Doug Wall

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Star Trek Into Darkness | ShotOnWhat?

Grip: Second Unit

Star Trek Into Darkness (2013)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Iron Man Three | ShotOnWhat?

J. Edgar | ShotOnWhat?

Best Boy Grip

J. Edgar (2011)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens

The Help | ShotOnWhat?

Best Boy Grip

The Help (2011)

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Hughes Winborne

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

"Scrubs" Our White Coats | ShotOnWhat?

Grip

'Scrubs' Our White Coats (2010)

Television Episode

Directed by: John Putch

Cinematography by: Dave Perkal

Edited by: Rick Blue

"Scrubs" Our Couples | ShotOnWhat?

Production Staff

'Scrubs' Our Couples (2010)

Television Episode

Directed by: Chris Koch

Cinematography by: Dave Perkal

Edited by: Stuart Bass

Hereafter | ShotOnWhat?

Best Boy Grip: San Francisco

Hereafter (2010)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

"Scrubs" Our First Day of School | ShotOnWhat?

Grip

'Scrubs' Our First Day of School (2009)

Television Episode

Directed by: Michael Spiller

Cinematography by: Dave Perkal

Edited by: Rick Blue

"Scrubs" Our Drunk Friend | ShotOnWhat?

Grip

'Scrubs' Our Drunk Friend (2009)

Television Episode

Directed by: Michael McDonald

Cinematography by: Dave Perkal

Edited by: Stuart Bass

"Scrubs" Our Histories | ShotOnWhat?

Grip

'Scrubs' Our Histories (2009)

Television Episode

Directed by: Ken Whittingham

Cinematography by: Dave Perkal

Edited by: Stuart Bass

"Scrubs" Our Role Models | ShotOnWhat?

Grip

'Scrubs' Our Role Models (2009)

Television Episode

Directed by: Gail Mancuso

Cinematography by: Dave Perkal

Edited by: Rick Blue

Drag Me to Hell | ShotOnWhat?

Grip

Drag Me to Hell (2009)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Forgetting Sarah Marshall | ShotOnWhat?

Grip

Forgetting Sarah Marshall (2008)

Directed by: Nicholas Stoller

Cinematography by: Russ T. Alsobrook

Edited by: William Kerr

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Changeling | ShotOnWhat?

Best Boy Grip

Changeling (2008)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Charlie Wilson's War | ShotOnWhat?

Best Boy Grip

Charlie Wilson's War (2007)

Directed by: Mike Nichols

Cinematography by: Stephen Goldblatt

Edited by: John Bloom, Antonia Van Drimmelen

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Blades of Glory | ShotOnWhat?

Grip

Blades of Glory (2007)

Directed by: Josh Gordon, Will Speck

Cinematography by: Stefan Czapsky

Edited by: Richard Pearson

Flags of Our Fathers | ShotOnWhat?

Best Boy Grip

Flags of our Fathers (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses

Letters from Iwo Jima | ShotOnWhat?

Best Boy Grip

Letters from Iwo Jima (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Alpha Dog | ShotOnWhat?

Grip

Alpha Dog (2006)

Directed by: Nick Cassavetes

Cinematography by: Robert Fraisse

Edited by: Alan Heim

Where the Truth Lies | ShotOnWhat?

Best Boy Grip: Los Angeles

Where the Truth Lies (2005)

Directed by: Atom Egoyan

Cinematography by: Paul Sarossy

Edited by: Susan Shipton

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The 40-Year-Old Virgin | ShotOnWhat?

Grip

The 40-Year-Old Virgin (2005)

Directed by: Judd Apatow

Cinematography by: Jack N. Green

Edited by: Brent White

Sideways | ShotOnWhat?

Grip

Sideways (2004)

Directed by: Alexander Payne

Cinematography by: Phedon Papamichael

Edited by: Kevin Tent

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Million Dollar Baby | ShotOnWhat?

Best Boy Grip

Million Dollar Baby (2004)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Timeline | ShotOnWhat?

Grip: Los Angeles

Timeline (2003)

Directed by: Richard Donner

Cinematography by: Caleb Deschanel

Edited by: Richard Marks

Mystic River | ShotOnWhat?

Best Boy Grip

Mystic River (2003)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Blood Work | ShotOnWhat?

Best Boy

Blood Work (2002)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Path to War | ShotOnWhat?

Best Boy Grip

Path to War (2002)

Television Movie

Directed by: John Frankenheimer

Cinematography by: Stephen Goldblatt, Nancy Schreiber

Edited by: Richard Francis-Bruce

Ghosts of Mars | ShotOnWhat?

Grip

Ghosts of Mars (2001)

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Paul C. Warschilka

Scrubs | ShotOnWhat?

Grip - 5 Episodes, 2009-2010, Production Staff - 1 Episode, 2010

Scrubs (2001)

Television Series

Cinematography by: John Inwood, Andrew Rawson, Dave Perkal, Richard W. Davis, Blake T. Evans, Richard Quinlan

Edited by: John Michel, Rick Blue, Jay Scherberth, Stuart Bass, Daniel S. Russ, Timothy Serda

Cameras: Aaton A-Minima Camera, Aaton Cameras, Aaton XTR Plus Camera

Editing System: Final Cut Pro Editing System

61* | ShotOnWhat?

Grip

61* (2001)

Television Movie

Directed by: Billy Crystal

Cinematography by: Haskell Wexler

Edited by: Michael Jablow

Cameras: ARRIFLEX 435 ES Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Hawk 150-450 mm T2.8 Lens

Space Cowboys | ShotOnWhat?

Grip

Space Cowboys (2000)

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Deep End of the Ocean | ShotOnWhat?

Grip

The Deep End of the Ocean (1999)

Directed by: Ulu Grosbard

Cinematography by: Stephen Goldblatt

Edited by: John Bloom

Absolute Power | ShotOnWhat?

Grip

Absolute Power (1997)

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Trial and Error | ShotOnWhat?

Grip

Trial and Error (1997)

Directed by: Jonathan Lynn

Cinematography by: Gabriel Beristain

Edited by: Tony Lombardo

Cameras: ARRIFLEX 535 Camera

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