Motion Picture | 11129 Titles
Oldboy (2013)
Directed by | Spike Lee | Cinematography by | Sean Bobbitt | Editing by | Barry Alexander Brown
Lenses | ARRI / Fujinon Lenses, Cooke 5/i Lenses
How to Draw a Perfect Circle (2009)
Directed by | Marco Martins | Cinematography by | Carlos Lopes | Editing by | João Braz, Richard Marizy
The Conjuring (2013)
Directed by | James Wan | Cinematography by | John R. Leonetti | Editing by | Kirk M. Morri
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
Lobos de Arga (2011)
Directed by | Juan Martínez Moreno | Cinematography by | Carlos Ferro | Editing by | Nacho Ruiz Capillas
Cameras | ARRIFLEX D-21 Camera
32A (2007)
Directed by | Marian Quinn | Cinematography by | P.J. Dillon | Editing by | Rune Schweitzer
Cameras | ARRI Cameras
Blood of My Blood (2011)
Godzilla (2014)
Directed by | Gareth Edwards | Cinematography by | Seamus McGarvey | Editing by | Bob Ducsay
Cameras | ARRI ALEXA Plus Camera, Phantom Flex Camera
Lenses | Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses
Misdirection (2011)
Directed by | Al Stoffel | Cinematography by | Ronn Kilby | Editing by | Ronn Kilby
Cameras | Sony PMW-EX1R Camera
Hasta la Vista (2011)
Directed by | Geoffrey Enthoven | Cinematography by | Gerd Schelfhout | Editing by | Philippe Ravoet
Cameras | Red Digital Cinema Cameras, Red One MX Camera
Last Shift (2014)
Directed by | Anthony DiBlasi | Cinematography by | Austin F. Schmidt | Editing by | Anthony DiBlasi
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Lenses
Hell Bent for Leather (1960)
Directed by | George Sherman | Cinematography by | Clifford Stine | Editing by | Milton Carruth
Cameras | Panavision Cameras
Emperor (2012)
Directed by | Peter Webber | Cinematography by | Stuart Dryburgh | Editing by | Chris Plummer
Lenses | Hawk V-Lite Lenses
Le dernier vol (2009)
Directed by | Karim Dridi | Cinematography by | Antoine Monod | Editing by | Lise Beaulieu
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Defiance (2008)
Directed by | Edward Zwick | Cinematography by | Eduardo Serra | Editing by | Steven Rosenblum
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Ángela (2005)
Les deux mondes (2007)
Directed by | Daniel Cohen | Cinematography by | Laurent Dailland | Editing by | Catherine Kelber
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Bikini Beach Race (1992)
Directed by | Eric Louzil | Editing by | Ric Boyden, Joe G. Lenders
Cameras | ARRIFLEX 16BL Camera
Lenses | Angenieux Lenses
Always Something Better (1997)
Directed by | Stephen Kinsella | Cinematography by | Jorge Diaz-Amador | Editing by | Kristin M. Frascione
Cameras | ARRIFLEX 16SR2 Camera
Hannah Arendt (2012)
Directed by | Margarethe von Trotta | Cinematography by | Caroline Champetier | Editing by | Bettina Böhler
Cameras | Red Epic Camera
Twenty Million People (2013)
Directed by | Michael Ferrell | Cinematography by | Paul Rondeau | Editing by | Chris Prine
Cameras | Red Scarlet Camera
Lenses | Zeiss Lenses
