Dialogue Editor
God's Not Dead 2 (2016)
Directed by: Harold Cronk
Cinematography by: Brian Shanley
Cameras: ARRI ALEXA Camera, Red Epic Camera
Dialogue Editor
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Dialogue Editor
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Adr Editor / Dialogue Editor
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Adr Editor / Sound Effects Editor
The Blind Side (2009)
Directed by: John Lee Hancock
Cinematography by: Alar Kivilo
Edited by: Mark Livolsi
Lenses: Zeiss Master Prime Lenses
Supervising Sound Editor
Captivity (2007)
Directed by: Roland Joffé
Cinematography by: Daniel Pearl
Edited by: Richard Nord
Adr Editor / Dialogue Editor
Amazing Grace (2006)
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Sound Supervisor
Payback: Straight Up (2006)
Directed by: Brian Helgeland
Cinematography by: Ericson Core
Edited by: Kevin Stitt
Supervising Sound Editor
The Great Raid (2005)
Directed by: John Dahl
Cinematography by: Peter Menzies Jr.
Supervising Sound Editor
Wassup Rockers (2005)
Directed by: Larry Clark
Cinematography by: Steve Gainer
Edited by: Alex Blatt
Cameras: Canon XL2 Camera
Dialogue Editor
Kicking & Screaming (2005)
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Supervising Sound Editor
An American Haunting (2005)
Directed by: Courtney Solomon
Cinematography by: Adrian Biddle
Edited by: Richard Comeau
Sound Editor
Against the Ropes (2004)
Directed by: Charles S. Dutton
Cinematography by: Jack N. Green
Edited by: Eric L. Beason
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
The Alamo (2004)
Directed by: John Lee Hancock
Cinematography by: Dean Semler
Edited by: Eric L. Beason
Adr Supervisor - Extended Director's Version / Dialog Supervisor - Extended Director's Version
Tears of the Sun (2003)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Cameras: Panavision Cameras
Adr Supervisor
The Order (2003)
Directed by: Brian Helgeland
Cinematography by: Nicola Pecorini
Edited by: Kevin Stitt
Adr Supervisor
The Accountant (2001)
Directed by: Ray McKinnon
Cinematography by: Blake B. Jackson
Edited by: Joan Sobel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Sound Editor
Joe Somebody (2001)
Directed by: John Pasquin
Cinematography by: Daryn Okada
Edited by: David Finfer
Sound Editor
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Dialogue Editor
The Patriot (1998)
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Derek Brechin
Cameras: Panavision Cameras
Dialogue Editor
Rounders (1998)
Directed by: John Dahl
Cinematography by: Jean-Yves Escoffier
Edited by: Scott Chestnut
Dialogue Editor
Homegrown (1998)
Directed by: Stephen Gyllenhaal
Cinematography by: Greg Gardiner
Edited by: Michael Jablow
Dialogue Editor
Zero Effect (1998)
Directed by: Jake Kasdan
Cinematography by: Bill Pope
Edited by: Tara Timpone
Supervising Sound Editor
Selena (1997)
Directed by: Gregory Nava
Cinematography by: Edward Lachman
Edited by: Nancy Richardson
Adr Editor
Most Wanted (1997)
Directed by: David Hogan
Cinematography by: Marc Reshovsky
Cameras: Panavision Cameras
Sound Editor
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Supervising Sound Editor
The Santa Clause (1994)
Directed by: John Pasquin
Cinematography by: Walt Lloyd
Edited by: Larry Bock
Supervising Adr Editor
The Chase (1994)
Directed by: Adam Rifkin
Cinematography by: Alan Jones
Edited by: Peter Schink
Sound Effects Editor
Speed (1994)
Directed by: Jan de Bont
Cinematography by: Andrzej Bartkowiak
Edited by: John Wright
Sound Editor
Pulp Fiction (1994)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
Editing System: Lightworks Editing System
Adr Editor
The Shadow (1994)
Directed by: Russell Mulcahy
Cinematography by: Stephen H. Burum
Edited by: Peter Honess
Foley Editor
The Crush (1993)
Directed by: Alan Shapiro
Cinematography by: Bruce Surtees
Edited by: Ian Crafford
Supervising Sound Editor
Freddy's Dead: The Final Nightmare (1991)
Directed by: Rachel Talalay
Cinematography by: Declan Quinn
Edited by: Janice Hampton
Sound Editor
Dances with Wolves (1990)
Directed by: Kevin Costner
Cinematography by: Dean Semler
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Assistant Director: Europe
The Favorite (1989)
Directed by: Jack Smight
Edited by: Dennis Virkler
Sound Editor
Off Limits (1988)
Directed by: Christopher Crowe
Cinematography by: David Gribble
Edited by: Douglas Ibold
