VFX Production Supervisor
The Color Purple (2023)
Directed by: Blitz Bazawule
Cinematography by: Dan Laustsen
Edited by: Jon Poll
Lenses: ARRI Signature Prime Lenses
Visual Effects Coordinator
Death Note (2017)
Directed by: Adam Wingard
Cinematography by: David Tattersall
Edited by: Louis Cioffi
Cameras: Panasonic VariCam 35, Panasonic VariCam Camera
Visual Effects Producer
Neighbors 2: Sorority Rising (2016)
Directed by: Nicholas Stoller
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA XT Plus Camera
Production Manager: Reliance MediaWorks
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Stereoscopic Compositor: Prime Focus
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Stereoscopic Compositor: Prime Focus
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Stereoscopic Compositor: Prime Focus
Immortals (2011)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Stereoscopic Compositor: Prime Focus
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Stereoscopic Compositor: Prime Focus
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Roto Coordinator: Prime Focus
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Visual Effects Coordinator / Visual Effects Coordinator: 20th Century Fox Studios
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Visual Effects Coordinator
Blood Diamond (2006)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Visual Effects Coordinator
Magnificent Desolation: Walking on the Moon 3D (2005)
Directed by: Mark Cowen
Cinematography by: Sean MacLeod Phillips
Edited by: Billy Schinski
Stereoscopic Compositor: Prime Focus
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Visual Effects Coordinator
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Art Department Coordinator
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Visual Effects Coordinator: Pacific Title & Art Studio
Equilibrium (2002)
Directed by: Kurt Wimmer
Cinematography by: Dion Beebe
Lenses: Panavision Lenses
Visual Effects Assistant
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Stereoscopic Compositor: Prime Focus
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Visual Effects Assistant
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
