taylor Lautner, Lily Collins, Alfred Molina, Jake Andolina

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Jezus van de Javastraat (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 91 Minutes

Old Dogs (2009)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 88 Minutes

Directed by | Walt Becker | Cinematography by | Jeffrey L. Kimball | Editing by | Ryan Folsey, Tom Lewis

Starring | Robin Williams, John Travolta, Seth Green, Kelly Preston

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Viy (2014)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 127 Minutes

Directed by | Oleg Stepchenko | Cinematography by | Yaroslav Pilunskiy, Vladimír Smutný | Editing by | Petr Zelenov

Starring | Jason Flemyng, Andrey Smolyakov, Aleksey Chadov, Agniya Ditkovskite

Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Red One Camera

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