Standby Painter
Oppenheimer (2023)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Jennifer Lame
Cameras: ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Lead Scenic Artist
'13 Reasons Why' Let the Dead Bury the Dead (2019)
Directed by: John T. Kretchmer
Cinematography by: Kevin Thompson
Edited by: Matthew Ramsey
Lead Scenic Artist
'13 Reasons Why' If You're Breathing, You're a Liar (2019)
Directed by: Michael Morris
Edited by: Philip Harrison
Lead Scenic Artist
'13 Reasons Why' Nobody's Clean (2019)
Directed by: Bronwen Hughes
Cinematography by: Kevin Thompson
Edited by: Matthew Ramsey
Lead Scenic Artist
'13 Reasons Why' Angry, Young and Man (2019)
Directed by: Jessica Yu
Cinematography by: Tommy Lohmann
Edited by: Rich Fox
Lead Scenic Artist
'13 Reasons Why' The Good Person is Indistinguishable from the Bad (2019)
Directed by: Jessica Yu
Cinematography by: Kevin Thompson
Edited by: Rich Fox
Lead Scenic Artist
'13 Reasons Why' You Can Tell the Heart of a Man by How He Grieves (2019)
Directed by: Bronwen Hughes
Cinematography by: Kevin Thompson
Edited by: Matthew Ramsey
Lead Scenic Artist
'13 Reasons Why' There Are a Number of Problems with Clay Jensen (2019)
Directed by: Kevin Dowling
Cinematography by: Kevin Thompson
Lead Scenic Artist
'13 Reasons Why' Always Waiting for the Next Bad News (2019)
Directed by: Aurora Guerrero
Cinematography by: Kevin Thompson
Lead Scenic Artist
'13 Reasons Why' In High School, Even on a Good Day, It's Hard to Tell Who's on Your Side (2019)
Directed by: Kevin Dowling
Cinematography by: Kevin Thompson
Lead Scenic Artist
'13 Reasons Why' The World Closing In (2019)
Directed by: Aurora Guerrero
Cinematography by: Kevin Thompson
Lead Scenic Artist
'13 Reasons Why' There Are a Few Things I Haven't Told You (2019)
Directed by: Kevin Dowling
Cinematography by: Kevin Thompson
Edited by: Matthew Ramsey
Lead Scenic Artist
'13 Reasons Why' And Then the Hurricane Hit (2019)
Directed by: Kevin Dowling
Cinematography by: Kevin Thompson
Edited by: Matthew Ramsey
Lead Scenic Artist
'13 Reasons Why' Bye (2018)
Directed by: Kyle Patrick Alvarez
Cinematography by: Ivan Strasburg
Lead Scenic Artist
'13 Reasons Why' The Box of Polaroids (2018)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
Lead Scenic Artist
'13 Reasons Why' Smile, Bitches (2018)
Directed by: Kat Candler
Cinematography by: Ivan Strasburg
Edited by: Philip Harrison
Lead Scenic Artist
'13 Reasons Why' The Missing Page (2018)
Directed by: Kat Candler
Cinematography by: Ivan Strasburg
Edited by: Philip Harrison
Lead Scenic Artist
'13 Reasons Why' The Little Girl (2018)
Directed by: Michael Morris
Cinematography by: Ivan Strasburg
Edited by: Jacques Gravett
Lead Scenic Artist
'13 Reasons Why' The Third Polaroid (2018)
Directed by: Michael Morris
Cinematography by: Ivan Strasburg
Edited by: Jacques Gravett
Lead Scenic Artist
'13 Reasons Why' The Smile at the End of the Dock (2018)
Directed by: Eliza Hittman
Cinematography by: Cameron Duncan
Edited by: Sue Blainey
Lead Scenic Artist
'13 Reasons Why' The Second Polaroid (2018)
Directed by: Karen Moncrieff
Cinematography by: Cameron Duncan
Edited by: Philip Harrison
Lead Scenic Artist
'13 Reasons Why' The Chalk Machine (2018)
Directed by: Eliza Hittman
Cinematography by: Cameron Duncan
Edited by: Sue Blainey
Lead Scenic Artist
'13 Reasons Why' The Drunk Slut (2018)
Directed by: Karen Moncrieff
Cinematography by: Cameron Duncan
Edited by: Philip Harrison
Lead Scenic Artist
'13 Reasons Why' The First Polaroid (2018)
Directed by: Gregg Araki
Cinematography by: Cameron Duncan
Edited by: Jacques Gravett
Lead Scenic Artist
'13 Reasons Why' Two Girls Kissing (2018)
Directed by: Gregg Araki
Cinematography by: Cameron Duncan
Edited by: Jacques Gravett
Lead Scenic Artist
'13 Reasons Why' Bryce and Chloe (2018)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
Lead Scenic Artist / Head Paint Foreman - 39 Episodes, 2017-2019
