Extras Casting Associate: Washington DC Unit
Rustin (2023)
Directed by: George C. Wolfe
Cinematography by: Tobias A. Schliessler
Edited by: Andrew Mondshein
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Rental DNA LF Lenses
Extras Casting: Atlanta / Extras Casting: Additional Photography
The Spy Who Dumped Me (2018)
Directed by: Susanna Fogel
Cinematography by: Barry Peterson
Edited by: Jonathan Schwartz
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Extras Casting
Allegiant (2016)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Stuart Levy
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Extras Casting
Dirty Grandpa (2016)
Directed by: Dan Mazer
Cinematography by: Eric Alan Edwards
Edited by: Anne McCabe
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke S4 Lenses
Extras Casting
'Finding Carter' Love the Way You Lie (2015)
Directed by: Jennifer Lynch
Cinematography by: Alison Kelly
Edited by: Brandon Lott
Extras Casting
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Extras Casting
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Extras Casting
'Finding Carter' One Hour Photo (2014)
Directed by: Peter Lauer
Cinematography by: Alison Kelly
Edited by: John Wesley Whitton
Extras Casting
'Finding Carter' The Long Goodbye (2014)
Directed by: Peter Lauer
Cinematography by: Alison Kelly
Edited by: Jim Towne
Extras Casting
'Finding Carter' Love Story (2014)
Directed by: Jennifer Lynch
Cinematography by: Alison Kelly
Edited by: Tammis Chandler
Extras Casting
'Finding Carter' Do the Right Thing (2014)
Directed by: Jennifer Lynch
Cinematography by: Alison Kelly
Edited by: John Wesley Whitton
Extras Casting
'Finding Carter' Half Baked (2014)
Directed by: Jamie Travis
Cinematography by: Alison Kelly
Edited by: Jim Towne
Extras Casting
'Finding Carter' Throw Momma from the Train (2014)
Directed by: Jamie Travis
Cinematography by: Alison Kelly
Edited by: Tammis Chandler
Extras Casting
'Finding Carter' The Fugitive (2014)
Directed by: Rose Troche
Cinematography by: Alison Kelly
Edited by: John Wesley Whitton
Extras Casting
'Finding Carter' The Heat (2014)
Directed by: John Terlesky
Cinematography by: Alison Kelly
Edited by: Jim Towne
Extras Casting
'Finding Carter' Now You See Me (2014)
Directed by: Rob Hardy
Cinematography by: Alison Kelly
Edited by: Tammis Chandler
Extras Casting
'Finding Carter' Drive (2014)
Directed by: Rob Hardy
Cinematography by: Alison Kelly
Edited by: John Wesley Whitton
Extras Casting
'Finding Carter' Pilot (2014)
Directed by: Scott Speer
Cinematography by: Karsten Gopinath
Extras Casting - 13 Episodes, 2014-2015
Finding Carter (2014)
Directed by: Scott Speer, Jennifer Lynch, Norman Buckley, Jeff Melman, John Terlesky, Rob Hardy, Peter Lauer, Jamie Travis, Brian Dannelly, Jonathan Frakes, Gavin Polone, Rose Troche, Rodman Flender, Jay Karas, Anna Mastro, Sharat Raju
Edited by: Jim Towne, John Wesley Whitton, Tad Dennis, Brandon Lott, Tammis Chandler, Robin Katz, Evan Henke
Lenses: Leitz Summilux-C Series Lenses
Extras Casting
Let's Be Cops (2014)
Directed by: Luke Greenfield
Cinematography by: Daryn Okada
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Extras Casting
The Hunger Games: Mockingjay - Part 1 (2014)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Extras Casting
Anchorman 2: The Legend Continues (2013)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Cameras: ARRI ALEXA Camera
Extras Casting
Last Vegas (2013)
Directed by: Jon Turteltaub
Cinematography by: David Hennings
Edited by: David Rennie
Cameras: ARRI ALEXA Camera
Extras Casting
The Internship (2013)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA Plus Camera
Extras Casting
42 (2013)
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Extras Casting
The Hunger Games: Catching Fire (2013)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Extras Casting Coordinator
American Reunion (2012)
Cinematography by: Daryn Okada
Edited by: Jeff Betancourt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
