HIgh Frame Rate Optical Effects | 12 Titles
A:D (2005)
Directed by | Timuçin Leflef | Cinematography by | Timuçin Leflef, Kristian O'Neill, Darren Rowan | Editing by | Timuçin Leflef
Cameras | Sony DCR-VX2000 Camera
Lenses | Sony Lenses
The Veil (2016)
Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens
Highly Ghosted (2018)
Directed by | Rob Mulligan, Michael Boris | Cinematography by | Scott Migdol | Editing by | Chris Cope
The Librarians (2014)
| Cinematography by | David Connell | Editing by | Ron Stanik, Tom McQuade, Brian Gonosey, Sonny Baskin, Chris A. Peterson, Eric L. Beason
Cameras | Red Epic Dragon Camera, Red One MX Camera
Raymond’s 5 (2017)
Directed by | James Hastings | Cinematography by | Francis Cousins
Cameras | Red Raven Camera
Lenses | Canon Lenses
Atlas Shrugged: Who Is John Galt? (2014)
Directed by | James Manera | Cinematography by | Gale Tattersall | Editing by | Tony Ciccone, Mike Hugo
Cameras | Canon EOS-C500 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses
Four Kinds of Love (2014)
Directed by | Timothy David Mitchell | Cinematography by | Sam Ward | Editing by | Timothy David Mitchell
Cameras | Canon EOS-7D Camera
Do You Remember? (2015)
Directed by | Isaac Madge | Cinematography by | Isaac Madge | Editing by | Isaac Madge
Cameras | Canon EOS 550D Camera
The Waiting Game (2014)
Directed by | Timothy David Mitchell | Cinematography by | Timothy David Mitchell | Editing by | Timothy David Mitchell
Cameras | Canon EOS-7D Camera, Sony DCR-SR60 Camera
Lenses | Canon Lenses
Altergeist (2014)
Directed by | Tedi Sarafian | Cinematography by | Aaron Heck | Editing by | Andrew Coutts, David W. Hagar
Cameras | ARRI ALEXA Plus Camera, Indiecam Cameras, Silicon Imaging SI-2K Mini Camera, Sony PMW-F3 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens
Vito Bonafacci (2011)
Directed by | John Martoccia | Cinematography by | Patrick Wells Valenti | Editing by | Ingmar Cederstrom, Patrick Wells Valenti
Cameras | Red One Camera
Lenses | Zeiss DigiPrime Lenses
The Sorcerer’s Apprentice (2010)
