Dolby Sound Consultant
The Lost City of Z (2016)
Directed by: James Gray
Cinematography by: Darius Khondji
Consultant: Dolby Sound
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Sound Consultant: Dolby
Blue Jasmine (2013)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Dolby Sound Consultant
Midnight in Paris (2011)
Directed by: Woody Allen
Cinematography by: Darius Khondji
Edited by: Alisa Lepselter
Dolby Sound Consultant
Peace, Love & Misunderstanding (2011)
Directed by: Bruce Beresford
Cinematography by: Andre Fleuren
Edited by: John David Allen
Sound Consultant: Dolby
Whatever Works (2009)
Directed by: Woody Allen
Cinematography by: Harris Savides
Edited by: Alisa Lepselter
Sound Consultant: Dolby
Shine a Light (2008)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: David Tedeschi
Sound Consultant: Dolby
Vicky Cristina Barcelona (2008)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Master Prime Lenses
Sound Consultant: Dolby
Evening (2007)
Directed by: Lajos Koltai
Cinematography by: Gyula Pados
Edited by: Allyson C. Johnson
Sound Consultant: Dolby
Before the Devil Knows You're Dead (2007)
Directed by: Sidney Lumet
Cinematography by: Ron Fortunato
Edited by: Tom Swartwout
Cameras: Panavision Genesis Camera
Sound Engineer: Dolby
The Namesake (2006)
Directed by: Mira Nair
Cinematography by: Frederick Elmes
Edited by: Allyson C. Johnson
Stereo Sound Consultant: Dolby Stereo
Match Point (2005)
Directed by: Woody Allen
Cinematography by: Remi Adefarasin
Edited by: Alisa Lepselter
Sound Consultant: Dolby
Riding the Bullet (2004)
Directed by: Mick Garris
Cinematography by: Robert C. New
Edited by: Marshall Harvey
Stereo Sound Consultant: Dolby
Being Julia (2004)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Susan Shipton
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke Varotal Lenses
Sound Consultant: Dolby
Anything Else (2003)
Directed by: Woody Allen
Cinematography by: Darius Khondji
Edited by: Alisa Lepselter
Dolby Sound Consultant
All the Real Girls (2003)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Stereo Sound Consultant: Dolby
The Barbarian Invasions (2003)
Directed by: Denys Arcand
Cinematography by: Guy Dufaux
Edited by: Isabelle Dedieu
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Stereo Sound Consultant: Dolby
Secretary (2002)
Directed by: Steven Shainberg
Cinematography by: Steven Fierberg
Edited by: Pam Wise
Stereo Sound Consultant: Dolby
Chicago (2002)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Martin Walsh
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Lightworks Editing System
Stereo Sound Consultant: Dolby
Frida (2002)
Directed by: Julie Taymor
Cinematography by: Rodrigo Prieto
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Stereo Sound Consultant: Dolby
Final (2001)
Directed by: Campbell Scott
Cinematography by: Dan Gillham
Edited by: Andy Keir
Sound Consultant: Dolby
Picture Claire (2001)
Directed by: Bruce McDonald
Cinematography by: Miroslaw Baszak
Edited by: Michael Pacek
Stereo Sound Consultant: Dolby
Wet Hot American Summer (2001)
Directed by: David Wain
Cinematography by: Ben Weinstein
Edited by: Meg Reticker
Stereo Sound Consultant: Dolby
Chelsea Walls (2001)
Directed by: Ethan Hawke
Cinematography by: Tom Richmond
Edited by: Adriana Pacheco
Sound Consultant: Dolby
The Score (2001)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Stereo Sound Consultant: Dolby
Heist (2001)
Directed by: David Mamet
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
