Color Science Engineer
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Color Science Engineer
Thor: Ragnarok (2017)
Directed by: Taika Waititi
Cinematography by: Javier Aguirresarobe
Color Science Engineer
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Color Scientist
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Color Science Engineer
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Color Scientist
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Digital Intermediate Technical Producer
A Haunted House (2013)
Directed by: Michael Tiddes
Cinematography by: Steve Gainer
Edited by: Suzanne Hines
Digital Intermediate Technical Supervisor
The Call (2013)
Directed by: Brad Anderson
Cinematography by: Thomas Yatsko
Edited by: Avi Youabian
Cameras: ARRI ALEXA Camera, Phantom Flex Camera
Lenses: Angenieux Optimo Zoom Lenses
Digital Intermediate Technical Supervisor
The Magic of Belle Isle (2012)
Directed by: Rob Reiner
Cinematography by: Reed Morano
Edited by: Dorian Harris
Cameras: ARRI ALEXA Camera
Digital Intermediate Engineer
'RPM Miami' La Busqueda (The Seach) (2011)
Directed by: Jacobo Rispa
Cinematography by: Juan Pablo Puentes
Edited by: Macorix Perera
Digital Intermediate Engineer
'RPM Miami' Soñar no cuesta nada (Dreaming Is Cheap) (2011)
Directed by: Jacobo Rispa
Cinematography by: Juan Pablo Puentes
Edited by: Macorix Perera
Digital Intermediate Engineer
'RPM Miami' Nadie sabe para quien trabaja (Nobody Know Who He Works For) (2011)
Directed by: Jacobo Rispa
Cinematography by: Juan Pablo Puentes
Edited by: Macorix Perera
Digital Intermediate Engineer
'RPM Miami' Todos los caminos llevan a Sunny Harbor (All Roads Take to Sunny Harbor) (2011)
Directed by: Jacobo Rispa
Cinematography by: Juan Pablo Puentes
Edited by: Macorix Perera
Digital Intermediate Engineer
'RPM Miami' Espejismos (Mirage) (2011)
Directed by: Jacobo Rispa
Cinematography by: Juan Pablo Puentes
Edited by: Macorix Perera
Digital Intermediate Engineer
'RPM Miami' Golpe bajo (Low Blow) (2011)
Directed by: Jacobo Rispa
Cinematography by: Juan Pablo Puentes
Edited by: Macorix Perera
Digital Intermediate Engineer
'RPM Miami' El dueño del reloj (The Owner of the Watch) (2011)
Directed by: Jacobo Rispa
Cinematography by: Juan Pablo Puentes
Digital Intermediate Engineer
'RPM Miami' Sospecha y acertaras (Distrust) (2011)
Directed by: Jacobo Rispa
Cinematography by: Juan Pablo Puentes
Digital Intermediate Engineer
'RPM Miami' El hijo prodigio (The Prodigal Son) (2011)
Directed by: Jacobo Rispa
Cinematography by: Juan Pablo Puentes
Digital Intermediate Engineer
'RPM Miami' El Reencuentro (The Reunion) (2011)
Directed by: Jacobo Rispa
Cinematography by: Juan Pablo Puentes
Digital Intermediate Engineer
'RPM Miami' See You Later, Aligator (2011)
Directed by: Jacobo Rispa
Cinematography by: Juan Pablo Puentes
Digital Intermediate Engineer
'RPM Miami' La ultima carrera (The Last Race) (2011)
Directed by: Jacobo Rispa
Cinematography by: Juan Pablo Puentes
Digital Intermediate Engineer
'RPM Miami' El regreso (Homecoming) (2011)
Directed by: Jacobo Rispa
Cinematography by: Juan Pablo Puentes
Edited by: Macorix Perera
Digital Intermediate Engineer - 13 Episodes, 2011
RPM Miami (2011)
Directed by: Jacobo Rispa
Cinematography by: Juan Pablo Puentes
Digital Intermediate Technical Director
Cassadaga (2011)
Directed by: Anthony DiBlasi
Cinematography by: Jose Zambrano Cassella
Edited by: Kristian Otero
Cameras: Red Digital Cinema Cameras, Red One Camera
Editing System: Final Cut Pro Editing System
Digital Intermediate Technical Director
Little Birds (2011)
Directed by: Elgin James
Cinematography by: Reed Morano
Edited by: Suzanne Spangler
Digital Intermediate Technical Director
Life of Lemon (2011)
Directed by: Randy Kent
Cinematography by: Cira Felina Bolla
Digital Intermediate Technical Director
Detention (2011)
Directed by: Joseph Kahn
Cinematography by: Christopher Probst
Edited by: David Blackburn
Digital Intermediate Technical Director
I Melt with You (2011)
Directed by: Mark Pellington
Cinematography by: Eric Schmidt
Edited by: Don Broida
Engineer
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Engineer: R!OT Pictures
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Engineer
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Senior Production Services Technician
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Engineer
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Engineer
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Engineer
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Engineer
Kill Bill: Vol. 1 (2003)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
