Foley Artist
You Were Never Really Here (2017)
Directed by: Lynne Ramsay
Cinematography by: Thomas Townend
Edited by: Joe Bini
Cameras: ARRI ALEXA XT Series Cameras
Foley Artist
I Give It a Year (2013)
Directed by: Dan Mazer
Cinematography by: Ben Davis
Edited by: Tony Cranstoun
Cameras: ARRI ALEXA Plus Camera
Foley Artist
Now Is Good (2012)
Directed by: Ol Parker
Cinematography by: Erik Wilson
Edited by: Peter Lambert
Lenses: Zeiss Master Prime Lenses
Foley Artist
Great Expectations (2012)
Directed by: Mike Newell
Cinematography by: John Mathieson
Edited by: Tariq Anwar
Foley Artist
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Foley Artist
The Best Exotic Marigold Hotel (2011)
Directed by: John Madden
Cinematography by: Ben Davis
Edited by: Chris Gill
Foley Artist
TT3D: Closer to the Edge (2011)
Directed by: Richard De Aragues
Cinematography by: Thomas Kürzl
Edited by: Beverley Mills
Foley Artist
W.E. (2011)
Directed by: Madonna
Cinematography by: Hagen Bogdanski
Edited by: Danny Tull
Lenses: Zeiss Ultra Prime Lenses
Foley Artist
Tyrannosaur (2011)
Directed by: Paddy Considine
Cinematography by: Erik Wilson
Edited by: Pia Di Ciaula
Cameras: Canon EOS-5D Mark II Camera, Red One MX Camera
Lenses: Cooke Speed Panchro Lenses
Foley Artist
The Caller (2011)
Directed by: Matthew Parkhill
Cinematography by: Alexander Melman
Edited by: Gabriel Coss
Foley Artist
The Deep Blue Sea (2011)
Directed by: Terence Davies
Cinematography by: Florian Hoffmeister
Edited by: David Charap
Foley Artist
'Luther' Episode #1.3 (2010)
Directed by: Sam Miller
Cinematography by: Tim Fleming
Edited by: Katie Weiland
Foley Artist
'Luther' Episode #1.6 (2010)
Directed by: Stefan Schwartz
Cinematography by: Julian Court
Edited by: Tania Reddin
Foley Artist
'Luther' Episode #1.2 (2010)
Directed by: Brian Kirk
Cinematography by: Julian Court
Edited by: Victoria Boydell
Foley Artist
'Luther' Episode #1.5 (2010)
Directed by: Stefan Schwartz
Cinematography by: Julian Court
Edited by: Tania Reddin
Foley Artist
'Luther' Episode #1.4 (2010)
Directed by: Sam Miller
Cinematography by: Tim Fleming
Edited by: Katie Weiland
Foley Artist - 5 Episodes, 2010
Luther (2010)
Cinematography by: Julian Court, Giulio Biccari, John Conroy, John Pardue, Tim Fleming, Stephan Pehrsson
Edited by: Katie Weiland, Tania Reddin, Jamie Trevill, Victoria Boydell, Sam Williams, Elen Pierce Lewis, Joel Skinner
Cameras: ARRIFLEX D-21 Camera
Editing System: Avid Editing System
Foley Artist: Universal Sound
Nowhere Boy (2009)
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Edited by: Lisa Gunning
Foley Artist
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Foley Artist
Breaking and Entering (2006)
Directed by: Anthony Minghella
Cinematography by: Benoît Delhomme
Edited by: Lisa Gunning
Lenses: Zeiss Ultra Prime Lenses
Foley Artist
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Foley Artist
Doom (2005)
Directed by: Andrzej Bartkowiak
Cinematography by: Tony Pierce-Roberts
Edited by: Derek Brechin
Foley Artist
Corpse Bride (2005)
Cinematography by: Pete Kozachik
Lenses: Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System
Foley Artist
Dead Man's Shoes (2004)
Directed by: Shane Meadows
Cinematography by: Danny Cohen
Editing System: Final Cut Pro Editing System
Foley Artist
Beyond the Sea (2004)
Directed by: Kevin Spacey
Cinematography by: Eduardo Serra
Edited by: Trevor Waite
