Motion Picture | 11129 Titles
For Colored Girls (2010)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Lenses | Panavision Primo Anamorphic Lenses
Burlesque (2010)
Directed by | Steve Antin | Cinematography by | Bojan Bazelli | Editing by | Virginia Katz
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Cooke S4 Lenses, Cooke Speed Panchro Lenses
The Last Exorcism (2010)
Letters to Juliet (2010)
Tooth Fairy (2010)
Directed by | Michael Lembeck | Cinematography by | David Tattersall | Editing by | David Finfer
Lenses | Panavision Primo Anamorphic Lenses
The Notebook (2004)
Step Up (2006)
Directed by | Anne Fletcher | Cinematography by | Michael Seresin | Editing by | Nancy Richardson
Cameras | ARRICAM Studio (ST) Camera
Pride & Prejudice (2005)
Directed by | Joe Wright | Cinematography by | Roman Osin | Editing by | Paul Tothill
Lenses | Cooke S4 Lenses
Twilight (2008)
Directed by | Catherine Hardwicke | Cinematography by | Elliot Davis | Editing by | Nancy Richardson
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Jack Reacher (2012)
Directed by | Christopher McQuarrie | Cinematography by | Caleb Deschanel | Editing by | Kevin Stitt
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The Bounty Hunter (2010)
Dinner for Schmucks (2010)
Directed by | Jay Roach | Cinematography by | Jim Denault | Editing by | Alan Baumgarten, Jon Poll
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Box ()
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Dear John (2010)
Directed by | Lasse Hallström | Cinematography by | Terry Stacey | Editing by | Kristina Boden
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Valentine’s Day (2010)
Directed by | Garry Marshall | Cinematography by | Charles Minsky | Editing by | Bruce Green
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Silent Hill: Revelation 3D (2012)
Directed by | M.J. Bassett | Cinematography by | Maxime Alexandre | Editing by | Michele Conroy
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Zeiss Ultra Prime Lenses
Julia X (2011)
Directed by | P.J. Pettiette | Cinematography by | Jason Goodman | Editing by | Rob Neal
Cameras | Red One Camera
Flight (2012)
Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Jeremiah O'Driscoll
Cameras | Red Epic Camera
Lenses | Zeiss Master Prime Lenses
Lincoln (2012)
Oblivion (2013)
Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Richard Francis-Bruce
Cameras | Red Epic Camera, Sony CineAlta F65 Camera
Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
























































