23.976 fps Project Frame Rate | 210 Titles
Last Shift (2014)
Directed by | Anthony DiBlasi | Cinematography by | Austin F. Schmidt | Editing by | Anthony DiBlasi
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Lenses
Twenty Million People (2013)
Directed by | Michael Ferrell | Cinematography by | Paul Rondeau | Editing by | Chris Prine
Cameras | Red Scarlet Camera
Lenses | Zeiss Lenses
The Following (2013)
| Cinematography by | David S. Tuttman, William Klayer, Ramsey Nickell | Editing by | Charissa Sanjarernsuithikul, Dexter N. Adriano, Rob Seidenglanz, Matthew Colonna, Todd Desrosiers, Devon Greene, Rosanne Tan, Peter B. Ellis, Mark Manos, Viet Nguyen, Joshua Butler, Tim Tommasino
Lenses | Canon CN-E 30-300 mm T2.95 Lens
Gimme the Loot (2012)
Directed by | Adam Leon | Cinematography by | Jonathan Miller | Editing by | Morgan Faust
Cameras | Sony Cameras, Sony HDW-F900R Camera
Lenses | Canon Lenses
Unthinkable (2010)
The Woman (2013)
| Cinematography by | Ryan Atkins | Editing by | Ryan Atkins
Cameras | Canon Cameras, Canon EOS-7D Camera
Lenses | Canon Lenses
Trade of Innocents (2012)
Directed by | Christopher M. Bessette | Cinematography by | Philip Hurn | Editing by | Diane Brunjes
Cameras | Red One MX Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Route 30, Too! (2012)
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
A Picture of You (2013)
Directed by | J.P. Chan | Cinematography by | Andrew Reed | Editing by | Kevin Barker
Cameras | Sony PMW-F3 Camera
Lenses | Zeiss Lenses
Elf-Man (2012)
Directed by | Ethan Wiley | Cinematography by | John Grove II | Editing by | Russell Denove
Cameras | Sony Cameras
Lenses | Red Digital Cinema Lenses
Officer Down (2013)
Directed by | Richard Bakewell | Cinematography by | Chun Ming Huang
Cameras | Sony PMW-F3 Camera
Lenses | Cooke Speed Panchro Lenses
Blood River (2009)
Directed by | Adam Mason | Cinematography by | Stuart Brereton | Editing by | Adam Mason
Cameras | Sony HDW-F900 Camera
Superhero Me (2013)
Directed by | David Bradburn | Cinematography by | Caleb Burdeau | Editing by | David Bradburn, Caleb Burdeau
Cameras | Panasonic Lumix DMC-GH2 Camera
Lenses | Fujinon Lenses
The Lying Game (2011)
| Cinematography by | Dennis Hall, Ian Ellis, Crescenzo G.P. Notarile | Editing by | Janet Weinberg, Tim Tommasino, J. Benjamin Chulay, Henk Van Eeghen
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Into the Storm (2014)
Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
And They’re Off (2011)
Directed by | Rob Schiller | Cinematography by | Ulf Soderqvist | Editing by | Stephen R. Myers
Cameras | Canon Cameras
Curfew (2012)
Directed by | Shawn Christensen | Cinematography by | Daniel Katz | Editing by | Shawn Christensen, Evan Henke
Cameras | Red One Camera
Ghostlight (2013)
Directed by | Jeff Ferrell | Cinematography by | Domenic Barbero | Editing by | Jeff Ferrell
Cameras | Red Scarlet Camera
Lenses | Zeiss Lenses
The Making Of (2009)
Directed by | Matt St. Charles | Cinematography by | Genny St. Charles-Monet | Editing by | Matt St. Charles
Cameras | Panasonic AG-HVX200 Camera
Tell (2012)
Directed by | Ryan Connolly | Cinematography by | Ryan Connolly | Editing by | Ryan Connolly
Cameras | Canon XL-H1 Camera
Lenses | Canon Lenses