13 Reasons Why (2017)
Directed by: Jessica Yu, Kyle Patrick Alvarez, Gregg Araki, Michael Morris, Kevin Dowling, Carl Franklin, Tom McCarthy, Helen Shaver, Kat Candler, Eliza Hittman, Karen Moncrieff, Aurora Guerrero, Bronwen Hughes, John T. Kretchmer
Cinematography by: Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams
Edited by: Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox
Cameras: Panasonic VariCam 35
Editing System: Avid Editing System
Head Paint Foreman
'13 Reasons Why' Tape 1, Side A (2017)
Directed by: Tom McCarthy
Cinematography by: Andrij Parekh
Edited by: Leo Trombetta
Head Paint Foreman
'13 Reasons Why' Tape 3, Side A (2017)
Directed by: Kyle Patrick Alvarez
Cinematography by: Ivan Strasburg
Edited by: Matthew Ramsey
Head Paint Foreman
'13 Reasons Why' Tape 2, Side B (2017)
Directed by: Helen Shaver
Cinematography by: Ivan Strasburg
Edited by: Daniel Gabbe
Head Paint Foreman
'13 Reasons Why' Tape 2, Side A (2017)
Directed by: Helen Shaver
Cinematography by: Ivan Strasburg
Edited by: Daniel Gabbe
Head Paint Foreman
'13 Reasons Why' Tape 1, Side B (2017)
Directed by: Tom McCarthy
Cinematography by: Andrij Parekh
Edited by: Leo Trombetta
Head Paint Foreman
'13 Reasons Why' Tape 4, Side A (2017)
Directed by: Gregg Araki
Cinematography by: Ivan Strasburg
Edited by: Leo Trombetta
Head Paint Foreman
'13 Reasons Why' Tape 3, Side B (2017)
Directed by: Kyle Patrick Alvarez
Cinematography by: Ivan Strasburg
Edited by: Matthew Ramsey
Head Paint Foreman
'13 Reasons Why' Tape 4, Side B (2017)
Directed by: Gregg Araki
Cinematography by: Ivan Strasburg
Edited by: Leo Trombetta
Head Paint Foreman
'13 Reasons Why' Tape 6, Side A (2017)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
Edited by: Matthew Ramsey
Head Paint Foreman
'13 Reasons Why' Tape 5, Side B (2017)
Directed by: Carl Franklin
Cinematography by: Ivan Strasburg
Edited by: Daniel Gabbe
Head Paint Foreman
'13 Reasons Why' Tape 5, Side A (2017)
Directed by: Carl Franklin
Cinematography by: Ivan Strasburg
Edited by: Daniel Gabbe
Head Paint Foreman
'13 Reasons Why' Tape 6, Side B (2017)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
Edited by: Matthew Ramsey
Head Paint Foreman
'13 Reasons Why' Tape 7, Side A (2017)
Directed by: Kyle Patrick Alvarez
Cinematography by: Ivan Strasburg
Edited by: Leo Trombetta
Lead Scenic
Steve Jobs (2015)
Directed by: Danny Boyle
Cinematography by: Alwin H. Küchler
Edited by: Elliot Graham
Cameras: ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Lead Scenic Artist: 2nd Unit San Francisco
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Lead Scenic Artist: California
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Head Scenic Artist: San Francisco / Stand-by Painter: San Francisco
Big Eyes (2014)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: JC Bond
Editing System: Avid Editing System
Lead Scenic Artist
Blue Jasmine (2013)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
On Set Painter: San Francisco
The Internship (2013)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA Plus Camera
Lead Scenic Artist: Palo Alto
Jobs (2013)
Directed by: Joshua Michael Stern
Cinematography by: Russell Carpenter
Edited by: Robert Komatsu
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Ultra Prime Lenses
Painter: California
On the Road (2012)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: François Gédigier
Cameras: Aaton Penelope Camera
Lead Scenic Artist
Chasing Mavericks (2012)
Cinematography by: Bill Pope
Edited by: John Gilbert
Cameras: ARRI ALEXA Camera, Red Epic Camera
On-set Painter
Hemingway & Gellhorn (2012)
Directed by: Philip Kaufman
Cinematography by: Rogier Stoffers
Edited by: Walter Murch
Cameras: ARRI ALEXA Camera
Editing System: Final Cut Pro Editing System
On-set Painter
The Master (2012)
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
Painter / Scenic Artist
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
