Compositor: Weta FX
Avatar: The Way of Water (2022)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Digital Compositor: Weta Digital
Zack Snyder's Justice League (2021)
Directed by: Zack Snyder
Cinematography by: Fabian Wagner
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Leitz Summilux-C Series Lenses
Digital Compositor
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Digital Compositor: Raynault VFX - 2 Episodes, 2018
Maniac (2018)
Directed by: Cary Joji Fukunaga
Cinematography by: Darren Lew
Cameras: Panavision Millennium DXL Camera
Digital Compositor
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Digital Compositor: Raynault VFX
Mother! (2017)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
Digital Compositor: Raynault VFX
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Digital Compositor: Raynault VFX
Arrival (2016)
Directed by: Denis Villeneuve
Cinematography by: Bradford Young
Edited by: Joe Walker
Digital Compositor: Raynault VFX
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Digital Compositor: Raynault VFX
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Digital Compositor
Zulu (2013)
Directed by: Jérôme Salle
Cinematography by: Denis Rouden
Edited by: Stan Collet
Cameras: ARRI ALEXA Studio Camera
Digital Compositor
The French Minister (2013)
Directed by: Bertrand Tavernier
Cinematography by: Jérôme Alméras
Edited by: Guy Lecorne
Cameras: ARRI ALEXA Plus Camera
Digital Compositor
La grande boucle (2013)
Directed by: Laurent Tuel
Cinematography by: Gilles Porte
Edited by: Antoine Vareille
Cameras: Red Epic Camera
Digital Compositor
Blood Ties (2013)
Directed by: Guillaume Canet
Cinematography by: Christophe Offenstein
Edited by: Hervé de Luze
Cameras: ARRI ALEXA Plus Camera
Digital Compositor
Astérix and Obélix: God Save Britannia (2012)
Directed by: Laurent Tirard
Edited by: Valérie Deseine
Cameras: ARRI ALEXA Camera
Visual Effects
Sur la piste du Marsupilami (2012)
Directed by: Alain Chabat
Cinematography by: Laurent Dailland
Edited by: Maryline Monthieux
Visual Effects
When Pigs Have Wings (2011)
Directed by: Sylvain Estibal
Cinematography by: Romain Winding
Edited by: Damien Keyeux
Cameras: ARRI ALEXA Camera
Visual Effects
Le fils à Jo (2011)
Directed by: Philippe Guillard
Cinematography by: Ludovic Colbeau-Justin
Cameras: ARRIFLEX 535 B Camera
Visual Effects
Poupoupidou (2011)
Directed by: Gérald Hustache-Mathieu
Cinematography by: Pierre Cottereau
Edited by: Valérie Deseine
Visual Effects
La source des femmes (2011)
Directed by: Radu Mihaileanu
Cinematography by: Glynn Speeckaert
Cameras: ARRICAM Lite (LT) Camera
Visual Effects
Les femmes du 6e étage (2010)
Directed by: Philippe Le Guay
Cinematography by: Jean-Claude Larrieu
Edited by: Monica Coleman
Visual Effects Coordinator
Point Blank (2010)
Directed by: Fred Cavayé
Cinematography by: Alain Duplantier
Edited by: Benjamin Weill
