Digital Compositor
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Senior Technical Director
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Lead Artist
'Undercovers' Devices (2010)
Directed by: Tucker Gates
Cinematography by: John B. Aronson
Edited by: Mark Conte
Lead Artist
'Undercovers' Jailbreak (2010)
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Edited by: Mark Goldman
Lead Artist - 2 Episodes, 2010
Undercovers (2010)
Directed by: Stephen Williams, Tucker Gates, J.J. Abrams, Brad Anderson, Daniel Attias, Anthony Hemingway, Jonas Pate, Rosemary Rodriguez, Frederick E.O. Toye, Jeff T. Thomas
Cameras: Red One MX Camera
Compositing Supervisor
The Bounty Hunter (2010)
Directed by: Andy Tennant
Cinematography by: Oliver Bokelberg
Edited by: Troy Takaki
Compositing Supervisor
Step Up 3D (2010)
Directed by: Jon M. Chu
Cinematography by: Ken Seng
Edited by: Andrew Marcus
Cameras: Sony CineAlta F23 Camera
Digital Compositor
Journey to the Center of the Earth (2008)
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
Digital Compositor
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Digital Compositor
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Digital Compositing Artist: Intelligent Creatures Inc.
The Game Plan (2007)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: Michael Jablow
Cameras: Panavision Cameras
Digital Compositor
The Pursuit of Happyness (2006)
Directed by: Gabriele Muccino
Cinematography by: Phedon Papamichael
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Roto/paint: Digital Dimension
Slither (2006)
Directed by: James Gunn
Cinematography by: Gregory Middleton
Edited by: John Axelrad
Roto/paint Artist: Digital Dimension
Final Destination 3 (2006)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Digital Compositor
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Compositor: MetroLight Studios
Gods and Generals (2003)
Directed by: Ron Maxwell
Cinematography by: Kees Van Oostrum
Edited by: Corky Ehlers
Digital Compositor / Visual Effects
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Digital Artist
Avenging Angelo (2002)
Directed by: Martyn Burke
Cinematography by: Ousama Rawi
Edited by: David Codron
Digital Artist
Scooby-Doo (2002)
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras: Panavision Cameras
Visual Effects Supervisor
Zig Zag (2002)
Directed by: David S. Goyer
Cinematography by: James L. Carter
Edited by: Conrad Smart
Compositor: Amalgamated Pixels
Donnie Darko (2001)
Directed by: Richard Kelly
Cinematography by: Steven Poster
Digital Compositor: VCE.com
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Digital Compositor
Bats (1999)
Directed by: Louis Morneau
Cinematography by: George Mooradian
Edited by: Glenn Garland
Digital Artist
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Digital Artist
Vegas Vacation (1997)
Directed by: Stephen Kessler
Cinematography by: William A. Fraker
Edited by: Seth Flaum
Cameras: Panavision Cameras
Inferno/Flint Artist: Warner Digital
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Digital Artist
Selena (1997)
Directed by: Gregory Nava
Cinematography by: Edward Lachman
Edited by: Nancy Richardson
Digital Artist
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Computer Support
Mars Attacks! (1996)
Directed by: Tim Burton
Cinematography by: Peter Suschitzky
Edited by: Chris Lebenzon
