Lighting Artist: Method Studios
Outlaw King (2018)
Directed by: David Mackenzie
Cinematography by: Barry Ackroyd
Edited by: Jake Roberts
Lighting Artist: Iloura
Skyscraper (2018)
Directed by: Rawson Marshall Thurber
Cinematography by: Robert Elswit
Lighting: SPI
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Lighting & Compositing: SPI
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Lighting & Compositing: SPI
The Smurfs 2 (2013)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Edited by: Sabrina Plisco
Cameras: Sony CineAlta F65 Camera
Lighting & Compositing: SPI
The Smurfs (2011)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Lighting Artist: DD Vancouver
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Look Development Technical Director: MPC London
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Look Development Technical Director: MPC London
The Wolfman (2010)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Look Development Technical Director: MPC Vancouver
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Look Development Technical Director: MPC London
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Sequence Lead: AL
Happy Feet (2006)
Cinematography by: David Peers
Editing System: Final Cut Pro Editing System
Lighting Technical Director: Asylum
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Lighting & Compositing: SPI
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Compositor: ESC Entertainment
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Compositor: ESC Entertainment
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Compositor: SPI
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Compositor: SPI
I Spy (2002)
Directed by: Betty Thomas
Cinematography by: Oliver Wood
Edited by: Peter Teschner
Technical Assistant: SPI
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Technical Assistant: SPI
What Planet Are You From? (2000)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Richard Marks
Cameras: Panavision Cameras
Technical Assistant: SPI
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
